The Functionality of Tarannum, Words and the Use of Added Lyrics in Turkish Music

Ayşe Emsal Aksın Çevik

Makale detayları

The Functionality of Tarannum, Words and the Use of Added Lyrics in Turkish Music

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Necmettin Erbakan University

Ana Başlıklar:

Türk Halk Müziğinde Yorumculuk | Türk Sanat Müziğinde Kompozisyon | Türk Sanat Müziğinde Yorumculuk

Dergi:

İSTEM Issue 44, pp.581-608

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001337232

pISSN:

1304-0618

Anahtar kelimeler:

Özet:

 Poetry is the most important element of the composition created with the oral works of Turkish music. Poetry is created in a literary integrity by supporting the poets emotion with various word arts and deep expressions. A work consisting of the combination of poetry with melody can be expressed as a situation in which both auditory and spiritual values address the human soul in an integrated manner. This study examines the purposes of tarannums, words, the added lyrics as lexical or non-lexical syllables, words or word groups, which are used independently of the lyrics and together with the melody in many forms of both religious and non-religious works of Turkish music. Based on the notated transcriptions, the study investigates the ways in which tarannum, words and added lyrics are used in traditional Turkish music. Based on our findings, the unknown aspects of the purposes of the use of tarannums, words, and added lyrics seen in anonymous or composed works in Turkish Folk Music and Classical Turkish Music forms have been discussed in detail for the first time. In the research, which used the document scanning model, the lyric structure of the works in the State Choir note archive and Repertukul sheet music archive were first examined. With the performance recordings available online, how the existing lyrics were placed on the transcription and the relationship between this placement and the lyrics, as well as the tarannum, words and added lyrics, were questioned. Based on traditional performances, it was tried to interpret the possibilities of how these elements were used. According to the findings of the research, it is seen that tarannums , which is compulsory only in Classical Turkish Music compositional forms, is used in almost every form. In addition, it has been concluded that tarannums, words, added lyrics support the lyrics in terms of meaning and guide the composers in terms of the relationship of pattern and aruz rhythm. In addition, it has been concluded that the added words and added lyrics employed beyond the main lyrics by the composers or the source persons support the meaning emphasis.

 Poetry is the most important element of the composition created with the oral works of Turkish music. Poetry is created in a literary integrity by supporting the poets emotion with various word arts and deep expressions. A work consisting of the combination of poetry with melody can be expressed as a situation in which both auditory and spiritual values address the human soul in an integrated manner. This study examines the purposes of tarannums, words, the added lyrics as lexical or non-lexical syllables, words or word groups, which are used independently of the lyrics and together with the melody in many forms of both religious and non-religious works of Turkish music. Based on the notated transcriptions, the study investigates the ways in which tarannum, words and added lyrics are used in traditional Turkish music. Based on our findings, the unknown aspects of the purposes of the use of tarannums, words, and added lyrics seen in anonymous or composed works in Turkish Folk Music and Classical Turkish Music forms have been discussed in detail for the first time. In the research, which used the document scanning model, the lyric structure of the works in the State Choir note archive and Repertukul sheet music archive were first examined. With the performance recordings available online, how the existing lyrics were placed on the transcription and the relationship between this placement and the lyrics, as well as the tarannum, words and added lyrics, were questioned. Based on traditional performances, it was tried to interpret the possibilities of how these elements were used. According to the findings of the research, it is seen that tarannums , which is compulsory only in Classical Turkish Music compositional forms, is used in almost every form. In addition, it has been concluded that tarannums, words, added lyrics support the lyrics in terms of meaning and guide the composers in terms of the relationship of pattern and aruz rhythm. In addition, it has been concluded that the added words and added lyrics employed beyond the main lyrics by the composers or the source persons support the meaning emphasis.

 Poetry is the most important element of the composition created with the oral works of Turkish music. Poetry is created in a literary integrity by supporting the poets emotion with various word arts and deep expressions. A work consisting of the combination of poetry with melody can be expressed as a situation in which both auditory and spiritual values address the human soul in an integrated manner. This study examines the purposes of tarannums, words, the added lyrics as lexical or non-lexical syllables, words or word groups, which are used independently of the lyrics and together with the melody in many forms of both religious and non-religious works of Turkish music. Based on the notated transcriptions, the study investigates the ways in which tarannum, words and added lyrics are used in traditional Turkish music. Based on our findings, the unknown aspects of the purposes of the use of tarannums, words, and added lyrics seen in anonymous or composed works in Turkish Folk Music and Classical Turkish Music forms have been discussed in detail for the first time. In the research, which used the document scanning model, the lyric structure of the works in the State Choir note archive and Repertukul sheet music archive were first examined. With the performance recordings available online, how the existing lyrics were placed on the transcription and the relationship between this placement and the lyrics, as well as the tarannum, words and added lyrics, were questioned. Based on traditional performances, it was tried to interpret the possibilities of how these elements were used. According to the findings of the research, it is seen that tarannums , which is compulsory only in Classical Turkish Music compositional forms, is used in almost every form. In addition, it has been concluded that tarannums, words, added lyrics support the lyrics in terms of meaning and guide the composers in terms of the relationship of pattern and aruz rhythm. In addition, it has been concluded that the added words and added lyrics employed beyond the main lyrics by the composers or the source persons support the meaning emphasis.

