The Religious Elements Found in The Lyrics of Aşık Veysel’s Folk Songs in the Broken Air (Rhythmic) Style

Tacetdin Bıyık

Makale detayları

The Religious Elements Found in The Lyrics of Aşık Veysel’s Folk Songs in the Broken Air (Rhythmic) Style

Yazarlar:

Tacetdin Bıyık

Yayıncı:

Tekirdag Namik Kemal University

Ana Başlıklar:

İslam Araştırmaları (Diğer)

Dergi:

Tasavvur / Tekirdağ İlahiyat Dergisi Vol.10 Issue 1, pp.145-176

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320436

pISSN:

2619-9130

Anahtar kelimeler:

Özet:

 In folk songs, which can be described as melodies reflecting the feelings and thoughts of the people, it is possible to find all kinds of events experienced by the person or society, all kinds of emotions that can be felt, in other words, the joy, sadness, life and beliefs of individuals andor society, in short, all elements of life. Folk songs are one of the most important sources in which societys perception of religion, religious life, and how religion is theoretically or practically embodied in daily life can be determined. With this study, it is aimed to determine the reflections of the subject of religion Islam in the folk songs of Âşık Veysel, the existence of the subject of religion, how it takes place theoretically and practically, and to classify and evaluate the materials found. Before moving on to the main topic in the study, brief and concise information was given about Âşık Veysel and his folk songspoems. In the main part of the study, the religious elements contained in the lyrics of Âşık Veysels compositionsadaptations and lyrics in a total of thirty-seven pieces of broken air style procedural rhythmic works belonging to him were examined in the form of substances. The works belonging to him that he sang as poems without melody, the works that were in a unmetered folk song style uzun hava, rhythmless and free rhythm, and the works whose lyrics belonged to other bardspoets and were performed by Âşık Veysel were not subjected to examination. This limitation of the scope of the study is due to the fact that Veysels folk songs are more widespread, visible and listened to, as well as the fact that the analysis of all his works exceeds the volume of the article. Based on the saying what is inside the cube seeps out of it, a number of results have been achieved as a result of studying the religious elements found in the lyrics of the songs composed and sung by Âşık Veysel in the metered folk song stylekırık hava, rhythmic style. Many religious and mystical topics such as Allah, prophets, holy books, worldly life, the hereafter, heaven, hell, death, mourning, fate, spiritualluminous beings, sacrifice, prayer, curse, martyrdom, veteran, sects, loyalty and dhikr have been directly or indirectly included in folk songs, which are usually seen to be sungwritten in an admonitory style. Prayer, zakat, fasting, hajj, etc. practical issues have not been included at all.

 In folk songs, which can be described as melodies reflecting the feelings and thoughts of the people, it is possible to find all kinds of events experienced by the person or society, all kinds of emotions that can be felt, in other words, the joy, sadness, life and beliefs of individuals andor society, in short, all elements of life. Folk songs are one of the most important sources in which societys perception of religion, religious life, and how religion is theoretically or practically embodied in daily life can be determined. With this study, it is aimed to determine the reflections of the subject of religion Islam in the folk songs of Âşık Veysel, the existence of the subject of religion, how it takes place theoretically and practically, and to classify and evaluate the materials found. Before moving on to the main topic in the study, brief and concise information was given about Âşık Veysel and his folk songspoems. In the main part of the study, the religious elements contained in the lyrics of Âşık Veysels compositionsadaptations and lyrics in a total of thirty-seven pieces of broken air style procedural rhythmic works belonging to him were examined in the form of substances. The works belonging to him that he sang as poems without melody, the works that were in a unmetered folk song style uzun hava, rhythmless and free rhythm, and the works whose lyrics belonged to other bardspoets and were performed by Âşık Veysel were not subjected to examination. This limitation of the scope of the study is due to the fact that Veysels folk songs are more widespread, visible and listened to, as well as the fact that the analysis of all his works exceeds the volume of the article. Based on the saying what is inside the cube seeps out of it, a number of results have been achieved as a result of studying the religious elements found in the lyrics of the songs composed and sung by Âşık Veysel in the metered folk song stylekırık hava, rhythmic style. Many religious and mystical topics such as Allah, prophets, holy books, worldly life, the hereafter, heaven, hell, death, mourning, fate, spiritualluminous beings, sacrifice, prayer, curse, martyrdom, veteran, sects, loyalty and dhikr have been directly or indirectly included in folk songs, which are usually seen to be sungwritten in an admonitory style. Prayer, zakat, fasting, hajj, etc. practical issues have not been included at all.

