Analysis of Tanbûri Ömer Altuğ's Works Composed in the Form Sharki in terms of Form

Ayşe Emsal Aksın Çevik

Makale detayları

Analysis of Tanbûri Ömer Altuğ's Works Composed in the Form Sharki in terms of Form

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Cankiri Karatekin University

Ana Başlıklar:

Müzik Antropolojisi

Dergi:

Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Vol.15 Issue 2, pp.623-638

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001331680

pISSN:

1309-3738

Anahtar kelimeler:

Özet:

 Objective: Studies on the works of composers in Classical Turkish Music include maqam analyses, analyses on the relationship between usûl and pattern, and form analyses. These studies reveal the way each composer created hisher work. This study aims to analyze the works of Ömer Altuğ, one of the well-known tanbûri and composers of the 20th century, composed in the form sharki and to reveal how the composer used the form sharki. Method: In the study, a descriptive approach was followed and document survey model was used. Nine oral works of the composer in the state choir sheet music archive were identified. In the formal analysis of these works, Oter 2018 method was used to reveal the unity of lyrics and melody. Findings: In this section, the type of arûz rhythm of the lyrics of the composers songs were determined. If there are rhythm errors in the lyrics, interpretations are made about them. In this research, which was based on the question What is the structure of Tanbûri Ömer Altuğs works in the form sharki?, results were reached about how the lyrics in the composers works were used together with the melody. Conclusion: According to the results of the research, it was determined that the composer used a total of six different the form sharki in his works. In addition, it is concluded that the composer composed the lyrics of his works in quartet form, which is widely used in the form sharki. Originality: Studies on Tanbûri Ömer Altuğ are quite limited. It has been determined that the composers works have not been analyzed with any method. In this study, the songs of this composer were analyzed within the interaction of lyrics and melody.

 Objective: Studies on the works of composers in Classical Turkish Music include maqam analyses, analyses on the relationship between usûl and pattern, and form analyses. These studies reveal the way each composer created hisher work. This study aims to analyze the works of Ömer Altuğ, one of the well-known tanbûri and composers of the 20th century, composed in the form sharki and to reveal how the composer used the form sharki. Method: In the study, a descriptive approach was followed and document survey model was used. Nine oral works of the composer in the state choir sheet music archive were identified. In the formal analysis of these works, Oter 2018 method was used to reveal the unity of lyrics and melody. Findings: In this section, the type of arûz rhythm of the lyrics of the composers songs were determined. If there are rhythm errors in the lyrics, interpretations are made about them. In this research, which was based on the question What is the structure of Tanbûri Ömer Altuğs works in the form sharki?, results were reached about how the lyrics in the composers works were used together with the melody. Conclusion: According to the results of the research, it was determined that the composer used a total of six different the form sharki in his works. In addition, it is concluded that the composer composed the lyrics of his works in quartet form, which is widely used in the form sharki. Originality: Studies on Tanbûri Ömer Altuğ are quite limited. It has been determined that the composers works have not been analyzed with any method. In this study, the songs of this composer were analyzed within the interaction of lyrics and melody.

 Objective: Studies on the works of composers in Classical Turkish Music include maqam analyses, analyses on the relationship between usûl and pattern, and form analyses. These studies reveal the way each composer created hisher work. This study aims to analyze the works of Ömer Altuğ, one of the well-known tanbûri and composers of the 20th century, composed in the form sharki and to reveal how the composer used the form sharki. Method: In the study, a descriptive approach was followed and document survey model was used. Nine oral works of the composer in the state choir sheet music archive were identified. In the formal analysis of these works, Oter 2018 method was used to reveal the unity of lyrics and melody. Findings: In this section, the type of arûz rhythm of the lyrics of the composers songs were determined. If there are rhythm errors in the lyrics, interpretations are made about them. In this research, which was based on the question What is the structure of Tanbûri Ömer Altuğs works in the form sharki?, results were reached about how the lyrics in the composers works were used together with the melody. Conclusion: According to the results of the research, it was determined that the composer used a total of six different the form sharki in his works. In addition, it is concluded that the composer composed the lyrics of his works in quartet form, which is widely used in the form sharki. Originality: Studies on Tanbûri Ömer Altuğ are quite limited. It has been determined that the composers works have not been analyzed with any method. In this study, the songs of this composer were analyzed within the interaction of lyrics and melody.

