Analysis of a Movie on the Relationship between  Environmental Psychology, Architecture and Cinema: Soylent Green

Ebrar Kuruçay Gök; Ayşen Özkan

Makale detayları

Analysis of a Movie on the Relationship between Environmental Psychology, Architecture and Cinema: Soylent Green

Yazarlar:

Ebrar Kuruçay Gök | Ayşen Özkan

Yayıncı:

İdeal Kent Yayınları

Ana Başlıklar:

Kentsel Tasarım

Dergi:

İDEALKENT Vol.16 Issue 44, pp.1037-1067

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001324537

pISSN:

1307-9905

Anahtar kelimeler:

Özet:

 This study aims to explore the interplay between environmental psychology, architecture, and cinema in shaping cinematic spaces through spatial analysis. It also endeavors to provide insight into dystopian urban and spatial designs influenced by environmental psychology concepts, ultimately impacting the quality of these fictional environments. Examining the pivotal era of heightened interest in environmental psychology studies, particularly in understanding the reciprocal dynamics between physical surroundings and human behavior, the 1973 dystopian film Soylent Green was scrutinized using deductive methodology. The analysis focused on key elements such as personal space and its role in shaping self-esteem experiences, the diverse and intense activities within the behavioral environment, as well as obligations and privacy concerns in densely populated, spatially-defined settings. The findings indicate that cinema and architecture extend beyond their temporal and spatial dimensions, revealing a profound integration with living spaces and a diverse array of life experiences. Furthermore, it underscores how spatial behavior and environmental information exchange in cinematic environments are intricately linked to emotional responses and societal advancements.

 This study aims to explore the interplay between environmental psychology, architecture, and cinema in shaping cinematic spaces through spatial analysis. It also endeavors to provide insight into dystopian urban and spatial designs influenced by environmental psychology concepts, ultimately impacting the quality of these fictional environments. Examining the pivotal era of heightened interest in environmental psychology studies, particularly in understanding the reciprocal dynamics between physical surroundings and human behavior, the 1973 dystopian film Soylent Green was scrutinized using deductive methodology. The analysis focused on key elements such as personal space and its role in shaping self-esteem experiences, the diverse and intense activities within the behavioral environment, as well as obligations and privacy concerns in densely populated, spatially-defined settings. The findings indicate that cinema and architecture extend beyond their temporal and spatial dimensions, revealing a profound integration with living spaces and a diverse array of life experiences. Furthermore, it underscores how spatial behavior and environmental information exchange in cinematic environments are intricately linked to emotional responses and societal advancements.

 This study aims to explore the interplay between environmental psychology, architecture, and cinema in shaping cinematic spaces through spatial analysis. It also endeavors to provide insight into dystopian urban and spatial designs influenced by environmental psychology concepts, ultimately impacting the quality of these fictional environments. Examining the pivotal era of heightened interest in environmental psychology studies, particularly in understanding the reciprocal dynamics between physical surroundings and human behavior, the 1973 dystopian film Soylent Green was scrutinized using deductive methodology. The analysis focused on key elements such as personal space and its role in shaping self-esteem experiences, the diverse and intense activities within the behavioral environment, as well as obligations and privacy concerns in densely populated, spatially-defined settings. The findings indicate that cinema and architecture extend beyond their temporal and spatial dimensions, revealing a profound integration with living spaces and a diverse array of life experiences. Furthermore, it underscores how spatial behavior and environmental information exchange in cinematic environments are intricately linked to emotional responses and societal advancements.

 Bu çalışmanın amacı, sinemasal mekânın şekillenmesinde çevre psikolojisi, mimarlık ve sinema ilişkisini mekânsal analiz ve okumalarla irdelemek; bu kurgusal mekânların niteliğini etkileyen çevre psikolojisi kavramları kapsamında inşa edilecek distopik kent ve mekân tasarımları hakkında bir öngörü oluşturmaktır. Bu kapsamda, fiziksel çevre ve insan davranışı arasındaki karşılıklı ilişkilerin incelenmesine yönelik çevre psikolojisi araştırmalarının önem kazandığı dönem ile eş zamanlı olarak 1973 yılında gösterime girmiş olan Soylent Green distopik filmi üzerinden; kullanıcının öz-değer deneyimlerini gerçekleştirdiği kişisel alan, davranış ortamındaki faaliyet çeşitliliği ve yükümlülüğüne yönelik kalabalık, yoğunluk ve alansallık kavramları ile bu ortamlar içindeki statünün nasıl korunabildiğine dair mahremiyet kavramları tümdengelim yöntemiyle analiz edilmiştir. Analiz sonucunda, sinema ve mimarlığın sadece zamansal ve mekânsal yapıları nedeniyle değil, aynı zamanda her iki disiplinin de temelde yaşam alanıyla iç içe olması ve çok çeşitli yaşam imgelerini bir araya getirme çabalarıyla da ilişkili olduğu görülmüştür. Mekânsal davranış ve çevresel bilgi etkileşiminin sinemasal ortama yansımasının, duygusal deneyimler ve sosyal gelişmelerle de ilişkili olduğu desteklenmektedir.

Makale detayları

Analysis of a Movie on the Relationship between Environmental Psychology, Architecture and Cinema: Soylent Green

Yazarlar:

Ebrar Kuruçay Gök | Ayşen Özkan

Yayıncı:

İdeal Kent Yayınları

Ana Başlıklar:

Kentsel Tasarım

Dergi:

İDEALKENT Vol.16 Issue 44, pp.1037-1067

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001324537

pISSN:

1307-9905

Cinema

architecture

environmental psychology

space

Soylent Greensinema

mimarlık

çevre psikolojisi

mekan

Soylent Green

Sayı

Makale detayları

Yazarlar: Ebrar Kuruçay Gök | Ayşen Özkan

Yayıncı: İdeal Kent Yayınları

Ana Başlıklar: Kentsel Tasarım

Dergi: İDEALKENT Vol.16 Issue 44, pp.1037-1067

Belge Tipi: Makale

Yayın Tarihi: 7/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001324537

pISSN: 1307-9905

Sayı

Yazarlar:

Ebrar Kuruçay Gök | Ayşen Özkan

Yayıncı:

İdeal Kent Yayınları

Ana Başlıklar:

Kentsel Tasarım

Dergi:

İDEALKENT Vol.16 Issue 44, pp.1037-1067

Belge Tipi:

Makale

Yayın Tarihi:

7/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001324537

pISSN:

1307-9905