HAMAMS AS AN ELEMENT OF TRADITIONAL ARCHITECTURE: THEIR SYMBOLC REPRESENTATION IN FOLK SONGS

Dilek Türkyılmaz

Makale detayları

HAMAMS AS AN ELEMENT OF TRADITIONAL ARCHITECTURE: THEIR SYMBOLC REPRESENTATION IN FOLK SONGS

Yazarlar:

Dilek Türkyılmaz

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Türkiye Sahası Türk Halk Bilimi

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.13 Issue 42, pp.107-124

Belge Tipi:

Makale

Yayın Tarihi:

2/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001342258

pISSN:

2147-2610

Anahtar kelimeler:

Özet:

 Folk songs are important oral culture products that reflect social life, cultural values and historical accumulation. In Turkish culture, baths are not only places used for bathing, but also have an important place as the center of social interactions and rituals. Therefore, the treatment of the hammam motif in folk songs helps to reveal the multifaceted functions and cultural symbolism of these places in social life. In some folk songs, the hamam way is depicted as a place where minstrels meet or meet for the first time, while in others, the hamam is depicted as a place where traditional rituals are performed. Such usages indicate that baths appear in folk songs as symbolic places where themes such as love, longing and female beauty are dealt with. In folk songs, the bathhouse carries both physical and symbolic meanings. It is also seen that the motif of the hammam is used in folk songs as a theme of social class differences, male-female relations and individual freedoms. In this study, how baths are reflected in folk songs will be analyzed through examples in TRT Turkish Folk Music repertoire. For this purpose, the corpus on the website Repertükül was taken as a basis and repertoire numbers were used as reference. As a result of the analysis, it will be tried to be determined that Turkish folk songs depict baths not only as architectural structures but also as living spaces loaded with social, cultural and emotional meanings. It will be emphasized that baths, which are an important part of traditional architecture, enter folk songs as a symbol of daily life and social relations and some rituals. Thus, it will be concluded that baths have an important place in folk music not only as a place but also as a medium in which social and cultural values are processed, and in this sense, the place of the bath in folk songs offers important clues in understanding the social life of the people. The analyses of the folk songs in this study are based on the authors personal evaluations and therefore may contain errors or exceptions. Therefore, it should not be assumed that the interpretations presented carry absolute accuracy.

 Folk songs are important oral culture products that reflect social life, cultural values and historical accumulation. In Turkish culture, baths are not only places used for bathing, but also have an important place as the center of social interactions and rituals. Therefore, the treatment of the hammam motif in folk songs helps to reveal the multifaceted functions and cultural symbolism of these places in social life. In some folk songs, the hamam way is depicted as a place where minstrels meet or meet for the first time, while in others, the hamam is depicted as a place where traditional rituals are performed. Such usages indicate that baths appear in folk songs as symbolic places where themes such as love, longing and female beauty are dealt with. In folk songs, the bathhouse carries both physical and symbolic meanings. It is also seen that the motif of the hammam is used in folk songs as a theme of social class differences, male-female relations and individual freedoms. In this study, how baths are reflected in folk songs will be analyzed through examples in TRT Turkish Folk Music repertoire. For this purpose, the corpus on the website Repertükül was taken as a basis and repertoire numbers were used as reference. As a result of the analysis, it will be tried to be determined that Turkish folk songs depict baths not only as architectural structures but also as living spaces loaded with social, cultural and emotional meanings. It will be emphasized that baths, which are an important part of traditional architecture, enter folk songs as a symbol of daily life and social relations and some rituals. Thus, it will be concluded that baths have an important place in folk music not only as a place but also as a medium in which social and cultural values are processed, and in this sense, the place of the bath in folk songs offers important clues in understanding the social life of the people. The analyses of the folk songs in this study are based on the authors personal evaluations and therefore may contain errors or exceptions. Therefore, it should not be assumed that the interpretations presented carry absolute accuracy.

 Folk songs are important oral culture products that reflect social life, cultural values and historical accumulation. In Turkish culture, baths are not only places used for bathing, but also have an important place as the center of social interactions and rituals. Therefore, the treatment of the hammam motif in folk songs helps to reveal the multifaceted functions and cultural symbolism of these places in social life. In some folk songs, the hamam way is depicted as a place where minstrels meet or meet for the first time, while in others, the hamam is depicted as a place where traditional rituals are performed. Such usages indicate that baths appear in folk songs as symbolic places where themes such as love, longing and female beauty are dealt with. In folk songs, the bathhouse carries both physical and symbolic meanings. It is also seen that the motif of the hammam is used in folk songs as a theme of social class differences, male-female relations and individual freedoms. In this study, how baths are reflected in folk songs will be analyzed through examples in TRT Turkish Folk Music repertoire. For this purpose, the corpus on the website Repertükül was taken as a basis and repertoire numbers were used as reference. As a result of the analysis, it will be tried to be determined that Turkish folk songs depict baths not only as architectural structures but also as living spaces loaded with social, cultural and emotional meanings. It will be emphasized that baths, which are an important part of traditional architecture, enter folk songs as a symbol of daily life and social relations and some rituals. Thus, it will be concluded that baths have an important place in folk music not only as a place but also as a medium in which social and cultural values are processed, and in this sense, the place of the bath in folk songs offers important clues in understanding the social life of the people. The analyses of the folk songs in this study are based on the authors personal evaluations and therefore may contain errors or exceptions. Therefore, it should not be assumed that the interpretations presented carry absolute accuracy.