 In folk songs, which can be described as melodies reflecting the feelings and thoughts of the people, it is possible to find all kinds of events experienced by the person or society, all kinds of emotions that can be felt, in other words, the joy, sadness, life and beliefs of individuals andor society, in short, all elements of life. Folk songs are one of the most important sources in which societys perception of religion, religious life, and how religion is theoretically or practically embodied in daily life can be determined. With this study, it is aimed to determine the reflections of the subject of religion Islam in the folk songs of Âşık Veysel, the existence of the subject of religion, how it takes place theoretically and practically, and to classify and evaluate the materials found. Before moving on to the main topic in the study, brief and concise information was given about Âşık Veysel and his folk songspoems. In the main part of the study, the religious elements contained in the lyrics of Âşık Veysels compositionsadaptations and lyrics in a total of thirty-seven pieces of broken air style procedural rhythmic works belonging to him were examined in the form of substances. The works belonging to him that he sang as poems without melody, the works that were in a unmetered folk song style uzun hava, rhythmless and free rhythm, and the works whose lyrics belonged to other bardspoets and were performed by Âşık Veysel were not subjected to examination. This limitation of the scope of the study is due to the fact that Veysels folk songs are more widespread, visible and listened to, as well as the fact that the analysis of all his works exceeds the volume of the article. Based on the saying what is inside the cube seeps out of it, a number of results have been achieved as a result of studying the religious elements found in the lyrics of the songs composed and sung by Âşık Veysel in the metered folk song stylekırık hava, rhythmic style. Many religious and mystical topics such as Allah, prophets, holy books, worldly life, the hereafter, heaven, hell, death, mourning, fate, spiritualluminous beings, sacrifice, prayer, curse, martyrdom, veteran, sects, loyalty and dhikr have been directly or indirectly included in folk songs, which are usually seen to be sungwritten in an admonitory style. Prayer, zakat, fasting, hajj, etc. practical issues have not been included at all.

 Halkın duygu ve düşüncelerini yansıtan ezgiler diye tarif edilebilecek türkülerde, kişinin veya toplumun yaşadığı her tür olayı, hissedilebilen her çeşit duyguyu diğer bir ifade ile kişilerin veveya toplumun neşesini, üzüntüsünü, yaşantısını ve inançlarını kısacası hayatın bütün unsurlarını bulmak mümkündür. Türküler, toplumun din algısının, dinî yaşantısının, dinin teorik veya pratik olarak günlük hayatta karşılığının ne şekilde vücut bulduğunun tespit edilebileceği en önemli kaynaklardan birisidir. Bu çalışmayla, din İslâm konusunun Âşık Veysel türkülerindeki yansımalarının din konusunun mevcudiyeti, nazarî ve amelî olarak ne şekilde yer aldığının tespiti, bulunan materyallerin tasnifi ve değerlendirilmesi amaçlanmıştır. Çalışmada esas konuya geçmeden önce Âşık Veysel ve türkülerişiirleri hakkında kısa ve öz bilgiler verildi. Çalışmanın esas kısmında ise Âşık Veyselin besteuyarlama ve güftesi kendisine ait olan toplam otuz yedi adet kırık hava tarzındaki usullü ritimli eserlerinin güftelerinde yer alan dinî unsurlar maddeler hâlinde incelendi. Bu çalışmada, ozanın kendisine ait olup şiir formunda, ezgisiz olarak seslendirdiği eserler ve uzun hava tarzında olup serbest ritimli olan eserler ile sözleri başka ozanlara ait olup Âşık Veysel tarafından seslendirilen eserler incelemeye tabi tutulmadı. Çalışma kapsamının bu şekilde sınırlandırılmasında, Veyselin söz konusu türkülerinin daha yaygın, görünür ve dinlenir olmasının yanı sıra tüm eserlerinin tahlilinin makale hacmini aşması hususları etkili olmuştur. Küpün içinde ne varsa dışına o sızar sözünden hareketle beste ve güftesi Âşık Veysele ait kırık hava tarzındaki usullü türkülerin sözlerinde bulunan dinî unsurların incelenmesi neticesinde birtakım sonuçlara ulaşılmıştır. Genellikle nasihatçi bir üslupla söylendiğiyazıldığı görülen türkülerde; Allah, peygamberler, kutsal kitaplar, dünya hayatı, ahiret, cennet, cehennem, ölüm, yas, kader, ruhânînûranî varlıklar, kurban, dua, beddua, şehitlik, gazilik, mezhepler, vefa, sadakat ve hû çekmek gibi dinî, tasavvufî birçok konu doğrudan ya da dolaylı olarak yer almıştır. Namaz, zekât, oruç, hac vb. amelî konular ise hiç yer almamıştır.

Makale detayları

The Religious Elements Found in The Lyrics of Aşık Veysel’s Folk Songs in the Broken Air (Rhythmic) Style

Yazarlar:

Tacetdin Bıyık

Yayıncı:

Tekirdag Namik Kemal University

Ana Başlıklar:

İslam Araştırmaları (Diğer)

Dergi:

Tasavvur / Tekirdağ İlahiyat Dergisi Vol.10 Issue 1, pp.145-176

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320436

pISSN:

2619-9130

Âşık Veysel

Art

Folk Song

Religious Elements

FaithÂşık Veysel

Sanat

Türkü

Dinî Unsurlar

İnanç

Sayı

Makale detayları

Yazarlar: Tacetdin Bıyık

Yayıncı: Tekirdag Namik Kemal University

Ana Başlıklar: İslam Araştırmaları (Diğer)

Dergi: Tasavvur / Tekirdağ İlahiyat Dergisi Vol.10 Issue 1, pp.145-176

Belge Tipi: Makale

Yayın Tarihi: 6/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001320436

pISSN: 2619-9130

Sayı

Yazarlar:

Tacetdin Bıyık

Yayıncı:

Tekirdag Namik Kemal University

Ana Başlıklar:

İslam Araştırmaları (Diğer)

Dergi:

Tasavvur / Tekirdağ İlahiyat Dergisi Vol.10 Issue 1, pp.145-176

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320436

pISSN:

2619-9130