ANALYSIS OF THE RELATIONSHIP BETWEEN HISTORICAL VENUES AND ARTWORKS AT THE ISTANBUL BIENNIALS USING THE FELDMAN MODEL: FIVE CASE VENUES

Terlan Mehdiyeva Azizzade; Selin Gözükan

Makale detayları

ANALYSIS OF THE RELATIONSHIP BETWEEN HISTORICAL VENUES AND ARTWORKS AT THE ISTANBUL BIENNIALS USING THE FELDMAN MODEL: FIVE CASE VENUES

Yazarlar:

Terlan Mehdiyeva Azizzade | Selin Gözükan

Yayıncı:

Akdeniz University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Akdeniz Sanat Vol.19 Issue 35, pp.61-81

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339748

pISSN:

1307-9700

Anahtar kelimeler:

Özet:

 This article examines the relationship between artworks displayed at the Istanbul Biennials and historical venues within the framework of the Feldman Model. The focus of the research is to determine the effects of these venues on the perception of the artworks. To achieve this, the Feldman Model has been utilized. Developed by Edmund Burke Feldman, the Feldman Model provides a systematic approach to the analysis of artworks, helping to better understand the spatial context of art. The spatial context of art is a critical element that is often overlooked but plays a significant role in how artworks are perceived. Since 1987, the Istanbul Biennials have contributed to the development of contemporary art while highlighting the historical and cultural values of the venues used. This study analyzes the interactions of selected five important venues, including Müze Gazhane, Yerebatan Cistern, Rum School Galata, Küçük Mustafa Paşa Hamamı, and Ayasofya Hamamı, with the exhibitions held within them. The historical and architectural features of these venues play a decisive role in their interaction with the artworks. This analysis aims to reveal the depth that historical venues add to artworks and their effects on the audience. The research demonstrates that two distinct connections are established between the historical venues used in the Istanbul Biennials and the artworks. The first connection is an interpretive bond created through the historical and functional aspects of the venues, which enhances the depth and meaning of the artworks. The second connection focuses on the physical characteristics of the venues, establishing a visual bond that enriches the artistic experience of the audience and strengthens the impact of the artworks.

 This article examines the relationship between artworks displayed at the Istanbul Biennials and historical venues within the framework of the Feldman Model. The focus of the research is to determine the effects of these venues on the perception of the artworks. To achieve this, the Feldman Model has been utilized. Developed by Edmund Burke Feldman, the Feldman Model provides a systematic approach to the analysis of artworks, helping to better understand the spatial context of art. The spatial context of art is a critical element that is often overlooked but plays a significant role in how artworks are perceived. Since 1987, the Istanbul Biennials have contributed to the development of contemporary art while highlighting the historical and cultural values of the venues used. This study analyzes the interactions of selected five important venues, including Müze Gazhane, Yerebatan Cistern, Rum School Galata, Küçük Mustafa Paşa Hamamı, and Ayasofya Hamamı, with the exhibitions held within them. The historical and architectural features of these venues play a decisive role in their interaction with the artworks. This analysis aims to reveal the depth that historical venues add to artworks and their effects on the audience. The research demonstrates that two distinct connections are established between the historical venues used in the Istanbul Biennials and the artworks. The first connection is an interpretive bond created through the historical and functional aspects of the venues, which enhances the depth and meaning of the artworks. The second connection focuses on the physical characteristics of the venues, establishing a visual bond that enriches the artistic experience of the audience and strengthens the impact of the artworks.

 This article examines the relationship between artworks displayed at the Istanbul Biennials and historical venues within the framework of the Feldman Model. The focus of the research is to determine the effects of these venues on the perception of the artworks. To achieve this, the Feldman Model has been utilized. Developed by Edmund Burke Feldman, the Feldman Model provides a systematic approach to the analysis of artworks, helping to better understand the spatial context of art. The spatial context of art is a critical element that is often overlooked but plays a significant role in how artworks are perceived. Since 1987, the Istanbul Biennials have contributed to the development of contemporary art while highlighting the historical and cultural values of the venues used. This study analyzes the interactions of selected five important venues, including Müze Gazhane, Yerebatan Cistern, Rum School Galata, Küçük Mustafa Paşa Hamamı, and Ayasofya Hamamı, with the exhibitions held within them. The historical and architectural features of these venues play a decisive role in their interaction with the artworks. This analysis aims to reveal the depth that historical venues add to artworks and their effects on the audience. The research demonstrates that two distinct connections are established between the historical venues used in the Istanbul Biennials and the artworks. The first connection is an interpretive bond created through the historical and functional aspects of the venues, which enhances the depth and meaning of the artworks. The second connection focuses on the physical characteristics of the venues, establishing a visual bond that enriches the artistic experience of the audience and strengthens the impact of the artworks.

