Living in the Past, Living with the Ghosts: Trauma and Postmemory in Jonathan Lichtenstein’s Memory

Tuğba AYGAN

doi:https://doi.org/10.26650/jtcd.2022.1108426

Makale detayları

Living in the Past, Living with the Ghosts: Trauma and Postmemory in Jonathan Lichtenstein’s Memory

Yazarlar:

Tuğba AYGAN

Yayıncı:

Istanbul University

Ana Başlıklar:

Aşama sunumları

Dergi:

Journal of Theatre Criticism and Dramaturgy 2022 Issue 34, pp.39-52

Belge Tipi:

Makale

Yayın Tarihi:

6/2022

Belge Dili:

İngilizce

Document ID (Org No.):

2000804347

Sıklık:

İki Yıllık

eISSN:

2687-4636

pISSN:

1303-8605

DOI:

https://doi.org/10.26650/jtcd.2022.1108426

Anahtar kelimeler:

Özet:

 

The 'memory boom' has promoted a wide array of plays among a large amount of literary output in Western literature. Among these, Jonathan Lichtenstein’s 2006 play Memory is an aptly named memory play. Inspired by the memories of the playwright’s father, the play interweaves three stories: one set in 1933, when the Nazis took power in Berlin; the second in East Berlin, 1990, just after the fall of the Berlin Wall; and the last in Bethlehem, 2006, as the Apartheid Wall was rising. Whilst connecting these separate stories at the intersection of memory, this paper seeks to address a traumatized and conflicted relation to the past, and drawing on established trauma theorist Dominick LaCapra’s terms ‘acting out’ and ‘working through’, it discusses how traumatic memories and one’s relation to them shape the present. The study then reflects on Marianne Hirsch’s term ‘postmemory’ as manifested in Memory as well as Lichtenstein’s life.

 

The memory boom has promoted a wide array of plays among a large amount of literary output in Western literature. Among these, Jonathan Lichtenstein’s 2006 play Memory is an aptly named memory play. Inspired by the memories of the playwright’s father, the play interweaves three stories: one set in 1933, when the Nazis took power in Berlin; the second in East Berlin, 1990, just after the fall of the Berlin Wall; and the last in Bethlehem, 2006, as the Apartheid Wall was rising. Whilst connecting these seperate stories at the intersection of memory, this paper seeks to address a traumatized and conflicted relation to the past, and drawing on established trauma theorist Dominick LaCapra’s terms ‘acting out’ and ‘working through’, it discusses how traumatic memories and one’s relation to them shape the present. The study then reflects on Marianne Hirsch’s term ‘postmemory’ as manifested in Memory as well as Lichtenstein’s life.

Makale detayları

Living in the Past, Living with the Ghosts: Trauma and Postmemory in Jonathan Lichtenstein’s Memory

Yazarlar:

Tuğba AYGAN

Yayıncı:

Istanbul University

Ana Başlıklar:

Aşama sunumları

Dergi:

Journal of Theatre Criticism and Dramaturgy 2022 Issue 34, pp.39-52

Belge Tipi:

Makale

Yayın Tarihi:

6/2022

Belge Dili:

İngilizce

Document ID (Org No.):

2000804347

Sıklık:

İki Yıllık

eISSN:

2687-4636

pISSN:

1303-8605

DOI:

https://doi.org/10.26650/jtcd.2022.1108426

travma

postmemory

Jonathan Lichtenstein

Sayı

Makale detayları

Living in the Past, Living with the Ghosts: Trauma and Postmemory in Jonathan Lichtenstein’s Memory

Yazarlar: Tuğba AYGAN

Yayıncı: Istanbul University

Ana Başlıklar: Aşama sunumları

Dergi: Journal of Theatre Criticism and Dramaturgy 2022 Issue 34, pp.39-52

Belge Tipi: Makale

Yayın Tarihi: 6/2022

Belge Dili: İngilizce

Document ID (Org No.): 2000804347

Sıklık: İki Yıllık

eISSN: 2687-4636

pISSN: 1303-8605

DOI: https://doi.org/10.26650/jtcd.2022.1108426

travma

postmemory

Jonathan Lichtenstein

Sayı

Yazarlar:

Tuğba AYGAN

Yayıncı:

Istanbul University

Ana Başlıklar:

Aşama sunumları

Dergi:

Journal of Theatre Criticism and Dramaturgy 2022 Issue 34, pp.39-52

Belge Tipi:

Makale

Yayın Tarihi:

6/2022

Belge Dili:

İngilizce

Document ID (Org No.):

2000804347

Sıklık:

İki Yıllık

eISSN:

2687-4636

pISSN:

1303-8605

DOI:

https://doi.org/10.26650/jtcd.2022.1108426