HASB-I HAL OF A TEKKE POET FROM CANDLE'S LANGUAGE: ŞEM‘A-NAME-İ NECMİ

Bilge Karga Göllü

Makale detayları

HASB-I HAL OF A TEKKE POET FROM CANDLE'S LANGUAGE: ŞEM‘A-NAME-İ NECMİ

Yazarlar:

Bilge Karga Göllü

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Bölgesel Çalışmalar

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 108, pp.331-352

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305679

pISSN:

1306-8253

Anahtar kelimeler:

Özet:

 Ömer Necmi Efendi Necmi H. 1230 ?  M. 1815 - H. 1307  M. 1889 is a dervish lodge-mystic poet who was affiliated with the Halvetiyye, Rıfaiyye, Şazeliyye and Şettariyye orders. The poet, who did not stray from the path of mysticism throughout his life, calls his circle Necmi Baba. The name father, which attracted attention among the Sufis and Yesevi dervishes who took the path of Hajagan in Turkestan in the 12th century, was given to people who distinguished themselves in the upper parts of the society in the following centuries. This shows that the poet is in a respectable position among mystics. Şema-name-i Necmi, which is the subject of our study, is in the Süleymaniye Library Galata Mevlevihane Collection Asset No: 257untitled was found in a manuscript. The writing of this work was completed by Ahmed İrani 18 years after Necmis death, according to the temmet record in it. As a literary genre, Şema-name-i Necmi can be considered as a hasb-i hal that describes the poets ordeal through the language of a candle. The work, which consists of 69 couplets and written in ode verse, is based on mystical love. Candle and propeller symbols are used in connection with the inner journey of the poet, and at the end of the poem, the subject of the integrationunification of the lover and the beloved is discussed, similar to the mystical love masnavis. The text, which has an allegorical feature, describes the poets journey in the background of candle and propeller symbols. Using archaic words, idioms and proverbs, the poet expressed this journey in a fluent and understandable language. In the study, firstly, detailed information about candles was given, after mentioning the use of candles in divan poetry and the tradition of Şem ü Pervane masnavi, Şema-name-i Necmi was emphasized. After the work was evaluated in terms of literary genre, it was also examined in terms of form and content. In the analysis part of the research, only the prose translation of the text was presented, and the transcribed text and facsimile were added to the end of the article.

 Ömer Necmi Efendi Necmi H. 1230 ?  M. 1815 - H. 1307  M. 1889 is a dervish lodge-mystic poet who was affiliated with the Halvetiyye, Rıfaiyye, Şazeliyye and Şettariyye orders. The poet, who did not stray from the path of mysticism throughout his life, calls his circle Necmi Baba. The name father, which attracted attention among the Sufis and Yesevi dervishes who took the path of Hajagan in Turkestan in the 12th century, was given to people who distinguished themselves in the upper parts of the society in the following centuries. This shows that the poet is in a respectable position among mystics. Şema-name-i Necmi, which is the subject of our study, is in the Süleymaniye Library Galata Mevlevihane Collection Asset No: 257untitled was found in a manuscript. The writing of this work was completed by Ahmed İrani 18 years after Necmis death, according to the temmet record in it. As a literary genre, Şema-name-i Necmi can be considered as a hasb-i hal that describes the poets ordeal through the language of a candle. The work, which consists of 69 couplets and written in ode verse, is based on mystical love. Candle and propeller symbols are used in connection with the inner journey of the poet, and at the end of the poem, the subject of the integrationunification of the lover and the beloved is discussed, similar to the mystical love masnavis. The text, which has an allegorical feature, describes the poets journey in the background of candle and propeller symbols. Using archaic words, idioms and proverbs, the poet expressed this journey in a fluent and understandable language. In the study, firstly, detailed information about candles was given, after mentioning the use of candles in divan poetry and the tradition of Şem ü Pervane masnavi, Şema-name-i Necmi was emphasized. After the work was evaluated in terms of literary genre, it was also examined in terms of form and content. In the analysis part of the research, only the prose translation of the text was presented, and the transcribed text and facsimile were added to the end of the article.

