TIME- SPACE CONTINUUM IN GEORGIAN ROMANTIC POETRY

Tamar AKHALKATSİ

doi:https://doi.org/10.17498/kdeniz.539496

Makale detayları

TIME- SPACE CONTINUUM IN GEORGIAN ROMANTIC POETRY

Yazarlar:

Tamar AKHALKATSİ

Yayıncı:

Hayrettin İVGİN

Ana Başlıklar:

Sosyoloji & antropoloji

Dergi:

Karadeniz Uluslararası Bilimsel Dergi 2019 Issue 42, pp.251-261

Belge Tipi:

Makale

Yayın Tarihi:

6/2019

Belge Dili:

İngilizce

Document ID (Org No.):

2000512115

Sıklık:

Üç Aylık

pISSN:

1308-6200

DOI:

https://doi.org/10.17498/kdeniz.539496

Özet:

 


The represented paper concerns how the time-space
chronotope is reflected in the Georgian romantic
era poetry.
The issue is discussed basing on the writings of the Georgian romantic era
poets: Al. Chavchavadze, Gr. Orbeliani and Nikoloz Baratashvili. Special
attention is paid to perceiving three main dimensions of time: past, present
and future, on the beginning stage and successive stages of development of the
Romantic Movement in literature. Parallel to conceptual (objective) apprehension of the time-space
phenomenon, there is a perceptual (artistic) time and space notions as resulted
from the artistic imagination. The imagination takes its important place in
Georgian romantic poetry though
it should be noted that on the first and second stages of the romantic poetry
development perception of the time-space chronotope was mainly conceptual.
Empiric time-space correlation, idealization of the past, and its vision in the
future represented the basic inspiration for their poetry. Their poetry stays
within the social way of life. Artistic concept of time and space is compressed
implying only the real life. Past is reflected through personal memories and is
connected to the future only by means of poetic imagination in which it can be
realized. In their poetry time and space are narrow and confined, resolved only
within two dimensions – present and past. Future is shown only as against the past background. Past is
acceptable and it can be transferred to desirable future. On the final stage of
romantic era (N.Baratashvili) the time-space chronotope is described
differently. In Nicoloz Baratshvilis’s poetry the concepts of time and space
are vast and diversified. Time is reflected in his poetry conceptually as well
as perceptually. When studying Baratashvilis’s poetry it is very important to
pay attention to coexistence of such phenomena as time and something beyond
time, space and something above-spatial. His poetry involves both our world and
whole universe; heavens as space are represented side by side with worldly
space which is very important aspect when studying his poetry. 


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ADSTRACT 


The represented paper concerns how the time-space
chronotope is reflected in the Georgian romantic
era poetry.
The issue is discussed basing on the writings of the Georgian romantic era
poets: Al. Chavchavadze, Gr. Orbeliani and Nikoloz Baratashvili. Special
attention is paid to perceiving three main dimensions of time: past, present
and future, on the beginning stage and successive stages of development of the
Romantic Movement in literature. Parallel to conceptual (objective) apprehension of the time-space
phenomenon, there is a perceptual (artistic) time and space notions as resulted
from the artistic imagination. The imagination takes its important place in
Georgian romantic poetry though
it should be noted that on the first and second stages of the romantic poetry
development perception of the time-space chronotope was mainly conceptual.
Empiric time-space correlation, idealization of the past, and its vision in the
future represented the basic inspiration for their poetry. Their poetry stays
within the social way of life. Artistic concept of time and space is compressed
implying only the real life. Past is reflected through personal memories and is
connected to the future only by means of poetic imagination in which it can be
realized. In their poetry time and space are narrow and confined, resolved only
within two dimensions – present and past. Future is shown only as against the past background. Past is
acceptable and it can be transferred to desirable future. On the final stage of
romantic era (N.Baratashvili) the time-space chronotope is described
differently. In Nicoloz Baratshvilis’s poetry the concepts of time and space
are vast and diversified. Time is reflected in his poetry conceptually as well
as perceptually. When studying Baratashvilis’s poetry it is very important to
pay attention to coexistence of such phenomena as time and something beyond
time, space and something above-spatial. His poetry involves both our world and
whole universe; heavens as space are represented side by side with worldly
space which is very important aspect when studying his poetry.

 


Kavramsal (Nesnel) zaman ve mekansal algının yanı sıra
edebiyatta perceptual (algısal) zaman ve mekan bulunur ve her ikisi de şiirsel
hayal gücünün göstergeleridir. Gürcü romantizminde sanatsal zaman algısı çok
önemli bir yer tutar. Fakat romantizmin gelişmesinin birinci ve ikinci
aşamalarında Al. Chavchavadze ile Gr. Orbeliani’nin şiirlerini ürettikleri
dönemde - mekansal kronotip genellikle kavramsal zaman ve mekan algısını
kapsar. 


