TWO CULTURES and TWO LEGENDARY MUSICIANS:  BIOGRAPHIC FILM ANALYSIS with MÜSLÜM (2018) and BOHEMIAN RHAPSODY (2018) within the FRAMEWORK of the GENRE THEORY

Nergiz Gündel

Makale detayları

TWO CULTURES and TWO LEGENDARY MUSICIANS: BIOGRAPHIC FILM ANALYSIS with MÜSLÜM (2018) and BOHEMIAN RHAPSODY (2018) within the FRAMEWORK of the GENRE THEORY

Yazarlar:

Nergiz Gündel

Yayıncı:

Pamukkale University

Dergi:

Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 56, pp.227-246

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289357

pISSN:

1308-2922

Anahtar kelimeler:

Özet:

 In this study, fictional biographical films are discussed within the framework of genre theory in cinema. The main purpose of the study is to question how the life story of the subject is reconstructed in biographical films and to reveal the similarities and differences in the narratives of biographical films produced in different cultures. The study is a case study carried out with the qualitative analysis method. In the study, two films determined by purposive sampling were subjected to descriptive analysis within the framework of the selected themes. The films examined are Müslüm 2018, which is about the life story of Müslüm Gürses, who is known as the Father of arabesque music, and Bohemian Rhapsody 2018, which brings the life story of Freddie Mercury, the extraordinary soloist of the British rock band Queen, to the screen. It is observed that both films carry out the traditions of the biographical film genre. Along with the musical achievements in their careers, their family issues and private lives were also included in the narratives of both films. However, Bohemian Rhapsody presents a linear plot, while Müslüm structured the narration with back and forth jumps in between different points of time. In addition, Müslüm, by also featuring the childhood of the artist, covered a larger part of the life story of the subject, in comparison to Bohemian Rhapsody.

 In this study, fictional biographical films are discussed within the framework of genre theory in cinema. The main purpose of the study is to question how the life story of the subject is reconstructed in biographical films and to reveal the similarities and differences in the narratives of biographical films produced in different cultures. The study is a case study carried out with the qualitative analysis method. In the study, two films determined by purposive sampling were subjected to descriptive analysis within the framework of the selected themes. The films examined are Müslüm 2018, which is about the life story of Müslüm Gürses, who is known as the Father of arabesque music, and Bohemian Rhapsody 2018, which brings the life story of Freddie Mercury, the extraordinary soloist of the British rock band Queen, to the screen. It is observed that both films carry out the traditions of the biographical film genre. Along with the musical achievements in their careers, their family issues and private lives were also included in the narratives of both films. However, Bohemian Rhapsody presents a linear plot, while Müslüm structured the narration with back and forth jumps in between different points of time. In addition, Müslüm, by also featuring the childhood of the artist, covered a larger part of the life story of the subject, in comparison to Bohemian Rhapsody.

 In this study, fictional biographical films are discussed within the framework of genre theory in cinema. The main purpose of the study is to question how the life story of the subject is reconstructed in biographical films and to reveal the similarities and differences in the narratives of biographical films produced in different cultures. The study is a case study carried out with the qualitative analysis method. In the study, two films determined by purposive sampling were subjected to descriptive analysis within the framework of the selected themes. The films examined are Müslüm 2018, which is about the life story of Müslüm Gürses, who is known as the Father of arabesque music, and Bohemian Rhapsody 2018, which brings the life story of Freddie Mercury, the extraordinary soloist of the British rock band Queen, to the screen. It is observed that both films carry out the traditions of the biographical film genre. Along with the musical achievements in their careers, their family issues and private lives were also included in the narratives of both films. However, Bohemian Rhapsody presents a linear plot, while Müslüm structured the narration with back and forth jumps in between different points of time. In addition, Müslüm, by also featuring the childhood of the artist, covered a larger part of the life story of the subject, in comparison to Bohemian Rhapsody.

 Bu çalışmada, sinemada tür kuramı çerçevesinde kurmaca biyografik filmler ele alınmıştır. Çalışmanın temel amacı, biyografik filmlerde öznenin yaşam öyküsünün nasıl yeniden inşa edildiğini sorgulamak, farklı kültürlerde üretilen biyografik film anlatılarındaki benzerlikleri ve farklılıkları ortaya koymaktır. Çalışma, niteliksel analiz yöntemiyle gerçekleştirilen bir durum çalışmasıdır. Çalışmada, amaçlı örneklem yoluyla seçilen iki film, belirlenen temalar çerçevesinde betimsel analize tabi tutulmuştur. İncelenen filmler, arabesk müziğin Babası olarak tanımlanan Müslüm Gürsesin hayat hikâyesini konu edinen Müslüm 2018 ile İngiliz rock grubu Queenin sıradışı solisti Freddie Mercurynin yaşam öyküsünü ekrana taşıyan Bohemian Rhapsody 2018 adlı yapımlardır. Görülmüştür ki her iki film de biyografik film türünün geleneklerini barındırmaktadır. Sanatçıların müzik kariyerlerindeki başarılarla birlikte, aile ve özel yaşamlarındaki konulara da her iki filmin anlatısında yer verilmiştir. Bununla birlikte Bohemian Rhapsody anlatısını doğrusal zamanda yapılandırmış, Müslüm ise zamanda geriye ve ileriye gidişlerle anlatı yapısını şekillendirmiştir. Ayrıca Müslüm, sanatçının çocukluk dönemini de konu alarak, Bohemian Rhapsodye oranla bireyin yaşamının daha geniş bir kesimini hikâyeye dâhil etmiştir.

Makale detayları

TWO CULTURES and TWO LEGENDARY MUSICIANS: BIOGRAPHIC FILM ANALYSIS with MÜSLÜM (2018) and BOHEMIAN RHAPSODY (2018) within the FRAMEWORK of the GENRE THEORY

Yazarlar:

Nergiz Gündel

Yayıncı:

Pamukkale University

Dergi:

Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 56, pp.227-246

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289357

pISSN:

1308-2922

Genre theory

biographical film

biopic

Müslüm

Bohemian Rapsody

Müslüm Gürses

Freddie MercuryTür kuramı

biyografik film

Müslüm

Bohemian Rhapsody

Müslüm Gürses

Freddie Mercury

Sayı

Makale detayları

Yazarlar: Nergiz Gündel

Yayıncı: Pamukkale University

Dergi: Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 56, pp.227-246

Belge Tipi: Makale

Yayın Tarihi: 5/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001289357

pISSN: 1308-2922

Sayı

Yazarlar:

Nergiz Gündel

Yayıncı:

Pamukkale University

Dergi:

Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Issue 56, pp.227-246

Belge Tipi:

Makale

Yayın Tarihi:

5/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001289357

pISSN:

1308-2922