The Poet of “Gondola” Ali Mahmoud Tâhâ and His Innovative Role in Modern Arabic Poetry

Mahmut Çay

Makale detayları

The Poet of “Gondola” Ali Mahmoud Tâhâ and His Innovative Role in Modern Arabic Poetry

Yazarlar:

Mahmut Çay

Yayıncı:

Adıyaman University

Ana Başlıklar:

Arap Dili ve Belagatı

Dergi:

İslami İlimler Araştırmaları Dergisi Issue 16, pp.116-141

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336466

pISSN:

2587-1757

Anahtar kelimeler:

Özet:

 Napoleons d. 1821 military campaign in Egypt in 1798 was considered a key turning point for modernization in the Arab world. With this invasion, political and cultural contacts with Europe were established, steps were taken towards innovation in these fields, and a search for a modern identity, especially in the literary field, led to a number of changes in classical poetry. The manifestations of these changes emerged through modern factors that led to the transcendence of the traditional structure of classical poetry and the adoption of a new formulation. These factors, including content, context and modern terms, were linguistically significant in that old linguistic terms were updated and replaced with more accessible concepts for readers. Renewal also includes developments in the use of poetic imagery to add beauty and richness to the text. In addition to the importance of musical poetry, new methods of meter and rhythm were used to compose poems in meter and rhyme that appealed to the content and emotions the poet wanted to convey. Therefore, in this process, the ancient understanding of poetry began to deviate from its course and changed its form under the name of modern poetry. Some schools emerged, such as the Apollo group, in which Ali Mahmûd Tâhâ was a member, and they argued that poetry should not be sacrificed to rhyme. Tâhâ, who wrote his poems mostly under the influence of romanticism, traveled to many European countries and was influenced by their cultures. One of the European countries he visited was Italy. During a visit to Venice, Italy in 1938, the poet witnessed the Venice Carnival and wrote about the gondola feast in a musical style under the title Gondola Ode. Using the content analysis method, this article aims to analyze Ali Mahmūd Tâhâs contributions to modern Arabic poetry, especially in the context of the Gondola Ode, in the light of literary techniques, themes and the process of modernization.

 Napoleons d. 1821 military campaign in Egypt in 1798 was considered a key turning point for modernization in the Arab world. With this invasion, political and cultural contacts with Europe were established, steps were taken towards innovation in these fields, and a search for a modern identity, especially in the literary field, led to a number of changes in classical poetry. The manifestations of these changes emerged through modern factors that led to the transcendence of the traditional structure of classical poetry and the adoption of a new formulation. These factors, including content, context and modern terms, were linguistically significant in that old linguistic terms were updated and replaced with more accessible concepts for readers. Renewal also includes developments in the use of poetic imagery to add beauty and richness to the text. In addition to the importance of musical poetry, new methods of meter and rhythm were used to compose poems in meter and rhyme that appealed to the content and emotions the poet wanted to convey. Therefore, in this process, the ancient understanding of poetry began to deviate from its course and changed its form under the name of modern poetry. Some schools emerged, such as the Apollo group, in which Ali Mahmûd Tâhâ was a member, and they argued that poetry should not be sacrificed to rhyme. Tâhâ, who wrote his poems mostly under the influence of romanticism, traveled to many European countries and was influenced by their cultures. One of the European countries he visited was Italy. During a visit to Venice, Italy in 1938, the poet witnessed the Venice Carnival and wrote about the gondola feast in a musical style under the title Gondola Ode. Using the content analysis method, this article aims to analyze Ali Mahmūd Tâhâs contributions to modern Arabic poetry, especially in the context of the Gondola Ode, in the light of literary techniques, themes and the process of modernization.

 Napoleons d. 1821 military campaign in Egypt in 1798 was considered a key turning point for modernization in the Arab world. With this invasion, political and cultural contacts with Europe were established, steps were taken towards innovation in these fields, and a search for a modern identity, especially in the literary field, led to a number of changes in classical poetry. The manifestations of these changes emerged through modern factors that led to the transcendence of the traditional structure of classical poetry and the adoption of a new formulation. These factors, including content, context and modern terms, were linguistically significant in that old linguistic terms were updated and replaced with more accessible concepts for readers. Renewal also includes developments in the use of poetic imagery to add beauty and richness to the text. In addition to the importance of musical poetry, new methods of meter and rhythm were used to compose poems in meter and rhyme that appealed to the content and emotions the poet wanted to convey. Therefore, in this process, the ancient understanding of poetry began to deviate from its course and changed its form under the name of modern poetry. Some schools emerged, such as the Apollo group, in which Ali Mahmûd Tâhâ was a member, and they argued that poetry should not be sacrificed to rhyme. Tâhâ, who wrote his poems mostly under the influence of romanticism, traveled to many European countries and was influenced by their cultures. One of the European countries he visited was Italy. During a visit to Venice, Italy in 1938, the poet witnessed the Venice Carnival and wrote about the gondola feast in a musical style under the title Gondola Ode. Using the content analysis method, this article aims to analyze Ali Mahmūd Tâhâs contributions to modern Arabic poetry, especially in the context of the Gondola Ode, in the light of literary techniques, themes and the process of modernization.

