REVIEW OF SIDIKA ÖZDİL’S WORK CALLED “FACING PHASELIS” IN TERMS OF WRITING TECHNIQUES AND ITS CONTRIBUTIONS

N.A.

Makale detayları

REVIEW OF SIDIKA ÖZDİL’S WORK CALLED “FACING PHASELIS” IN TERMS OF WRITING TECHNIQUES AND ITS CONTRIBUTIONS

Yazarlar:

N.A.

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.87-116

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323370

pISSN:

2149-7079

Anahtar kelimeler:

Özet:

 With the development of their musical sense, composers began to use non-traditional notation styles in their pieces and expanded the traditional musical language since the beginning of the 20th century. This new musical language has been tried periodically in Turkey. One of the important representatives of this new movement, Sıdıka Özdil has made significant progress with her composition titled Facing Phaselis. Facing Phaselis is the first Turkish composition made an entry in the Royal Opera House Library. In this study, Turkish Composer Sıdıka Özdils work titled Facing Phaselis, commissioned by the Royal Opera House for the Royal Opera House soloists, is examined. Facing Phaselis which is written for ten string instruments, was analyzed by breaking it down into parts in terms of the original techniques it contains. This analysis covers the techniques, notation changes and technical creations within. During the analysis, the order of the works rehearsal signs A, B, etc. was followed. The analysis presents the modern-traditional synthesis and original techniques of the work, which are aimed to inspire young composers.

 With the development of their musical sense, composers began to use non-traditional notation styles in their pieces and expanded the traditional musical language since the beginning of the 20th century. This new musical language has been tried periodically in Turkey. One of the important representatives of this new movement, Sıdıka Özdil has made significant progress with her composition titled Facing Phaselis. Facing Phaselis is the first Turkish composition made an entry in the Royal Opera House Library. In this study, Turkish Composer Sıdıka Özdils work titled Facing Phaselis, commissioned by the Royal Opera House for the Royal Opera House soloists, is examined. Facing Phaselis which is written for ten string instruments, was analyzed by breaking it down into parts in terms of the original techniques it contains. This analysis covers the techniques, notation changes and technical creations within. During the analysis, the order of the works rehearsal signs A, B, etc. was followed. The analysis presents the modern-traditional synthesis and original techniques of the work, which are aimed to inspire young composers.

 With the development of their musical sense, composers began to use non-traditional notation styles in their pieces and expanded the traditional musical language since the beginning of the 20th century. This new musical language has been tried periodically in Turkey. One of the important representatives of this new movement, Sıdıka Özdil has made significant progress with her composition titled Facing Phaselis. Facing Phaselis is the first Turkish composition made an entry in the Royal Opera House Library. In this study, Turkish Composer Sıdıka Özdils work titled Facing Phaselis, commissioned by the Royal Opera House for the Royal Opera House soloists, is examined. Facing Phaselis which is written for ten string instruments, was analyzed by breaking it down into parts in terms of the original techniques it contains. This analysis covers the techniques, notation changes and technical creations within. During the analysis, the order of the works rehearsal signs A, B, etc. was followed. The analysis presents the modern-traditional synthesis and original techniques of the work, which are aimed to inspire young composers.

 20inci yüzyılın başından itibaren besteciler, müzikâl duyuşlarının gelişmesiyle eserlerinde geleneksel olmayan nota yazım şekillerini de kullanmaya başlamış ve geleneksel müzik dilini genişletmişlerdir. Söz konusu bu yeni müzik dili Türkiyede belli aralıklarla denenmiştir. Yeni müzik dilini kullanan ve bu yeni akımın önemli temsilcilerinden olan Sıdıka Özdil, bestelediği Faselis ile Yüzleşme adlı eseriyle önemli bir ilerleme kaydetmiştir. Bu eser, Royal Opera House Kütüphanesine giren ilk Türk eseri olma niteliğini taşır. Bu çalışmada Türk Besteci Sıdıka Özdilin Royal Opera House tarafından, Royal Opera House solistleri için ısmarlanan Faselis ile Yüzleşme adlı eseri konu alınmıştır. 10 yaylı çalgı için yazılmış Faselis ile Yüzleşme Facing Phaselis, içeriğinde bulunan özgün teknikler açısından parçalara ayrılarak analiz edilmiştir. Bu analiz eserin akışının oluşturduğu sürece dair olup; içerisindeki teknikleri, notasyon değişimlerini ve teknik yaratımları kapsamaktadır. Analiz esnasında eserin prova işaretlerinin A, B vb. sırası izlenmiştir. Ortaya konan analizle eserin modern-geleneksel sentezinin ve özgün tekniklerinin, genç bestecilere ilham vermesi hedeflenmiştir.

Makale detayları

REVIEW OF SIDIKA ÖZDİL’S WORK CALLED “FACING PHASELIS” IN TERMS OF WRITING TECHNIQUES AND ITS CONTRIBUTIONS

Yazarlar:

N.A.

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.87-116

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323370

pISSN:

2149-7079

Sıdıka Özdil

New Writing Techniques

Modern ComposersSıdıka Özdil

Yeni Yazı Teknikleri

Modern Besteciler

Sayı

Makale detayları

REVIEW OF SIDIKA ÖZDİL’S WORK CALLED “FACING PHASELIS” IN TERMS OF WRITING TECHNIQUES AND ITS CONTRIBUTIONS

Yazarlar: N.A.

Yayıncı: Hacettepe University

Ana Başlıklar: Klasik Batı Müziğinde Kompozisyon

Dergi: Sahne ve Müzik Vol.10 Issue 19, pp.87-116

Belge Tipi: Makale

Yayın Tarihi: 7/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001323370

pISSN: 2149-7079

Sıdıka Özdil

New Writing Techniques

Modern ComposersSıdıka Özdil

Yeni Yazı Teknikleri

Modern Besteciler

Sayı

Yazarlar:

N.A.

Yayıncı:

Hacettepe University

Ana Başlıklar:

Klasik Batı Müziğinde Kompozisyon

Dergi:

Sahne ve Müzik Vol.10 Issue 19, pp.87-116

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001323370

pISSN:

2149-7079