EVALUATION OF THE DIFFERENCES OF ALBERT AND BOEHM SYSTEM CLARINET TYPES USED IN TURKISH AND CLASSİCAL MUSIC

Kaya Kılıç

Makale detayları

EVALUATION OF THE DIFFERENCES OF ALBERT AND BOEHM SYSTEM CLARINET TYPES USED IN TURKISH AND CLASSİCAL MUSIC

Yazarlar:

Kaya Kılıç

Yayıncı:

Anadolu University

Ana Başlıklar:

Klasik Batı Müziğinde Yorumculuk

Dergi:

Sanat ve Tasarım Dergisi Vol.13 Issue 2, pp.608-619

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305128

pISSN:

2146-9059

Anahtar kelimeler:

Özet:

 The clarinet instrument has been used by different cultures and societies in many areas of music from past to present. The clarinet, which is classified as woodwind instruments, has become an instrument that has always preserved its place over the years. Thanks to the importance of the technical and acoustic structure of the instrument, it has been accepted not only as a soloist instrument, but also in bands, orchestras and chamber music. The instrument, which has undergone both structural and different mechanism changes from the time it was first released to the present, has undergone significant changes and moved to a different position thanks to the instrument makers Denner and Müller. Theobald Boehm and Eugene Albert, who were the important instrument makers and performers of the period in the 1800s, made the instrument technically easier for the performers with the various improvements they made to the clarinet. In the article, detailed information about two different clarinet systems called Albert and Boehm systems is presented. While the G clarinet, which is the Albert system, is commonly used in Turkish music, the B-flat clarinet, which is the Boehm system, is preferred in most European countries. It is aimed to present a detailed examination in the article about which criteria and choices the reason for this preference depends on, and what should be considered when making a choice. In addition, the development of the clarinets, starting from their history to the present, has been examined, and information has been presented by making comparisons. In the research, it has been determined that there are very few sources about the Albert and Boehm system, structures that include a detailed examination.

 The clarinet instrument has been used by different cultures and societies in many areas of music from past to present. The clarinet, which is classified as woodwind instruments, has become an instrument that has always preserved its place over the years. Thanks to the importance of the technical and acoustic structure of the instrument, it has been accepted not only as a soloist instrument, but also in bands, orchestras and chamber music. The instrument, which has undergone both structural and different mechanism changes from the time it was first released to the present, has undergone significant changes and moved to a different position thanks to the instrument makers Denner and Müller. Theobald Boehm and Eugene Albert, who were the important instrument makers and performers of the period in the 1800s, made the instrument technically easier for the performers with the various improvements they made to the clarinet. In the article, detailed information about two different clarinet systems called Albert and Boehm systems is presented. While the G clarinet, which is the Albert system, is commonly used in Turkish music, the B-flat clarinet, which is the Boehm system, is preferred in most European countries. It is aimed to present a detailed examination in the article about which criteria and choices the reason for this preference depends on, and what should be considered when making a choice. In addition, the development of the clarinets, starting from their history to the present, has been examined, and information has been presented by making comparisons. In the research, it has been determined that there are very few sources about the Albert and Boehm system, structures that include a detailed examination.

 The clarinet instrument has been used by different cultures and societies in many areas of music from past to present. The clarinet, which is classified as woodwind instruments, has become an instrument that has always preserved its place over the years. Thanks to the importance of the technical and acoustic structure of the instrument, it has been accepted not only as a soloist instrument, but also in bands, orchestras and chamber music. The instrument, which has undergone both structural and different mechanism changes from the time it was first released to the present, has undergone significant changes and moved to a different position thanks to the instrument makers Denner and Müller. Theobald Boehm and Eugene Albert, who were the important instrument makers and performers of the period in the 1800s, made the instrument technically easier for the performers with the various improvements they made to the clarinet. In the article, detailed information about two different clarinet systems called Albert and Boehm systems is presented. While the G clarinet, which is the Albert system, is commonly used in Turkish music, the B-flat clarinet, which is the Boehm system, is preferred in most European countries. It is aimed to present a detailed examination in the article about which criteria and choices the reason for this preference depends on, and what should be considered when making a choice. In addition, the development of the clarinets, starting from their history to the present, has been examined, and information has been presented by making comparisons. In the research, it has been determined that there are very few sources about the Albert and Boehm system, structures that include a detailed examination.

 Klarnet çalgısı geçmişten günümüze müziğin birçok alanında farklı kültürler ve toplumlar tarafından kullanılmıştır. Ağaç nefesli çalgılar sınıfına giren klarnet, yıllar boyunca yerini hep koruyan bir çalgı olmuştur. Çalgının teknik ve akustik yapısının önemi sebebiyle sadece solist çalgı olarak değil, bandolar, orkestralar ve oda müziğinde de kabul görmüştür. İlk kullanılmaya başlandığı zamandan günümüze kadar olan süreçte hem yapısal hem de farklı mekanizma değişikliğine uğramış olan çalgı yapımcıları olan Denner ve Müller sayesinde önemli değişime uğrayıp farklı bir konuma taşınmıştır. 1800lü yıllarda dönemin önemli çalgı yapımcıları ve icracıları olan Theobald Boehm ve Eugene Albert, klarnet üzerinde yaptıkları çeşitli güncellemelerle çalgıların icracılar için teknik açıdan daha icra edilir hale gelmesini sağlamışlardır. Makalede Albert ve Boehm sistem olarak adlandırılan iki farklı klarnet sistemi hakkında detaylı bilgiler sunulmuştur. Türk müziğinde genellikle Albert sistem olan sol klarnet kullanılırken Avrupadaki çoğu ülkede Boehm sistem olan si bemol klarnet tercih edilmektedir. Bu tercih sebebinin hangi kriter ve seçimlere bağlı olduğu, tercih yaparken nelere dikkat edilmesi gerektiği hakkında makalede detaylı bir inceleme sunulması amaçlanmıştır. Ayrıca klarnetlerin tarihçesinden başlayarak günümüze kadar uzanan gelişimi incelenmiş, karşılaştırmalar yapılarak bilgiler sunulmuştur. Yapılan araştırmada Albert ve Boehm sistem ile ilgili çok az kaynak olduğu belirlenmiş olup, detaylı bir inceleme sunulması amaçlanmıştır.

Makale detayları

EVALUATION OF THE DIFFERENCES OF ALBERT AND BOEHM SYSTEM CLARINET TYPES USED IN TURKISH AND CLASSİCAL MUSIC

Yazarlar:

Kaya Kılıç

Yayıncı:

Anadolu University

Ana Başlıklar:

Klasik Batı Müziğinde Yorumculuk

Dergi:

Sanat ve Tasarım Dergisi Vol.13 Issue 2, pp.608-619

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305128

pISSN:

2146-9059

Albert system

Boehm system

Clarinet

Clarinet types

WoodwindsAlbert sistem

Boehm sistem

Klarnet

Klarnet türleri

Tahta üflemeliler

Sayı

Makale detayları

Yazarlar: Kaya Kılıç

Yayıncı: Anadolu University

Ana Başlıklar: Klasik Batı Müziğinde Yorumculuk

Dergi: Sanat ve Tasarım Dergisi Vol.13 Issue 2, pp.608-619

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001305128

pISSN: 2146-9059

Sayı

Yazarlar:

Kaya Kılıç

Yayıncı:

Anadolu University

Ana Başlıklar:

Klasik Batı Müziğinde Yorumculuk

Dergi:

Sanat ve Tasarım Dergisi Vol.13 Issue 2, pp.608-619

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001305128

pISSN:

2146-9059