LINGUISTIC-NARRATIVE STRUCTURE AND THEME IN AZOUZ BEGAG'S NOVEL THE BOY FROM SHABAA (LE GONE DU CHAÂBA)

Ali Tilbe; Yusuf Topaloğlu

Makale detayları

LINGUISTIC-NARRATIVE STRUCTURE AND THEME IN AZOUZ BEGAG'S NOVEL THE BOY FROM SHABAA (LE GONE DU CHAÂBA)

Yazarlar:

Ali Tilbe | Yusuf Topaloğlu

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Dergi:

Söylem Filoloji Dergisi Vol.8 Issue 3, pp.928-950

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001308372

pISSN:

2548-0502

Anahtar kelimeler:

Özet:

 In this study, in the context of language transfer theory and narrative discourse, in Azouz Begags novel The Boy from Shabaa Le Gone du Chaâba, the interlanguage between Arabic and French used by the novels characters and its qualities and the themes of the Boy from Shabaas search for a place and identity in a foreign culture are discussed. Starting from the 1960s, people of Maghreb origin migrated from Africa to France to have a better life and started to live in the suburban settlements of this country. Far from achieving the life they had dreamed of before migrating, the migrants encounters with worse living conditions, their sorrow and the social exclusion and marginalisation imposed by the wider society have found their expression in the Verlan Language, developed in the 1980s with the method of secret word production, and the Beur fr. Arabe Literature emerged in the same period. The term Beur, used for the first time on Radio Beur in Paris in 1982, describes the unique language use of North Africans emigrating from North Africa or born and raised in France, which led to the formation of a new generation of writers in the literary space as a new form of communication of the local youth. Published in 1983, Mehdi Charefs Le thé au Harem dAchi Ahmed is the first novel to reflect this new genre with its distinct characteristics. In Beurs novels, mostly written in French and Arabic in the first- and third-person singular narrative voice, there are also words from other languages that have undergone structural and stylistic changes in addition to French. This literary movement continued its development in the 1990s with the emergence of a new wave of writers and after 2005 with new approaches and nomenclatures such as suburban literature. Begag, through his novels, became the spokesperson for the search for self-identity and authenticity of the nomads of North African origin. Arabic words and French terms are used together with structural and semantic changes in the novel The Boy from Shabaa, focusing on the pathetic situation of Algerian immigrants who settled in France and the effects of French language and culture on them. In this study, we aim to analyse the basic themes such as linguistic-structural changes and transformations in the novel and the search for self-culture and self-identity.

 In this study, in the context of language transfer theory and narrative discourse, in Azouz Begags novel The Boy from Shabaa Le Gone du Chaâba, the interlanguage between Arabic and French used by the novels characters and its qualities and the themes of the Boy from Shabaas search for a place and identity in a foreign culture are discussed. Starting from the 1960s, people of Maghreb origin migrated from Africa to France to have a better life and started to live in the suburban settlements of this country. Far from achieving the life they had dreamed of before migrating, the migrants encounters with worse living conditions, their sorrow and the social exclusion and marginalisation imposed by the wider society have found their expression in the Verlan Language, developed in the 1980s with the method of secret word production, and the Beur fr. Arabe Literature emerged in the same period. The term Beur, used for the first time on Radio Beur in Paris in 1982, describes the unique language use of North Africans emigrating from North Africa or born and raised in France, which led to the formation of a new generation of writers in the literary space as a new form of communication of the local youth. Published in 1983, Mehdi Charefs Le thé au Harem dAchi Ahmed is the first novel to reflect this new genre with its distinct characteristics. In Beurs novels, mostly written in French and Arabic in the first- and third-person singular narrative voice, there are also words from other languages that have undergone structural and stylistic changes in addition to French. This literary movement continued its development in the 1990s with the emergence of a new wave of writers and after 2005 with new approaches and nomenclatures such as suburban literature. Begag, through his novels, became the spokesperson for the search for self-identity and authenticity of the nomads of North African origin. Arabic words and French terms are used together with structural and semantic changes in the novel The Boy from Shabaa, focusing on the pathetic situation of Algerian immigrants who settled in France and the effects of French language and culture on them. In this study, we aim to analyse the basic themes such as linguistic-structural changes and transformations in the novel and the search for self-culture and self-identity.

 In this study, in the context of language transfer theory and narrative discourse, in Azouz Begags novel The Boy from Shabaa Le Gone du Chaâba, the interlanguage between Arabic and French used by the novels characters and its qualities and the themes of the Boy from Shabaas search for a place and identity in a foreign culture are discussed. Starting from the 1960s, people of Maghreb origin migrated from Africa to France to have a better life and started to live in the suburban settlements of this country. Far from achieving the life they had dreamed of before migrating, the migrants encounters with worse living conditions, their sorrow and the social exclusion and marginalisation imposed by the wider society have found their expression in the Verlan Language, developed in the 1980s with the method of secret word production, and the Beur fr. Arabe Literature emerged in the same period. The term Beur, used for the first time on Radio Beur in Paris in 1982, describes the unique language use of North Africans emigrating from North Africa or born and raised in France, which led to the formation of a new generation of writers in the literary space as a new form of communication of the local youth. Published in 1983, Mehdi Charefs Le thé au Harem dAchi Ahmed is the first novel to reflect this new genre with its distinct characteristics. In Beurs novels, mostly written in French and Arabic in the first- and third-person singular narrative voice, there are also words from other languages that have undergone structural and stylistic changes in addition to French. This literary movement continued its development in the 1990s with the emergence of a new wave of writers and after 2005 with new approaches and nomenclatures such as suburban literature. Begag, through his novels, became the spokesperson for the search for self-identity and authenticity of the nomads of North African origin. Arabic words and French terms are used together with structural and semantic changes in the novel The Boy from Shabaa, focusing on the pathetic situation of Algerian immigrants who settled in France and the effects of French language and culture on them. In this study, we aim to analyse the basic themes such as linguistic-structural changes and transformations in the novel and the search for self-culture and self-identity.