 Amaç: Klasik Türk Müziğinde bestekârlarının eserlerine dair çalışmalarda makam analizleri, usul-vezin ilişkisini inceleyen analizler ve biçim analizleri yürütülmektedir. Bu çalışmalar her bestekârın eserini oluşturma biçimini ortaya koymaktadır. Bu araştırmada 20. Yüzyılın tanınmış tanbûri ve bestekârlarından Ömer Altuğun şarkı formunda bestelediği eserlerini biçim yönünden incelemeyi ve bestekârın şarkı formunu nasıl kullandığını ortaya koymayı amaçlamaktadır. Yöntem: Çalışmada betimsel bir yaklaşım izlenerek doküman tarama modeli kullanılmıştır. Bestekârın devlet korosu nota arşivinde yer alan dokuz adet sözlü eseri tespit edilmiştir. Bu eserler üzerinden yapılan biçim analizinde, güfte-ezgi birlikteliğinin ortaya çıkması amacıyla Oter 2018 yöntemi kullanılmıştır. Bulgular: Bu bölümde bestekârın şarkılarının güftelerinin vezinleri tespit edilmiştir. Güftelerde vezin hataları var ise bununla ilgili yorumlar yapılmıştır. Tanbûri Ömer Altuğun bestelemiş olduğu şarkı formundaki eserlerinin yapısı nasıldır? sorusu üzerinden yola çıkılan bu araştırmada, bestekârın eserlerindeki güfteleri, ezgi ile birlikte nasıl kullanıldığına dair sonuçlara ulaşılmıştır. Sonuç: Araştırma sonuçlarına göre bestekârın sözlü eserlerinde toplamda altı farklı şarkı biçimi kullandığı tespit edilmiştir. Bununla birlikte bestekârın eserlerinin güftelerini, şarkı formunda yaygın bir şekilde kullanılan dörtlü biçimde bestelediği sonucu ortaya çıkmaktadır. Özgünlük: Tanbûri Ömer Altuğ ile ilgili yapılan çalışmalar oldukça kısıtlıdır. Bestekârın eserlerinin herhangi bir yöntem ile analiz edilmediği tespit edilmiştir. Bu çalışmada, söz konusu bestekârın şarkıları güfte-ezgi etkileşimi içerisinde analiz edilmiştir.

Makale detayları

Analysis of Tanbûri Ömer Altuğ's Works Composed in the Form Sharki in terms of Form

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Cankiri Karatekin University

Ana Başlıklar:

Müzik Antropolojisi

Dergi:

Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Vol.15 Issue 2, pp.623-638

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001331680

pISSN:

1309-3738

Tanbûri Ömer Altuğ

form sharki

Classical Turkish MusicTanbûri Ömer Altuğ

şarkı formu

Klasik Türk Müziği

Sayı

Makale detayları

Analysis of Tanbûri Ömer Altuğ's Works Composed in the Form Sharki in terms of Form

Yazarlar: Ayşe Emsal Aksın Çevik

Yayıncı: Cankiri Karatekin University

Ana Başlıklar: Müzik Antropolojisi

Dergi: Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Vol.15 Issue 2, pp.623-638

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001331680

pISSN: 1309-3738

Tanbûri Ömer Altuğ

form sharki

Classical Turkish MusicTanbûri Ömer Altuğ

şarkı formu

Klasik Türk Müziği

Sayı

Yazarlar:

Ayşe Emsal Aksın Çevik

Yayıncı:

Cankiri Karatekin University

Ana Başlıklar:

Müzik Antropolojisi

Dergi:

Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi Vol.15 Issue 2, pp.623-638

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001331680

pISSN:

1309-3738