The Symbol of Mercy: Iconographic Analysis of the Parable of the Good Samaritan Scenes in Byzantine Art

Fatma Yaşar

Makale detayları

The Symbol of Mercy: Iconographic Analysis of the Parable of the Good Samaritan Scenes in Byzantine Art

Yazarlar:

Fatma Yaşar

Yayıncı:

Ataturk University

Ana Başlıklar:

Resim Tarihi | Sanat Tarihi

Dergi:

Palmet Dergisi Issue 6, pp.26-41

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001328269

pISSN:

2822-3551

Anahtar kelimeler:

Özet:

 This article examines various versions of the Good Samaritan scenes in five manuscripts dating back to the Byzantine era: Codex Rossano, Sacra Pecallarela, BnF Grec 510, Plut. Laur. 6.23, and BnF Grec 74. The Parable of the Good Samaritan revolves around a man who is beaten, robbed, and left dead on the road from Jerusalem to Jericho. A Samaritan comes across him, helps him, and takes him to an inn, where he pays for his care. This story has enabled scenes to be shaped by different interpretations of each artist in every manuscript. For example, while the Samaritan figure is depicted as Jesus in the Codex Rossano and BnF Grec 510 manuscripts, in others, it is within the narrative identity of the Good Samaritan mentioned in the text. In BnF Grec 74, the story of the Good Samaritan is considered the most comprehensive example in terms of the narrative scope. The scene encompasses both the Codex Rossano and the BnF Grec 510 characteristics. This study elucidates the various interpretations and evolution of the story through a detailed analysis of the portrayal of the Good Samaritan in different manuscripts, from a scientific perspective.

 This article examines various versions of the Good Samaritan scenes in five manuscripts dating back to the Byzantine era: Codex Rossano, Sacra Pecallarela, BnF Grec 510, Plut. Laur. 6.23, and BnF Grec 74. The Parable of the Good Samaritan revolves around a man who is beaten, robbed, and left dead on the road from Jerusalem to Jericho. A Samaritan comes across him, helps him, and takes him to an inn, where he pays for his care. This story has enabled scenes to be shaped by different interpretations of each artist in every manuscript. For example, while the Samaritan figure is depicted as Jesus in the Codex Rossano and BnF Grec 510 manuscripts, in others, it is within the narrative identity of the Good Samaritan mentioned in the text. In BnF Grec 74, the story of the Good Samaritan is considered the most comprehensive example in terms of the narrative scope. The scene encompasses both the Codex Rossano and the BnF Grec 510 characteristics. This study elucidates the various interpretations and evolution of the story through a detailed analysis of the portrayal of the Good Samaritan in different manuscripts, from a scientific perspective.

 This article examines various versions of the Good Samaritan scenes in five manuscripts dating back to the Byzantine era: Codex Rossano, Sacra Pecallarela, BnF Grec 510, Plut. Laur. 6.23, and BnF Grec 74. The Parable of the Good Samaritan revolves around a man who is beaten, robbed, and left dead on the road from Jerusalem to Jericho. A Samaritan comes across him, helps him, and takes him to an inn, where he pays for his care. This story has enabled scenes to be shaped by different interpretations of each artist in every manuscript. For example, while the Samaritan figure is depicted as Jesus in the Codex Rossano and BnF Grec 510 manuscripts, in others, it is within the narrative identity of the Good Samaritan mentioned in the text. In BnF Grec 74, the story of the Good Samaritan is considered the most comprehensive example in terms of the narrative scope. The scene encompasses both the Codex Rossano and the BnF Grec 510 characteristics. This study elucidates the various interpretations and evolution of the story through a detailed analysis of the portrayal of the Good Samaritan in different manuscripts, from a scientific perspective.

 Bu makale, Codex Rossano, Sacra Pecallarela, BnF Grec 510, BnF Grec 74 ve Laur. 6.23 dahil olmak üzere beş Bizans dönemine tarihlenen el yazmasındaki İyi Samiriyeli sahnelerinin farklı versiyonlarını ele almaktadır İyi Samiriyeli Meseli, Kudüsten Jerikoya giden yolda dövülen, soyulan ve yol kenarında ölüme terk edilen bir adam etrafında döner. Bir Samiriyeli ona rastlar, ona yardım eder ve onu bir haneye götürür, burada onun bakımı için ödeme yapar. Bu hikâye, her el yazmasındaki sanatçının farklı yorumlarıyla sahneler şekillenmesini sağlamıştır. Örneğin, sahnenin erken örneklerinde Samiriyeli bazen İsa olarak gösterirken bazıları ise İyi Samiriyeli olarak algılamıştır. Erken dönem örneklerindeki sanatçıların Samiriyeli figürünü İsa olarak vermesindeki amacı İsanın merhametini vurgulamak içindir. Zamanla bu anlayış kayıp olarak İyi Samiriyeli metindeki kimliğe göre resmedilmeye başlandığı görülmektedir. Bu çalışma, farklı el yazmalarındaki İyi Samiriyeli tasvirlerinin detaylı analizi yoluyla, hikayenin çeşitli yorumlarını ve evrimini bilimsel bir perspektiften açıklığa kavuşturmaktadır.

Makale detayları

The Symbol of Mercy: Iconographic Analysis of the Parable of the Good Samaritan Scenes in Byzantine Art

Yazarlar:

Fatma Yaşar

Yayıncı:

Ataturk University

Ana Başlıklar:

Resim Tarihi | Sanat Tarihi

Dergi:

Palmet Dergisi Issue 6, pp.26-41

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001328269

pISSN:

2822-3551

Byzantine Art

Byzantine Manuscripts

Parables of Jesus

IconographyBizans Sanatı

Bizans El Yazmaları

İsa'nın meselleri

İkonografi

Sayı

Makale detayları

Yazarlar: Fatma Yaşar

Yayıncı: Ataturk University

Ana Başlıklar: Resim Tarihi | Sanat Tarihi

Dergi: Palmet Dergisi Issue 6, pp.26-41

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001328269

pISSN: 2822-3551

Sayı

Yazarlar:

Fatma Yaşar

Yayıncı:

Ataturk University

Ana Başlıklar:

Resim Tarihi | Sanat Tarihi

Dergi:

Palmet Dergisi Issue 6, pp.26-41

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001328269

pISSN:

2822-3551