A STUDY ON THE CREATIVITY OF PAINTINGS PRODUCED WITH ARTIFICIAL INTELLIGENCE IN THE CONTEXT OF CONTEMPORARY ART: PORTRAIT OF EDMOND DE BELAMY

Özge Öner

Makale detayları

A STUDY ON THE CREATIVITY OF PAINTINGS PRODUCED WITH ARTIFICIAL INTELLIGENCE IN THE CONTEXT OF CONTEMPORARY ART: PORTRAIT OF EDMOND DE BELAMY

Yazarlar:

Özge Öner

Yayıncı:

Anadolu University

Ana Başlıklar:

Çağdaş Sanat

Dergi:

Sanat ve Tasarım Dergisi Issue 15- Özel sayı, pp.893-907

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001360266

pISSN:

2146-9059

Anahtar kelimeler:

Özet:

 Artificial intelligence is positioned in contemporary art not only as a tool but also as a conceptual element at the center of debates on the nature of art. In this study, the integration of artificial intelligence into artistic production and the debate on whether creativity is inherent to human beings is addressed through the portrait of Edmond de Belamy, created with GAN technology and bearing an algorithmic signature. This work, which attracted attention with its high price at Christies auction, pushed the traditional boundaries of art and questioned the perception of value in the art market. The analysis shows that the creators of works produced with artificial intelligence can be considered as artists or coders, that human-artificial intelligence collaborations can offer new production models, and that artistic value is largely determined by market dynamics. This transformation process deepens the ongoing debates on whether art is solely a human-centered activity, while understanding the impact of artificial intelligence on creativity requires an interdisciplinary approach, intertwining fields such as art, technology, and philosophy. In this context, the future of art will be shaped by how humans and artificial intelligence collaborate and how this interaction influences artistic forms of expression.

 Artificial intelligence is positioned in contemporary art not only as a tool but also as a conceptual element at the center of debates on the nature of art. In this study, the integration of artificial intelligence into artistic production and the debate on whether creativity is inherent to human beings is addressed through the portrait of Edmond de Belamy, created with GAN technology and bearing an algorithmic signature. This work, which attracted attention with its high price at Christies auction, pushed the traditional boundaries of art and questioned the perception of value in the art market. The analysis shows that the creators of works produced with artificial intelligence can be considered as artists or coders, that human-artificial intelligence collaborations can offer new production models, and that artistic value is largely determined by market dynamics. This transformation process deepens the ongoing debates on whether art is solely a human-centered activity, while understanding the impact of artificial intelligence on creativity requires an interdisciplinary approach, intertwining fields such as art, technology, and philosophy. In this context, the future of art will be shaped by how humans and artificial intelligence collaborate and how this interaction influences artistic forms of expression.

 Artificial intelligence is positioned in contemporary art not only as a tool but also as a conceptual element at the center of debates on the nature of art. In this study, the integration of artificial intelligence into artistic production and the debate on whether creativity is inherent to human beings is addressed through the portrait of Edmond de Belamy, created with GAN technology and bearing an algorithmic signature. This work, which attracted attention with its high price at Christies auction, pushed the traditional boundaries of art and questioned the perception of value in the art market. The analysis shows that the creators of works produced with artificial intelligence can be considered as artists or coders, that human-artificial intelligence collaborations can offer new production models, and that artistic value is largely determined by market dynamics. This transformation process deepens the ongoing debates on whether art is solely a human-centered activity, while understanding the impact of artificial intelligence on creativity requires an interdisciplinary approach, intertwining fields such as art, technology, and philosophy. In this context, the future of art will be shaped by how humans and artificial intelligence collaborate and how this interaction influences artistic forms of expression.

 Yapay zeka, çağdaş sanatta yalnızca bir araç olarak değil, aynı zamanda sanatın doğasına dair tartışmaların merkezinde yer alan kavramsal bir unsur olarak konumlanmaktadır. Bu çalışmada, yapay zekanın sanatsal üretime entegrasyonu ile yaratıcılığın insana özgü olup olmadığı tartışması, GAN teknolojisiyle oluşturulan ve algoritmik bir imza taşıyan Edmond de Belamy portresi üzerinden ele alınmıştır. Christies müzayedesinde yüksek bir fiyata satılmasıyla dikkat çeken bu eser, sanatın geleneksel sınırlarını zorlamış ve sanat piyasasındaki değer algısını sorgulamaya açmıştır. Yapılan incelemeler, yapay zeka ile üretilen eserlerin yaratıcısının sanatçı ya da kodlayıcı olarak değerlendirilebileceğini, insan-yapay zeka işbirliklerinin yeni üretim modelleri sunabileceğini ve sanatsal değerin büyük ölçüde piyasa dinamikleriyle belirlendiğini göstermektedir. Bu dönüşüm süreci, sanatın yalnızca insan merkezli bir faaliyet olup olmadığına dair süregelen tartışmaları derinleştirirken, yapay zekanın yaratıcılık üzerindeki etkisini anlamak için disiplinler arası bir yaklaşımı ve sanat, teknoloji, felsefe gibi alanların iç içe geçmesini gerektirecektir. Bu bağlamda, sanatın geleceği, insan ve yapay zekanın nasıl bir iş birliği geliştireceğine ve bu etkileşimin sanatsal ifade biçimlerine nasıl yön vereceğine bağlı olarak şekillenecektir.

Makale detayları

A STUDY ON THE CREATIVITY OF PAINTINGS PRODUCED WITH ARTIFICIAL INTELLIGENCE IN THE CONTEXT OF CONTEMPORARY ART: PORTRAIT OF EDMOND DE BELAMY

Yazarlar:

Özge Öner

Yayıncı:

Anadolu University

Ana Başlıklar:

Çağdaş Sanat

Dergi:

Sanat ve Tasarım Dergisi Issue 15- Özel sayı, pp.893-907

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001360266

pISSN:

2146-9059

Artificial intelligence

Art

Creativity

Edmond de Belamy.Yapay zeka

Sanat

Yaratıcılık

Edmond de Belamy.

Sayı

Makale detayları

Yazarlar: Özge Öner

Yayıncı: Anadolu University

Ana Başlıklar: Çağdaş Sanat

Dergi: Sanat ve Tasarım Dergisi Issue 15- Özel sayı, pp.893-907

Belge Tipi: Makale

Yayın Tarihi: 10/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001360266

pISSN: 2146-9059

Sayı

Yazarlar:

Özge Öner

Yayıncı:

Anadolu University

Ana Başlıklar:

Çağdaş Sanat

Dergi:

Sanat ve Tasarım Dergisi Issue 15- Özel sayı, pp.893-907

Belge Tipi:

Makale

Yayın Tarihi:

10/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001360266

pISSN:

2146-9059