Approaches Relating To Polyphony In Makam Music On Microtonal Guitar (“Allı Turnam” Example)

Erkin Kasap; Sercan Özkeleş

Makale detayları

Approaches Relating To Polyphony In Makam Music On Microtonal Guitar (“Allı Turnam” Example)

Yazarlar:

Erkin Kasap | Sercan Özkeleş

Yayıncı:

Ordu University

Ana Başlıklar:

Müzik

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue Sosyal Bilimler Lisansüstü Öğrenci Sempozyumu Özel Sayısı, pp.83-92

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001298640

pISSN:

1309-9302

Anahtar kelimeler:

Özet:

 Turkish Makam Music uses intervals called coma or microtones, which are narrower than a semitone in the 12-tone equal temperament system. This type of music, which is monophonic, is considered to be horizontally developed. Music genres that use tonality, such as International Art Music, or develop from the basics of tonal music, are considered as vertically developed. At the core of these music are the chordal structures formed by the simultaneous continuation of more than one sound, in other words, harmony. Microtonal intervals are not included in tonal music. Therefore, the sound systems of Turkish Makam Music and music genres using the tonal system are different from each other. In todays makam music, polyphony is made with various approaches using the harmonies of vertically developed music and new syntheses are put forward. The Adjustable Microtonal Guitar instrument developed by Tolgahan Çoğulu has also opened a new field for the polyphony of makam music. The aim of this study is to reveal the elements of polyphony in the polyphony of a makam-style work with microtonal guitar. In this direction, Allı Turnam, which is an adaptation of a Turkish Folk Music work, has been analyzed. The study is important in terms of revealing the theoretical structure of polyphony performed with microtonal guitar, which brings innovation to the subject of polyphony of makam music. In the research, the data were obtained through document analysis and visual analysis technique was used in the analysis of the data. As a result of this research called Approaches Relating to Polyphony in Makam Music on Microtonal Guitar Allı Turnam Example, it was found that 3 different approaches were used in polyphony as chordal, interval and pedal sound.

 Turkish Makam Music uses intervals called coma or microtones, which are narrower than a semitone in the 12-tone equal temperament system. This type of music, which is monophonic, is considered to be horizontally developed. Music genres that use tonality, such as International Art Music, or develop from the basics of tonal music, are considered as vertically developed. At the core of these music are the chordal structures formed by the simultaneous continuation of more than one sound, in other words, harmony. Microtonal intervals are not included in tonal music. Therefore, the sound systems of Turkish Makam Music and music genres using the tonal system are different from each other. In todays makam music, polyphony is made with various approaches using the harmonies of vertically developed music and new syntheses are put forward. The Adjustable Microtonal Guitar instrument developed by Tolgahan Çoğulu has also opened a new field for the polyphony of makam music. The aim of this study is to reveal the elements of polyphony in the polyphony of a makam-style work with microtonal guitar. In this direction, Allı Turnam, which is an adaptation of a Turkish Folk Music work, has been analyzed. The study is important in terms of revealing the theoretical structure of polyphony performed with microtonal guitar, which brings innovation to the subject of polyphony of makam music. In the research, the data were obtained through document analysis and visual analysis technique was used in the analysis of the data. As a result of this research called Approaches Relating to Polyphony in Makam Music on Microtonal Guitar Allı Turnam Example, it was found that 3 different approaches were used in polyphony as chordal, interval and pedal sound.

 Turkish Makam Music uses intervals called coma or microtones, which are narrower than a semitone in the 12-tone equal temperament system. This type of music, which is monophonic, is considered to be horizontally developed. Music genres that use tonality, such as International Art Music, or develop from the basics of tonal music, are considered as vertically developed. At the core of these music are the chordal structures formed by the simultaneous continuation of more than one sound, in other words, harmony. Microtonal intervals are not included in tonal music. Therefore, the sound systems of Turkish Makam Music and music genres using the tonal system are different from each other. In todays makam music, polyphony is made with various approaches using the harmonies of vertically developed music and new syntheses are put forward. The Adjustable Microtonal Guitar instrument developed by Tolgahan Çoğulu has also opened a new field for the polyphony of makam music. The aim of this study is to reveal the elements of polyphony in the polyphony of a makam-style work with microtonal guitar. In this direction, Allı Turnam, which is an adaptation of a Turkish Folk Music work, has been analyzed. The study is important in terms of revealing the theoretical structure of polyphony performed with microtonal guitar, which brings innovation to the subject of polyphony of makam music. In the research, the data were obtained through document analysis and visual analysis technique was used in the analysis of the data. As a result of this research called Approaches Relating to Polyphony in Makam Music on Microtonal Guitar Allı Turnam Example, it was found that 3 different approaches were used in polyphony as chordal, interval and pedal sound.

