BETWEEN FACT AND FICTION MIHALOĞLU ALI BEY AND AKINCI TYPE ACCORDING TO SÛZÎ ÇELEBI

Osman Horata

Makale detayları

BETWEEN FACT AND FICTION MIHALOĞLU ALI BEY AND AKINCI TYPE ACCORDING TO SÛZÎ ÇELEBI

Yazarlar:

Osman Horata

Yayıncı:

Hacettepe University

Ana Başlıklar:

Türk İslam Edebiyatı | Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Türkbilig Vol.2024 Issue 48, pp.1-17

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336181

pISSN:

1302-6011

Anahtar kelimeler:

Özet:

 The raiding, which is the subject of many works from gazavatnamas to border folk songs, is an important subject in terms of Turkish literature as well as Turkish history. Sûzî Çelebis d.9311524 Gazavât-nâme, in which he describes the raids and loves of Mihaloğlu Ali Bey d. 9061506, is of particular importance as it is the only work devoted entirely to this subject. On the other hand, the work hasnt been sufficiently analyzed, especially in its literary aspect. Until the late 16th century, akıncıs raiders, who constituted an important element of the Ottoman military system, were light cavalry units that undertook an important mission in the Ottoman advance into the interior of Europe through intelligence and attrition operations against enemy countries. Mihaloğlu Ali was a akıncı bey who was famous for his heroism among the raider families. Generally composed of Turkmens and fighting for the purpose of gaza and jihad, the akıncıs combine the characteristics of the pre-Islamic alp type and the post-Islamic gazi type. Sûzîs Gazavât-nâme, which contains episodes from the life of a akıncı bey, is an unfinished masnawi of 1795 couplets. The subject of the work is the four raids of Ali Bey and his love affair with Meryem, the daughter of the Wallachian prince, and her friend Bânû. The section on love is no different from the love masnawis with dual heroes in many ways. The only historical part is the heroes of love. Only the heroes of love are historical. There isnt hatime section in the work. In the Gazavât-nâme, a clear, lively narrative style is used in the sections where and describing raids and didactic sections containing parables and exhortations. In descriptions and poems such as ghazals, strong, artistic expressions add variety and depth to the narrative. According to Sûzî, the main goal of a raider is to go to war to protect and glorify the religion of Allah and to be martyred in this way. Ali Bey is a legendary hero who pursues the soldier of gaza and isnt left alone by the unseen saints. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis companion, and is a heritage passed down from forefather to son. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis traveling companion, and has been passed down from ancestor to son.

 The raiding, which is the subject of many works from gazavatnamas to border folk songs, is an important subject in terms of Turkish literature as well as Turkish history. Sûzî Çelebis d.9311524 Gazavât-nâme, in which he describes the raids and loves of Mihaloğlu Ali Bey d. 9061506, is of particular importance as it is the only work devoted entirely to this subject. On the other hand, the work hasnt been sufficiently analyzed, especially in its literary aspect. Until the late 16th century, akıncıs raiders, who constituted an important element of the Ottoman military system, were light cavalry units that undertook an important mission in the Ottoman advance into the interior of Europe through intelligence and attrition operations against enemy countries. Mihaloğlu Ali was a akıncı bey who was famous for his heroism among the raider families. Generally composed of Turkmens and fighting for the purpose of gaza and jihad, the akıncıs combine the characteristics of the pre-Islamic alp type and the post-Islamic gazi type. Sûzîs Gazavât-nâme, which contains episodes from the life of a akıncı bey, is an unfinished masnawi of 1795 couplets. The subject of the work is the four raids of Ali Bey and his love affair with Meryem, the daughter of the Wallachian prince, and her friend Bânû. The section on love is no different from the love masnawis with dual heroes in many ways. The only historical part is the heroes of love. Only the heroes of love are historical. There isnt hatime section in the work. In the Gazavât-nâme, a clear, lively narrative style is used in the sections where and describing raids and didactic sections containing parables and exhortations. In descriptions and poems such as ghazals, strong, artistic expressions add variety and depth to the narrative. According to Sûzî, the main goal of a raider is to go to war to protect and glorify the religion of Allah and to be martyred in this way. Ali Bey is a legendary hero who pursues the soldier of gaza and isnt left alone by the unseen saints. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis companion, and is a heritage passed down from forefather to son. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis traveling companion, and has been passed down from ancestor to son.