 Bu araştırmada dil aktarımı kuramı ve anlatısal söylem bağlamında Azouz Begagın Şabalı Çocuk Le Gone du Chaâba adlı romanında, roman kişilerinin kullandığı Arapça-Fransızca arasında oluşan aradil ve nitelikleri ile Şabalı Çocukun yabancı ekin içerisinde yer edinme ve kimlik arayışı izlekleri ele alınmıştır. 1960lı yıllardan başlayarak Mağrip kökenli insanlar daha iyi bir yaşam sürmek ereğiyle Afrikadan Fransaya göçerek, çoğunlukla bu ülkenin varoş yerleşimlerinde yaşamaya başlamışlardır. Göçerlerin, göç etmeden önce düşledikleri yaşama kavuşmak bir yana, daha kötü yaşam koşullarıyla karşılaşmaları, çektikleri üzünç ve geniş toplumun uyguladığı toplumsal dışlanma ile ötekileştirme, anlatımını 1980li yıllarda gizli sözcük üretimi yöntemiyle gelişen Verlan Dili ve aynı süreçte ortaya çıkan Beur fr. Arabe Yazınında bulmuştur. Yörekent gençlerinin yeni iletişim biçimi olarak yazınsal uzamda yeni bir yazar kuşağının oluşmasını sağlayan ve Kuzey Afrikadan göçen ya da Fransada doğup yetişen Kuzey Afrika kökenlilerin özgün dil kullanımlarını betimleyen Beur terimi, ilk kez 1982 yılında Pariste Radyo Beurde kullanılır. 1983 yılında okurla buluşan Mehdi Charefin Le thé au Harem dAchi Ahmedi, bu yeni türü belirgin nitelikleriyle yansıtan ilk roman olma özelliği taşımaktadır. Çoğunlukla Fransızca ve Arapça tekil birinci ve üçüncü kişi öyküleme uygulayımıyla yazılan Beur romanlarında, Fransızcanın yanında yapısal ve biçimsel değişikliklere uğratılan farklı dillerden sözcüklere de rastlanmaktadır. Bu yazın akımı, 1990lı yıllarda yeni bir yazar dalgasının ortaya çıkmasına ve 2005 yılından sonra da Yörekent Yazını gibi yeni yaklaşım ve adlandırmalarla gelişimini sürdürmüştür. Bu yazarlardan Begag, romanları aracılığıyla Kuzey Afrika kökenli göçerlerin özekin ve özkimlik arayışlarının sözcüsü olmuştur. Fransaya yerleşen Cezayir kökenli göçerlerin acıklı durumuna ve Fransız dili ve ekininin onlar üzerindeki etkilerine odaklanan Şabalı Çocuk romanında, Arapça sözcükler ve Fransızca terimler yapısal ve anlamsal değişime uğrayarak bir arada kullanılmıştır. Biz bu araştırmada, romandaki dilsel-yapısal değişim ve dönüşümler ile özekin ve özkimlik arayışı gibi temel izlekleri çözümlemeyi erek edinmekteyiz.

Makale detayları

LINGUISTIC-NARRATIVE STRUCTURE AND THEME IN AZOUZ BEGAG'S NOVEL THE BOY FROM SHABAA (LE GONE DU CHAÂBA)

Yazarlar:

Ali Tilbe | Yusuf Topaloğlu

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Dergi:

Söylem Filoloji Dergisi Vol.8 Issue 3, pp.928-950

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001308372

pISSN:

2548-0502

Maghreb immigrants

Beur Literature

Verlan Language

The Boy from Shabaa

Azouz Begag

Suburban Literature.Mağripli göçmenler

Beur Yazını

Verlan Dili

Şabalı Çocuk

Azouz Begag

Yörekent Yazını.

Sayı

Makale detayları

Yazarlar: Ali Tilbe | Yusuf Topaloğlu

Yayıncı: Yusuf ÇETİN

Ana Başlıklar: Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Dergi: Söylem Filoloji Dergisi Vol.8 Issue 3, pp.928-950

Belge Tipi: Makale

Yayın Tarihi: 12/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001308372

pISSN: 2548-0502

Sayı

Yazarlar:

Ali Tilbe | Yusuf Topaloğlu

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Dünya Dilleri | Edebiyatı ve Kültürü (Diğer)

Dergi:

Söylem Filoloji Dergisi Vol.8 Issue 3, pp.928-950

Belge Tipi:

Makale

Yayın Tarihi:

12/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001308372

pISSN:

2548-0502