“Heft Destgah” System in Iranian Classical Music According to Nayî Osman Dede

Seyid Muhammed Taki Hüseyni

Makale detayları

“Heft Destgah” System in Iranian Classical Music According to Nayî Osman Dede

Yazarlar:

Seyid Muhammed Taki Hüseyni

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Müzik Sosyolojisi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.21 Issue 3, pp.100-115

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299651

pISSN:

1304-4796

Anahtar kelimeler:

Özet:

 As the science and art of music have been in constant change due to various controversies throughout history, Iranian classical music has also been changed normally. Iranian music, in which the pre-Islamic rah instruction was applied, was replaced by the advar and maqam systems after Islam. This operating system has been changed again and is now known as destgah. The reasons for the transition of the Heft seven Destgah system, its historical process, the concept and why it was seven have not been met with any clear explanation in the musical tracts and historical sources. The results of the work of musicologists and researchers of our time also have not been given a definitive explanation. According to our research on Destgah, the oldest explanation is found in Osman Dedes Persian verse Rabt-ı Tagyîrât-ı Mûsikî, written on the subject of music. Osman Dede quoted the system applied in Iran with the phrase Heftgane seven. In this article, after the information about Iranian music and the destgah system, Osman Dedes life, sources and his comments about Iranian music and the destgah system in Rabt-ı Tagyîrat-ı Musiki are included and evaluated.

 As the science and art of music have been in constant change due to various controversies throughout history, Iranian classical music has also been changed normally. Iranian music, in which the pre-Islamic rah instruction was applied, was replaced by the advar and maqam systems after Islam. This operating system has been changed again and is now known as destgah. The reasons for the transition of the Heft seven Destgah system, its historical process, the concept and why it was seven have not been met with any clear explanation in the musical tracts and historical sources. The results of the work of musicologists and researchers of our time also have not been given a definitive explanation. According to our research on Destgah, the oldest explanation is found in Osman Dedes Persian verse Rabt-ı Tagyîrât-ı Mûsikî, written on the subject of music. Osman Dede quoted the system applied in Iran with the phrase Heftgane seven. In this article, after the information about Iranian music and the destgah system, Osman Dedes life, sources and his comments about Iranian music and the destgah system in Rabt-ı Tagyîrat-ı Musiki are included and evaluated.

 As the science and art of music have been in constant change due to various controversies throughout history, Iranian classical music has also been changed normally. Iranian music, in which the pre-Islamic rah instruction was applied, was replaced by the advar and maqam systems after Islam. This operating system has been changed again and is now known as destgah. The reasons for the transition of the Heft seven Destgah system, its historical process, the concept and why it was seven have not been met with any clear explanation in the musical tracts and historical sources. The results of the work of musicologists and researchers of our time also have not been given a definitive explanation. According to our research on Destgah, the oldest explanation is found in Osman Dedes Persian verse Rabt-ı Tagyîrât-ı Mûsikî, written on the subject of music. Osman Dede quoted the system applied in Iran with the phrase Heftgane seven. In this article, after the information about Iranian music and the destgah system, Osman Dedes life, sources and his comments about Iranian music and the destgah system in Rabt-ı Tagyîrat-ı Musiki are included and evaluated.

 Mûsikî ilmi ve sanatı, tarih boyunca çeşitli etkenlerden dolayı sürekli değişimlerde olduğu gibi, İran klasik müziği de zamanla değişmiştir. İslâmiyet öncesi râh sisteminde uygulanan İran musikisi, İslâmiyet sonrası yerini edvâr ve makam sistemlerine vermiştir. Bu sistemler zamanla yine değişmiş ve günümüzde destgâh adı ile anılmaya başlamıştır. Heft yedi Destgâh sistemine geçiş sebepleri, tarihî süreci, kavramı ve neden yedi olduğu ile ilgili mûsikî risâlelerinde ve tarihî kaynaklarda her hangi bir net açıklamayla karşılanmamıştır. Çağımızdakı müzikologların ve araştırmacıların çalışmaları neticesinde de kesin bir açıklama yapılmamıştır. Destgâh ile ilgili araştırmamıza göre, en eski açıklama Kutb-i Nâyî Osman Dedenin mûsikî konusunda yazdığı Farsça manzum Rabt-ı Tağyîrât-ı Mûsikî adlı eserinde bulunmaktadır. Osman Dede, İranda uygulanan sistemden Heftgâne yedili tabiri ile söz ederek görüşünü aktarmıştır. Bu makalede İran mûsikîsi ve destgâh sistemi ile ilgili bilgiler verdikten sonra Osman Dedenin hayatı, eserleri ve Rabt-ı Tağyîrât-ı Mûsikîsinde İran mûsikîsi ve destgâh sistemi ile ilgili yorumlarına yer verilmiş ve değerlendirilmiştir.

Makale detayları

“Heft Destgah” System in Iranian Classical Music According to Nayî Osman Dede

Yazarlar:

Seyid Muhammed Taki Hüseyni

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Müzik Sosyolojisi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.21 Issue 3, pp.100-115

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299651

pISSN:

1304-4796

İran mûsikîsi

Destgâh

Kutb-i Nâyî Osman Dede

Rabt-ı Tağyîrât-ı Mûsikîİran mûsikîsi

Destgâh

Kutb-i Nâyî Osman Dede

Rabt-ı Tağyîrât-ı Mûsikî

Sayı

Makale detayları

Yazarlar: Seyid Muhammed Taki Hüseyni

Yayıncı: Manisa Celal Bayar University

Ana Başlıklar: Müzik Sosyolojisi

Dergi: Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.21 Issue 3, pp.100-115

Belge Tipi: Makale

Yayın Tarihi: 9/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001299651

pISSN: 1304-4796

Sayı

Yazarlar:

Seyid Muhammed Taki Hüseyni

Yayıncı:

Manisa Celal Bayar University

Ana Başlıklar:

Müzik Sosyolojisi

Dergi:

Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi Vol.21 Issue 3, pp.100-115

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299651

pISSN:

1304-4796