 Türk müziği sözlü eserleriyle oluşturulan kompozisyonun en önemli ögesi şiirdir. Şiir, şairin duygusunu çeşitli söz sanatlarıyla ve derin anlatımlarla destekleyerek edebi bir bütünlük içerisinde oluşturulur. Şiirin ezgiyle birlikteliğinden oluşan bir eser ise, hem işitsel hem de manevi değerlerin bütünleşik bir şekilde insan ruhuna seslenmesi durumu olarak ifade edilebilir. Bu araştırma, Türk müziğinin hem dini hem de din dışı eserlerinin birçok formunda güfteden bağımsız olarak ezgiyle birlikte kullanılan katma sözlerin, lafızların ve terennüm olarak adlandırılan anlamlı ve anlamsız hece, söz ve söz gruplarının kullanım amaçlarını incelemektedir. Çalışmada notaya alınmış transkripsiyonlara dayanarak ilgili eserlerde terennümlerin, lafız ve katma sözlerin geleneksel Türk müziğinde hangi şekillerde kullanıldığı araştırılmıştır. Tespitlerimize dayalı olarak Türk Halk Müziği ve Klasik Türk Müziği formlarında bestelenmiş ya da anonim olarak bilinen eserlerde görülen terennüm, katma söz ve lafızların kullanım amaçlarının bilinmeyen yönleri ilk defa ele alınmıştır. Doküman tarama modeli kullanılan araştırmada, Devlet Korosu nota arşivi ve Repertükül nota arşivinde yer alan eserlerin öncelikle güfte yapılarına bakılmıştır. İnternet sitelerinde bulunan icra kayıtları ile de mevcut güftelerin transkripsiyon üzerine nasıl yerleştirildiği ve bu yerleşimin yanı sıra yer alan terennüm, lafız ve katma sözlerin güfteyle ilişkisi sorgulanmıştır. Geleneksel icralara dayalı olarak söz konusu ögelerin nasıl kullanıldığı ile ilgili ihtimaller üzerinden yorumlanmaya çalışılmıştır. Araştırma bulgularına göre sadece Klasik Türk Müziği beste formlarında kullanılması zorunluluk arz eden terennümlerin hemen hemen her formda kullanıldığı görülmektedir. Bunun yanı sıra terennüm, katma söz ve lafızların; güfteyi anlam bakımından desteklediği, usûl-aruz vezni ilişkisi bakımından bestekârlara rehberlik ettiği sonuçlarına ulaşılmıştır. Ayrıca bestekârlar tarafından ya da kaynak kişilerce güfteden bağımsız bir şekilde kullanılan lafız ve katma sözlerin mana vurgusunu desteklediği sonuçlarına ulaşılmıştır.

Makale detayları

The Functionality of Tarannum, Words and the Use of Added Lyrics in Turkish Music

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Necmettin Erbakan University

Ana Başlıklar:

Türk Halk Müziğinde Yorumculuk | Türk Sanat Müziğinde Kompozisyon | Türk Sanat Müziğinde Yorumculuk

Dergi:

İSTEM Issue 44, pp.581-608

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001337232

pISSN:

1304-0618

Tarannum

Added Words

Added Lyrics

Classical Turkish Music

Turkish Folk MusicTerennüm

Lafız

Katma Söz

Klasik Türk Müziği

Türk Halk Müziği

Sayı

Makale detayları

Yazarlar: Ayşe Emsal Aksın Çevik

Yayıncı: Necmettin Erbakan University

Ana Başlıklar: Türk Halk Müziğinde Yorumculuk | Türk Sanat Müziğinde Kompozisyon | Türk Sanat Müziğinde Yorumculuk

Dergi: İSTEM Issue 44, pp.581-608

Belge Tipi: Makale

Yayın Tarihi: 12/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001337232

pISSN: 1304-0618

Sayı

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Necmettin Erbakan University

Ana Başlıklar:

Türk Halk Müziğinde Yorumculuk | Türk Sanat Müziğinde Kompozisyon | Türk Sanat Müziğinde Yorumculuk

Dergi:

İSTEM Issue 44, pp.581-608

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001337232

pISSN:

1304-0618