 Bu makale, İstanbul Bienallerinde sergilenen sanat eserleri ile tarihi mekanlar arasındaki ilişkiyi Feldman Modeli çerçevesinde incelemektedir. Araştırmanın odak noktası, mekanların sanat eserlerinin algılanmasındaki etkilerini belirlemektir. Bu amaçla, Feldman Modeli kullanılmıştır. Edmund Burke Feldman tarafından geliştirilen Feldman Modeli, sanat eserlerinin analizinde kullanılan sistematik bir yaklaşım sunarak, sanatın mekansal bağlamını daha iyi anlamaya yardımcı olmaktadır. Sanatın mekansal bağlamı, eserlerin algılanmasında genellikle göz ardı edilen ancak eserlerin algılanmasında kritik rol oynayan bir unsurdur. 1987 yılından bu yana düzenlenen İstanbul Bienalleri, çağdaş sanatın gelişimine katkıda bulunurken kullanılan mekanların tarihi ve kültürel değerlerini de öne çıkarmaktadır. Bu çalışma, Müze Gazhane, Yerebatan Sarnıcı, Rum Okulu Galata, Küçük Mustafa Paşa Hamamı ve Ayasofya Hamamı gibi seçilmiş beş önemli mekandaki sergilerin, bu mekanlarla nasıl etkileşime geçtiğini analiz etmektedir. Mekanların tarihi ve mimari özellikleri, sanat eseri ile olan etkileşimlerinde belirleyici bir rol oynamaktadır. Bu analiz, tarihi mekanların sanat eserlerine kattığı derinliği ve izleyici üzerindeki etkilerini ortaya koymayı amaçlamaktadır. Araştırma, İstanbul Bienallerinde kullanılan tarihi mekanlar ile sanat eserleri arasında iki farklı bağın kurulduğunu ortaya koymuştur. Birincisi, mekanın tarihi ve işlevsel yönleri üzerinden oluşan anlamsal bağdır; bu, eserlerin derinliğini ve anlamını artırmaktadır. İkincisi ise, mekanın fiziksel özelliklerine odaklanarak görsel bir bağ kurulmasıdır; bu durum, eserlerin etkisini güçlendirmektedir. Feldman Modelinin kullanımı, bu etkileşimleri daha sistematik bir şekilde analiz etmeye olanak tanımış, sanat eserleri ile mekan arasındaki ilişkilerin derinlemesine anlaşılmasını sağlamıştır.

Makale detayları

ANALYSIS OF THE RELATIONSHIP BETWEEN HISTORICAL VENUES AND ARTWORKS AT THE ISTANBUL BIENNIALS USING THE FELDMAN MODEL: FIVE CASE VENUES

Yazarlar:

Terlan Mehdiyeva Azizzade | Selin Gözükan

Yayıncı:

Akdeniz University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Akdeniz Sanat Vol.19 Issue 35, pp.61-81

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339748

pISSN:

1307-9700

Biennial

Event

Venue

Art

Historical BuildingBienal

Etkinlik

Mekan

Sanat

Tarihi Yapı

Sayı

Makale detayları

Yazarlar: Terlan Mehdiyeva Azizzade | Selin Gözükan

Yayıncı: Akdeniz University

Ana Başlıklar: Güzel Sanatlar

Dergi: Akdeniz Sanat Vol.19 Issue 35, pp.61-81

Belge Tipi: Makale

Yayın Tarihi: 1/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001339748

pISSN: 1307-9700

Sayı

Yazarlar:

Terlan Mehdiyeva Azizzade | Selin Gözükan

Yayıncı:

Akdeniz University

Ana Başlıklar:

Güzel Sanatlar

Dergi:

Akdeniz Sanat Vol.19 Issue 35, pp.61-81

Belge Tipi:

Makale

Yayın Tarihi:

1/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001339748

pISSN:

1307-9700