 Ömer Necmi Efendi Necmi H. 1230 ?  M. 1815 - H. 1307  M. 1889 is a dervish lodge-mystic poet who was affiliated with the Halvetiyye, Rıfaiyye, Şazeliyye and Şettariyye orders. The poet, who did not stray from the path of mysticism throughout his life, calls his circle Necmi Baba. The name father, which attracted attention among the Sufis and Yesevi dervishes who took the path of Hajagan in Turkestan in the 12th century, was given to people who distinguished themselves in the upper parts of the society in the following centuries. This shows that the poet is in a respectable position among mystics. Şema-name-i Necmi, which is the subject of our study, is in the Süleymaniye Library Galata Mevlevihane Collection Asset No: 257untitled was found in a manuscript. The writing of this work was completed by Ahmed İrani 18 years after Necmis death, according to the temmet record in it. As a literary genre, Şema-name-i Necmi can be considered as a hasb-i hal that describes the poets ordeal through the language of a candle. The work, which consists of 69 couplets and written in ode verse, is based on mystical love. Candle and propeller symbols are used in connection with the inner journey of the poet, and at the end of the poem, the subject of the integrationunification of the lover and the beloved is discussed, similar to the mystical love masnavis. The text, which has an allegorical feature, describes the poets journey in the background of candle and propeller symbols. Using archaic words, idioms and proverbs, the poet expressed this journey in a fluent and understandable language. In the study, firstly, detailed information about candles was given, after mentioning the use of candles in divan poetry and the tradition of Şem ü Pervane masnavi, Şema-name-i Necmi was emphasized. After the work was evaluated in terms of literary genre, it was also examined in terms of form and content. In the analysis part of the research, only the prose translation of the text was presented, and the transcribed text and facsimile were added to the end of the article.

 Ömer Necmî Efendi Necmî H. 1230 ?M. 1815-H. 1307 M. 1889 Halvetiyye, Rıfâiyye, Şâzeliyye, Şettâriyye tarikatlarına intisap etmiş bir tekke-tasavvuf şairidir. Ömrü boyunca tasavvuf yolundan ayrılmayan şairi çevresi Necmî Baba olarak adlandırır. 12. yüzyılda Türkistanda hâcegân yolunu tutan sufilerle Yesevî dervişleri arasında ilgi gören baba ismi, sonraki asırlarda toplumun üst kesimlerine temayüz eden kişilere verilmiştir. Bu da şairin mutasavvıflar arasında saygın bir konumda olduğunu gösterir. Necmînin çalışmaya konu olan Şema-nâme-i Necmî isimli eseri Süleymaniye Kütüphanesi Galata Mevlevihanesi Koleksiyonundaki Demirbaş No: 257başlıksız bir yazma eser içindedir. Bu eserin yazımını, temmet kaydına göre Necmînin ölümünden 18 yıl sonra Ahmed Îrânî tamamlamıştır. Şema-nâme-i Necmî edebî tür olarak şairin çilesini mumun dilinden anlatan bir hasb-i hâl olarak değerlendirilebilir. 69 beyitten oluşan ve kaside nazım şekliyle yazılan eser tasavvufi aşk üzerine kurgulanmıştır. Mum ve pervane sembolleri şairin içsel yolculuğuyla bağlantılı kullanılmış, şiir sonunda tasavvufi aşk mesnevilerine benzer şekilde âşık ve mâşuk tiplerinin bütünleşmesibir olması konusu işlenmiştir. Alegorik özellik gösteren metin, mum ve pervane sembollerinin arka planında şairinin seyr ü sülûkunu anlatmıştır. Arkaik kelimeler, deyim ve atasözlerini de kullanan şair bu yolculuğu akıcı ve anlaşılır bir dille ifade etmiştir. Çalışmada önce muma dair bilgi verilmiş, divan şiirinde mumun kullanımı ve Şem ü Pervâne mesnevi geleneğinden bahsedildikten sonra Şema-nâme-i Necmî üzerinde durulmuştur. Eser, edebî tür yönüyle değerlendirildikten sonra biçim ve içerik olarak incelenmiştir. Araştırmanın inceleme kısmında sadece metnin nesre çevirisi sunulmuş, makale sonuna ise transkripsiyonlu metin ve tıpkıbasım eklenmiştir.

Makale detayları

HASB-I HAL OF A TEKKE POET FROM CANDLE'S LANGUAGE: ŞEM‘A-NAME-İ NECMİ

Yazarlar:

Bilge Karga Göllü

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Bölgesel Çalışmalar

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 108, pp.331-352

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305679

pISSN:

1306-8253

Tekke-Sufi Literature

Divan Poetry

19th Century

Necmi

Candle

Hasb-i HalTekke-Tasavvuf Edebiyatı

Divan Şiiri

19. Yüzyıl

Necmî

Mum

Hasb-i Hâl

Sayı

Makale detayları

Yazarlar: Bilge Karga Göllü

Yayıncı: Ankara Hacı Bayram Veli University

Ana Başlıklar: Bölgesel Çalışmalar

Dergi: Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 108, pp.331-352

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001305679

pISSN: 1306-8253

Sayı

Yazarlar:

Bilge Karga Göllü

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Bölgesel Çalışmalar

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 108, pp.331-352

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305679

pISSN:

1306-8253