 The raiding, which is the subject of many works from gazavatnamas to border folk songs, is an important subject in terms of Turkish literature as well as Turkish history. Sûzî Çelebis d.9311524 Gazavât-nâme, in which he describes the raids and loves of Mihaloğlu Ali Bey d. 9061506, is of particular importance as it is the only work devoted entirely to this subject. On the other hand, the work hasnt been sufficiently analyzed, especially in its literary aspect. Until the late 16th century, akıncıs raiders, who constituted an important element of the Ottoman military system, were light cavalry units that undertook an important mission in the Ottoman advance into the interior of Europe through intelligence and attrition operations against enemy countries. Mihaloğlu Ali was a akıncı bey who was famous for his heroism among the raider families. Generally composed of Turkmens and fighting for the purpose of gaza and jihad, the akıncıs combine the characteristics of the pre-Islamic alp type and the post-Islamic gazi type. Sûzîs Gazavât-nâme, which contains episodes from the life of a akıncı bey, is an unfinished masnawi of 1795 couplets. The subject of the work is the four raids of Ali Bey and his love affair with Meryem, the daughter of the Wallachian prince, and her friend Bânû. The section on love is no different from the love masnawis with dual heroes in many ways. The only historical part is the heroes of love. Only the heroes of love are historical. There isnt hatime section in the work. In the Gazavât-nâme, a clear, lively narrative style is used in the sections where and describing raids and didactic sections containing parables and exhortations. In descriptions and poems such as ghazals, strong, artistic expressions add variety and depth to the narrative. According to Sûzî, the main goal of a raider is to go to war to protect and glorify the religion of Allah and to be martyred in this way. Ali Bey is a legendary hero who pursues the soldier of gaza and isnt left alone by the unseen saints. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis companion, and is a heritage passed down from forefather to son. The heroism of the Mihaloğulları family dates back to Köse Mihal, Osman Gazis traveling companion, and has been passed down from ancestor to son.

 Akıncılar, Osmanlılarda düşman ülkelerine dönük yıpratma ve istihbarat faaliyetlerinde bulunan hafif süvari birlikleridir. 16. asrın sonlarına kadar İmparatorluğun sınırlarının Avrupa içlerine kadar genişlemesinde önemli bir rol oynayan akıncılar, bu özellikleri sebebiyle gazavatnamelerden romanlara ve serhat türkülerine kadar Türk edebiyatında da birçok esere konu edilmiştir. Bunlar içinde Sûzî Çelebinin ö.1524 Mihaloğlu Ali Beyin ö.1506 akınlarını ve aşklarını anlattığı Gazavât-nâmesi ise, bütünüyle bu konuya hasredilen tek eser olması sebebiyle ayrı bir öneme sahiptir. Buna karşılık eser bilhassa edebî yönüyle yeterince incelenmemiştir. Gazavât-nâme, 1795 beyitten oluşan yarım kalmış bir mesnevidir. Eserin konusunu, Ali Beyin dört akını ile Eflak prensinin kızı Meryem ve arkadaşı Bânû ile yaşadığı aşk oluşturmaktadır. Aşkla ilgili bölüm, birçok yönüyle çift kahramanlı aşk mesnevilerine benzemektedir. Tarihî olan ise sadece aşkın kahramanlarıdır. Eserde hatime bölümü ise yoktur. Gazavât-nâmede, akınların anlatıldığı yerler ile kıssalar ve öğütler içeren didaktik muhtevalı kısımlarda açık ve canlı tahkiye üslubu hâkimdir. Tasvirlerde ve gazel vb. şiirler kısmında ise güçlü, sanatkârane bir üslup tercih edilmiştir. Eserde asıl ağırlığı da aksiyondan ziyade bu kısımlar oluşturur. Sûzîye göre, bir akıncının asıl gayesi Allahın dinini korumak ve yüceltmek için gaza etmek ve bu yolda şehit düşmektir. Ali Bey de, gaza peşinde koşan, gayp erenlerinin yalnız bırakmadığı efsanevi bir kahramandır. Ali Bey gibi, Mihaloğulları ailesinin kahramanlığı da Osman Gazinin yol arkadaşı Köse Mihale dayanmaktadır. Genellikle Türkmenlerden teşekkül eden, hayatlarını devlet için akına, Allah için de gaza ve cihata adayan akıncılar, bu özellikleriyle İslamiyetten önceki alp tipiyle İslamiyetten sonraki gazi tipinin özelliklerini bir arada toplayan, kolonizatör Türk dervişlerinden daha farklı bir tiptir.

Makale detayları

BETWEEN FACT AND FICTION MIHALOĞLU ALI BEY AND AKINCI TYPE ACCORDING TO SÛZÎ ÇELEBI

Yazarlar:

Osman Horata

Yayıncı:

Hacettepe University

Ana Başlıklar:

Türk İslam Edebiyatı | Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Türkbilig Vol.2024 Issue 48, pp.1-17

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336181

pISSN:

1302-6011

Classical Turkish Literature

Gazavât-nâme

Sûzî Çelebi

Mihaloğlu Ali Bey

“Akıncı”sKlasik Türk Edebiyatı

Gazavatname

Sûzî Çelebi

Mihaloğlu Ali Bey

Akıncılar

Sayı

Makale detayları

Yazarlar: Osman Horata

Yayıncı: Hacettepe University

Ana Başlıklar: Türk İslam Edebiyatı | Osmanlı Sahası Klasik Türk Edebiyatı

Dergi: Türkbilig Vol.2024 Issue 48, pp.1-17

Belge Tipi: Makale

Yayın Tarihi: 12/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001336181

pISSN: 1302-6011

Sayı

Yazarlar:

Osman Horata

Yayıncı:

Hacettepe University

Ana Başlıklar:

Türk İslam Edebiyatı | Osmanlı Sahası Klasik Türk Edebiyatı

Dergi:

Türkbilig Vol.2024 Issue 48, pp.1-17

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336181

pISSN:

1302-6011