Deneysel zaman ve kavram, geçmişin idealleştirilmesi ve
geleceğin de öngörülmesini kapsadığından adı geçen şairlerin şiirsel
faaliyetlerinin ana unsurlarını oluşturur. Onların yaratımları varoluş
unsurlarının ötesine geçmez, sanatsal zaman ve mekan sıkıştırılmıştır ve sadece
bu dünyadaki yaşamı içerir.


Şiirlerinde zaman ve mekan dar ve kapalı şeklinde
genellikle iki boyutludur- şimdiki ve geçmiş zaman dilimi mevcuttur. Gelecek
zaman yalnız geçmişin taklidi üzerinden kendini belli eder. Adı geçen şairler
geçmiş mekanı kabul kabul etmiş ve bunu arzu edilen “gelecek zamana çevirimeye”
çalışmışlardır. Romantizm gelişimin son aşamasında (N. Baratashvili)
zaman-mekansal kronotip farklı bir şekilde işlenmiştir. 


Nikoloz Baratashvili'nin çalışmalarında zaman ve mekan
büyük ölçekli, geniş ve çeşitlidir. Şiirlerinde hem kavramsal, hem de algısal
zaman yansıtılır ve her iki dünyayı kapsar. Toprak mekanı ile birlikte gök
mekanı da ortaya konulur. Bütün bunlar ise çalışmaların incelemesinde önemli
yönlerolarak kendini göstermektedir.

АННОТАЦИЯ 


Статья посвящена отражению пространственно-временной хронометрии в
грузинской романтической поэзии,
которое обсуждается  на основании
анализа поэзии  Ал. Чавчавадзе, Гр.
Орбелиани и Николоза Бараташвили. В Работе Особое внимание уделено на то, как
поэты-романтики воспринимают три измерения времени: прошедшее,
настоящее и будущее на начальном и последующих этапах развития данного
литературного направления. Концептуальное
(объективное) время- Параллельно пространственного
восприятия, в литературе существует перцептуальное
(художественное) время и пространство, являющиеся результатом поэтического
воображения. Восприятие художественного времени занимает
большое место в грузинском романтизме, хотя на первом и втором этапах развития романтизма пространственно-временной хронотип творчества Ал. Чавчавадзе и Гр. Орбелиани  охватывает в основном концептуальное
пространственно-временное восприятие. Эмпирическое
пространство-время, идеализация прошлого и видение его в будущем являлись основным мотивом их поэтического духа. Их творчество не
выходит за рамки элементов бытия, художественное время и пространство сжаты,
охватывает лишь земное житьё. Прошедшее
время в сознании  запечатляется через воспоминания и поэтическое воображение в
будущем. Время и пространство в их поэзии узки и замкнуты, встречается в основном два временных сегмента, настоящее и прошедшее. Будущее время появляется лишь на фоне подражания прошлого. Приемлемо прошлое пространство, которого
превращают «в желательное будущее
время». временем для
«следующего раза». На последнем этапе развития романтизма (Н. Бараташвили)
пространственно-временной хронотип отражается иначе. Время и пространство, в
творчестве Николоза Бараташвили очень велики,
широки и разнообразны. В его поэзии
отражено как концептуальное и перцептуальное время. Сосуществование пространства
и сверхпространства, времени и вне времени является важнейшим вопросом в исследовании поэзии
Бараташвили. Он охватывает и земную и неземную жизнь, наряду  с земным пространством появляется пространство  небесного свода, что является важным аспектом его творчества. 


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Makale detayları

TIME- SPACE CONTINUUM IN GEORGIAN ROMANTIC POETRY

Yazarlar: Tamar AKHALKATSİ

Yayıncı: Hayrettin İVGİN

Ana Başlıklar: Sosyoloji & antropoloji

Dergi: Karadeniz Uluslararası Bilimsel Dergi 2019 Issue 42, pp.251-261

Belge Tipi: Makale

Yayın Tarihi: 6/2019

Belge Dili: İngilizce

Document ID (Org No.): 2000512115

Sıklık: Üç Aylık

pISSN: 1308-6200

DOI: https://doi.org/10.17498/kdeniz.539496

Sayı

Yazarlar:

Tamar AKHALKATSİ

Yayıncı:

Hayrettin İVGİN

Ana Başlıklar:

Sosyoloji & antropoloji

Dergi:

Karadeniz Uluslararası Bilimsel Dergi 2019 Issue 42, pp.251-261

Belge Tipi:

Makale

Yayın Tarihi:

6/2019

Belge Dili:

İngilizce

Document ID (Org No.):

2000512115

Sıklık:

Üç Aylık

pISSN:

1308-6200

DOI:

https://doi.org/10.17498/kdeniz.539496