 Napolyon öl. 1821nun 1798 yılında Mısıra düzenlediği askerî sefer, Arap dünyasında modernleşme adına bir dönüm noktası kabul edilmiştir. Bu işgalle birlikte Avrupa ile siyasî ve kültürel temaslar kurularak söz konusu alanlarda yenileşmeye doğru adımlar atılmış ve özellikle edebî alanda modern kimlik arayışına gidilerek klasik şiirde birtakım farklılıklar meydana gelmiştir. Bu değişikliklerin tezahürleri, klasik şiirlerin geleneksel yapısının aşılmasına ve yeni bir formülasyonun benimsenmesine yol açan modern faktörler yoluyla ortaya çıkmıştır. Muhteva, içerik ve modern terimleri kapsayan bu faktörler, eski dilsel terimlerin güncellenmesi ve bunların okurlar için daha ulaşılabilir kavramlarla değiştirilmesi bu noktada dilsel açıdan önem arz etmiştir. Yenilenme aynı zamanda metne güzellik ve zenginlik katma amacıyla şiirsel görsellerin kullanımındaki gelişmeleri de içermektedir. Müzikal şiirin önemsenmesinin yanı sıra, şairin anlatmak istediği içerik ve duygulara hitap eden ölçülü ve kafiyeli şiirleri oluşturmak için yeni ölçü ve ritim yöntemleri kullanılmıştır. Dolayısıyla bu süreçte kadim şiir anlayışı mecrasından sapmaya başlamış ve modern şiir anlayışı adı altında şekil değiştirmiştir. Ali Mahmûd Tâhânın da içinde yer aldığı Apollo topluluğu gibi bazı ekoller ortaya çıkmış ve şiirin, kafiyelere feda edilmemesini savunmuşlardır. Şiirlerini daha çok romantizmin etkisinde kalarak yazan Tâhâ, birçok Avrupa ülkesine seyahat ederek kültürlerinden etkilenmiştir. Ziyaret ettiği Avrupa ülkelerinden biri de İtalyadır. Şair, 1938 yılında İtalyanın Venedik kentine yaptığı bir ziyarette Venedik Karnavalına tanıklık etmiş ve gondol şölenini, Gondol Kasidesi adı altında müzikal bir tarzda yazmıştır. İçerik tahlil yöntemi kullanılan bu makale, Ali Mahmûd Tâhânın modern Arap şiirine katkılarını, özellikle Gondol Kasidesi bağlamında, edebî teknikler, temalar ve modernleşme süreci ışığında analiz etmeyi amaçlamaktadır.

Makale detayları

The Poet of “Gondola” Ali Mahmoud Tâhâ and His Innovative Role in Modern Arabic Poetry

Yazarlar:

Mahmut Çay

Yayıncı:

Adıyaman University

Ana Başlıklar:

Arap Dili ve Belagatı

Dergi:

İslami İlimler Araştırmaları Dergisi Issue 16, pp.116-141

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336466

pISSN:

2587-1757

Arabic Language

Ali Mahmûd Tâhâ

Muwashshah

Gondola Ode

Modern Arabic PoetryMuvaşşaha

Ali Mahmûd Tâhâ

Arap Dili

Modern Arap Şiiri

Gondol Kasidesi

Sayı

Makale detayları

Yazarlar: Mahmut Çay

Yayıncı: Adıyaman University

Ana Başlıklar: Arap Dili ve Belagatı

Dergi: İslami İlimler Araştırmaları Dergisi Issue 16, pp.116-141

Belge Tipi: Makale

Yayın Tarihi: 12/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001336466

pISSN: 2587-1757

Sayı

Yazarlar:

Mahmut Çay

Yayıncı:

Adıyaman University

Ana Başlıklar:

Arap Dili ve Belagatı

Dergi:

İslami İlimler Araştırmaları Dergisi Issue 16, pp.116-141

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001336466

pISSN:

2587-1757