 Öz Türk Makam Müziğinde koma ya da mikroton denilen, 12 ton eşit tamperaman sistemdeki yarım aralıktan daha dar aralıklar kullanılmaktadır. Özünde teksesli olan bu müzik türü yatay gelişimli olarak değerlendirilmektedir. Uluslararası Sanat Müziği gibi tonaliteyi kullanan ya da tonal müzik temellerinden gelişen müzik türleri ise dikey gelişimli olarak değerlendirilmektedir. Bu müziklerin özünde ise birden fazla sesin aynı anda seslendirilmesi ile oluşan akorsal yapılar, diğer bir deyimle armoni bulunmaktadır. Mikrotonal aralıklar tonal müzikte kullanılmadığından Türk Makam Müziği ile tonal müziklerin ses sistemleri, barındırdıkları aralık oranları bakımından farklılık göstermektedir. Müziğin gelişim sürecine bağlı olarak günümüz makamsal müzik anlayışında dikey gelişimli müziklerin çokseslendirme stilleri kullanılarak çeşitli yaklaşımlarla gerek yeni eserler gerekse mevcut eserlerin çokseslendirilmesi yapılmakta ve yeni sentezler ortaya konulmaktadır. Tolgahan Çoğulu ise geliştirdiği Ayarlanabilir Mikrotonal Gitar ile makamsal müziğin çokseslendirilmesi konusuna yeni boyut getirmiştir. Bu bağlamda çalışmanın amacı, makamsal yapıdaki bir eserin mikrotonal gitar ile çokseslendirilmesindeki çokseslilik unsurlarını ortaya çıkarmaktır. Çalışma, ayarlanabilir mikrotonal gitar ile yapılan çokseslendirmenin kuramsal yapısını ortaya çıkarması bakımından önem taşımaktadır. Bu doğrultuda bir Türk Halk Müziği eser uyarlaması olan Allı Turnam adlı eser çokseslendirme tekniği ve yöntemleri yönlerinden incelenmiştir. Araştırmada veriler doküman inceleme yoluyla elde edilmiş, verilerin çözümlenmesinde ise görsel analiz tekniğinden yararlanılmıştır. Bu araştırma sonucunda, mikrotonal gitar ile makamsal müziğin çokseslendirilmesinde akorsal, aralıksal ve pedal ses olarak 3 farklı yaklaşımın kullanıldığı tespit edilmiştir.

Makale detayları

Approaches Relating To Polyphony In Makam Music On Microtonal Guitar (“Allı Turnam” Example)

Yazarlar:

Erkin Kasap | Sercan Özkeleş

Yayıncı:

Ordu University

Ana Başlıklar:

Müzik

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue Sosyal Bilimler Lisansüstü Öğrenci Sempozyumu Özel Sayısı, pp.83-92

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001298640

pISSN:

1309-9302

Microtonal Guitar

makam music

polyphonyMikrotonal Gitar

Makamsal Müzik

Çokseslendirme

Sayı

Makale detayları

Approaches Relating To Polyphony In Makam Music On Microtonal Guitar (“Allı Turnam” Example)

Yazarlar: Erkin Kasap | Sercan Özkeleş

Yayıncı: Ordu University

Ana Başlıklar: Müzik

Dergi: Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue Sosyal Bilimler Lisansüstü Öğrenci Sempozyumu Özel Sayısı, pp.83-92

Belge Tipi: Makale

Yayın Tarihi: 9/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001298640

pISSN: 1309-9302

Microtonal Guitar

makam music

polyphonyMikrotonal Gitar

Makamsal Müzik

Çokseslendirme

Sayı

Yazarlar:

Erkin Kasap | Sercan Özkeleş

Yayıncı:

Ordu University

Ana Başlıklar:

Müzik

Dergi:

Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi Vol.13 Issue Sosyal Bilimler Lisansüstü Öğrenci Sempozyumu Özel Sayısı, pp.83-92

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001298640

pISSN:

1309-9302