 Türküler toplumsal yaşantıyı, kültürel değerleri ve tarihsel birikimi yansıtan önemli sözlü kültür ürünleridir. Türk kültüründe hamamlar ise sadece yıkanma için kullanılan mekânlar değil, aynı zamanda sosyal etkileşimlerin ve ritüellerin merkezi olarak önemli bir yer tutar. Dolayısıyla, türkülerde hamam motifinin işlenmesi, bu mekânların toplumsal hayattaki çok yönlü işlevlerini ve kültürel sembolizmini ortaya koymaya yardımcı olur. Bazı türkülerde hamamyolu, âşıkların ilk kez karşılaştığı veya buluştuğu yerler olarak tasvir edilirken, bazılarında da hamam, geleneksel ritüellerin gerçekleştirildiği mekânlar olarak betimlenir. Bu tür kullanımlar, hamamların türkülerde aşk, özlem ve kadın güzelliği gibi temaların işlendiği sembolik mekânlar olarak karşımıza çıktığını gösterir. Türkülerde hamam, hem fiziksel, hem de sembolik anlamlar taşır. Sosyal sınıf farklarının, kadın-erkek ilişkilerinin ve bireysel özgürlüklerin teması olarak da hamam motifinin türkülerde işlendiği görülür. Bu çalışmada, hamamların türkülere nasıl yansıdığı, TRT Türk Halk Müziği repertuarındaki örnekler üzerinden incelenecektir. Bu amaçla, Repertükül adlı internet sitesindeki külliyat temel alınmış ve repertuar numaraları referans olarak kullanılmıştır. Analizler sonucunda, Türk halk türkülerinde hamamların sadece mimari yapılar olarak değil, aynı zamanda sosyal, kültürel ve duygusal anlamlarla yüklü yaşam alanları olarak tasvir edildiği tespitinde bulunulmaya çalışılacaktır. Geleneksel mimarinin önemli bir parçası olan hamamların, türkülere günlük yaşamın ve toplumsal ilişkilerin ve bazı ritüellerin bir sembolü olarak girdiği üzerinde durulacaktır. Böylelikle hamamların halk müziğinde sadece bir mekân olarak değil, aynı zamanda toplumsal ve kültürel değerlerin işlendiği bir mecra olarak önemli bir yer tuttuğu ve bu anlamda, hamamın türkülerdeki yerinin halkın sosyal yaşantısını anlamada önemli ipuçları sunduğu sonucuna ulaşılmaya çalışılacaktır. Bu çalışmada türkülerle ilgili yapılan analizler, yazarın kişisel değerlendirmelerine dayanmaktadır ve bu nedenle hata veya istisnalar içerebilir. Dolayısıyla, sunulan yorumların mutlak doğruluk taşıdığı varsayılmamalıdır.

Makale detayları

HAMAMS AS AN ELEMENT OF TRADITIONAL ARCHITECTURE: THEIR SYMBOLC REPRESENTATION IN FOLK SONGS

Yazarlar:

Dilek Türkyılmaz

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Türkiye Sahası Türk Halk Bilimi

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.13 Issue 42, pp.107-124

Belge Tipi:

Makale

Yayın Tarihi:

2/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001342258

pISSN:

2147-2610

Folk Song

Hamam

Traditional Architecture

Social LifeTürkü

Hamam

Geleneksel Mimari

Sosyal Hayat

Sayı

Makale detayları

Yazarlar: Dilek Türkyılmaz

Yayıncı: Ayla KAŞOĞLU

Ana Başlıklar: Türkiye Sahası Türk Halk Bilimi

Dergi: Avrasya Uluslararası Araştırmalar Dergisi Vol.13 Issue 42, pp.107-124

Belge Tipi: Makale

Yayın Tarihi: 2/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001342258

pISSN: 2147-2610

Sayı

Yazarlar:

Dilek Türkyılmaz

Yayıncı:

Ayla KAŞOĞLU

Ana Başlıklar:

Türkiye Sahası Türk Halk Bilimi

Dergi:

Avrasya Uluslararası Araştırmalar Dergisi Vol.13 Issue 42, pp.107-124

Belge Tipi:

Makale

Yayın Tarihi:

2/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001342258

pISSN:

2147-2610