JONAS MEKAS AS AN EXPERIMENTAL VISUAL NARRATOR

D. Alper Altunay; Özgür Çalışkan

Makale detayları

JONAS MEKAS AS AN EXPERIMENTAL VISUAL NARRATOR

Yazarlar:

D. Alper Altunay | Özgür Çalışkan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Dijital ve Elektronik Medya Sanatı

Dergi:

Sanat Yazıları Issue 51, pp.534-548

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332129

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 Jonas Mekas stands out as a director who integrates traditional and experimental narratives, employing various visual designs to apply both the forms developed by cinematic art and the innovative storytelling brought about by his era. This study examines Mekass works as an experimental visual narrator within the contexts of experimental film, expanded cinema, and video art, revealing his distinctive features in the broader realm of both film and visual arts. To highlight Mekass formal mediation and divergence from classic to experimental narratives, five films from different periods are analyzed: Guns of the Trees 1961, Diaries, Notes, and Sketches 1969, In Between: 1964-68 1978, As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty 2000, and Outtakes From the Life of a Happy Man 2012 in terms of the form and content of which, are also discussed in the context of experimental film and extended cinema. Ultimately, Mekas emerges as a pioneering director who uses personal experiences and poetic narrative style to reject traditional storytelling and develop experimental visual narration.

 Jonas Mekas stands out as a director who integrates traditional and experimental narratives, employing various visual designs to apply both the forms developed by cinematic art and the innovative storytelling brought about by his era. This study examines Mekass works as an experimental visual narrator within the contexts of experimental film, expanded cinema, and video art, revealing his distinctive features in the broader realm of both film and visual arts. To highlight Mekass formal mediation and divergence from classic to experimental narratives, five films from different periods are analyzed: Guns of the Trees 1961, Diaries, Notes, and Sketches 1969, In Between: 1964-68 1978, As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty 2000, and Outtakes From the Life of a Happy Man 2012 in terms of the form and content of which, are also discussed in the context of experimental film and extended cinema. Ultimately, Mekas emerges as a pioneering director who uses personal experiences and poetic narrative style to reject traditional storytelling and develop experimental visual narration.

 Jonas Mekas stands out as a director who integrates traditional and experimental narratives, employing various visual designs to apply both the forms developed by cinematic art and the innovative storytelling brought about by his era. This study examines Mekass works as an experimental visual narrator within the contexts of experimental film, expanded cinema, and video art, revealing his distinctive features in the broader realm of both film and visual arts. To highlight Mekass formal mediation and divergence from classic to experimental narratives, five films from different periods are analyzed: Guns of the Trees 1961, Diaries, Notes, and Sketches 1969, In Between: 1964-68 1978, As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty 2000, and Outtakes From the Life of a Happy Man 2012 in terms of the form and content of which, are also discussed in the context of experimental film and extended cinema. Ultimately, Mekas emerges as a pioneering director who uses personal experiences and poetic narrative style to reject traditional storytelling and develop experimental visual narration.

 Jonas Mekas geleneksel ile deneysel anlatımı bir arada kullanan, sinema sanatının geliştirdiği ve biriktirdiği biçimleri, çağın getirdiği yenilikçi anlatımları farklı görsel tasarımlarla uygulayan bir yönetmen olarak öne çıkmıştır. Bu çalışmada deneysel bir görsel anlatıcı olarak Jonas Mekasın eserleri; deneysel film, genişletilmiş sinema ve video sanatı bağlamın-da incelenerek, Mekasın hem film hem de görsel sanatların bütünü bağlamındaki belirgin özellikleri ortaya konmaktadır. Bu çalışmada Jonas Mekasın klasikten deneysel anlatıya uzanan biçimsel uzlaştırıcılığı ve farklılığını ortaya koymak için farklı dönemlerden seçilen Guns of the Trees 1961, Diaries, Notes, and Sketches 1969, In Between: 1964-68 1978, As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty 2000 ve Outtakes From the Life of a Happy Man 2012 filmleri biçimsel ve içerik açısından deneysel film ve genişletilmiş sinema bağlamında tartışılmaktadır. Sonuç ola-rak, Jonas Mekas, kişisel deneyimlerini ve şiirsel anlatım tarzını kullanarak, geleneksel anlatıyı reddeden ve deneysel bir görsel anlatım geliştiren öncü bir yönetmendir.

Makale detayları

JONAS MEKAS AS AN EXPERIMENTAL VISUAL NARRATOR

Yazarlar:

D. Alper Altunay | Özgür Çalışkan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Dijital ve Elektronik Medya Sanatı

Dergi:

Sanat Yazıları Issue 51, pp.534-548

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332129

pISSN:

2458-8903

Experimental Film

Avant-garde Cinema

Jonas Mekas

Video

Expanded CinemaDeneysel Film

Avangart Sinema

Jonas Mekas

Video

Genişletilmiş Sinema.

Sayı

Makale detayları

Yazarlar: D. Alper Altunay | Özgür Çalışkan

Yayıncı: Hacettepe University

Ana Başlıklar: Dijital ve Elektronik Medya Sanatı

Dergi: Sanat Yazıları Issue 51, pp.534-548

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001332129

pISSN: 2458-8903

Sayı

Yazarlar:

D. Alper Altunay | Özgür Çalışkan

Yayıncı:

Hacettepe University

Ana Başlıklar:

Dijital ve Elektronik Medya Sanatı

Dergi:

Sanat Yazıları Issue 51, pp.534-548

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332129

pISSN:

2458-8903