BAROQUE PERIOD WITH MEZZOTINT LANDSCAPE: SAMUEL WILLIAM REYNOLDS

Deniz  Mert Erol; Selvihan Kılıç Ateş

Makale detayları

BAROQUE PERIOD WITH MEZZOTINT LANDSCAPE: SAMUEL WILLIAM REYNOLDS

Yazarlar:

Deniz Mert Erol | Selvihan Kılıç Ateş

Yayıncı:

Inonu University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.191-199

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309467

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 The subject of the research titled Mezzotint Landscapes and the Baroque Period: Samuel William Reynolds; It is an examination of the landscape printmaking of Samuel William Reynolds, one of the mezzotint masters of the baroque period, in the context of the possibilities of the mezzotint technique and the concept of light and shadow. The aim of this research is; The aim is to examine and analyze Samuel William Reynolds landscape printmaking made with mezzotint, one of the intaglioengraving methods, within the framework of baroque period characteristics and to bring them into the literature of the field. Within the scope of the study, the artist and the period in which he lived were examined from the books and notes written in the name of Samuel William Reynolds. In the theoretical part of the study, qualitative research methods such as work analysis and source scanning were used and books describing the mezzotint technique and its historical processes were used. There is a shortage of resources, especially in Turkish, about the mezzotint technique, which allows the creation of printmaking with soft tone transitions and rich and velvety blacks, recognizing the possibilities of the technique and the artists works dating back to the baroque period, serving as a source and example for future research, increasing awareness about the technique and gaining new trends for young printmaking artists. and has been important for the expansion of printmaking literature as a discipline. In this study; Determinations were made regarding the concept of light and shadow with an understanding covering the baroque period, the technical competence of Samuel William Reynolds landscape-themed printmaking produced with the mezzotint technique, and how he handled the selected subjects. The artists compositional attitude in his landscapes and his sensitivity to visualize his works with the possibilities of the mezzotint technique were observed, and the importance of the effect of the technique on the production of the work was emphasized.

 The subject of the research titled Mezzotint Landscapes and the Baroque Period: Samuel William Reynolds; It is an examination of the landscape printmaking of Samuel William Reynolds, one of the mezzotint masters of the baroque period, in the context of the possibilities of the mezzotint technique and the concept of light and shadow. The aim of this research is; The aim is to examine and analyze Samuel William Reynolds landscape printmaking made with mezzotint, one of the intaglioengraving methods, within the framework of baroque period characteristics and to bring them into the literature of the field. Within the scope of the study, the artist and the period in which he lived were examined from the books and notes written in the name of Samuel William Reynolds. In the theoretical part of the study, qualitative research methods such as work analysis and source scanning were used and books describing the mezzotint technique and its historical processes were used. There is a shortage of resources, especially in Turkish, about the mezzotint technique, which allows the creation of printmaking with soft tone transitions and rich and velvety blacks, recognizing the possibilities of the technique and the artists works dating back to the baroque period, serving as a source and example for future research, increasing awareness about the technique and gaining new trends for young printmaking artists. and has been important for the expansion of printmaking literature as a discipline. In this study; Determinations were made regarding the concept of light and shadow with an understanding covering the baroque period, the technical competence of Samuel William Reynolds landscape-themed printmaking produced with the mezzotint technique, and how he handled the selected subjects. The artists compositional attitude in his landscapes and his sensitivity to visualize his works with the possibilities of the mezzotint technique were observed, and the importance of the effect of the technique on the production of the work was emphasized.

 The subject of the research titled Mezzotint Landscapes and the Baroque Period: Samuel William Reynolds; It is an examination of the landscape printmaking of Samuel William Reynolds, one of the mezzotint masters of the baroque period, in the context of the possibilities of the mezzotint technique and the concept of light and shadow. The aim of this research is; The aim is to examine and analyze Samuel William Reynolds landscape printmaking made with mezzotint, one of the intaglioengraving methods, within the framework of baroque period characteristics and to bring them into the literature of the field. Within the scope of the study, the artist and the period in which he lived were examined from the books and notes written in the name of Samuel William Reynolds. In the theoretical part of the study, qualitative research methods such as work analysis and source scanning were used and books describing the mezzotint technique and its historical processes were used. There is a shortage of resources, especially in Turkish, about the mezzotint technique, which allows the creation of printmaking with soft tone transitions and rich and velvety blacks, recognizing the possibilities of the technique and the artists works dating back to the baroque period, serving as a source and example for future research, increasing awareness about the technique and gaining new trends for young printmaking artists. and has been important for the expansion of printmaking literature as a discipline. In this study; Determinations were made regarding the concept of light and shadow with an understanding covering the baroque period, the technical competence of Samuel William Reynolds landscape-themed printmaking produced with the mezzotint technique, and how he handled the selected subjects. The artists compositional attitude in his landscapes and his sensitivity to visualize his works with the possibilities of the mezzotint technique were observed, and the importance of the effect of the technique on the production of the work was emphasized.

 Mezzotint Peyzajlar ile Barok Dönemi: Samuel William Reynolds isimli araştırmanın konusu; barok dönemi mezzotint ustalarından Samuel William Reynoldsun peyzaj baskıresimlerinin mezzotint tekniğinin olanakları bağlamında ve ışık gölge kavramı ile incelenmesidir. Bu araştırmada amaç; Samuel William Reynoldsun, çukur baskıgravür yöntemlerinden biri olan mezzotint ile yapmış olduğu peyzaj baskıresimlerini barok dönem özellikleri çerçevesinde incelemek, çözümlemek ve alan yazınsalına kazandırmaktır. Çalışma kapsamında, Samuel William Reynolds adına yazılmış kitaplardan ve notlarından, sanatçı ve yaşadığı dönem incelenmiştir. Çalışmanın kuramsal kısmında eser inceleme ve kaynak tarama gibi nitel araştırma yöntemleri kullanılarak mezzotint tekniği ve tarihsel süreçlerinin anlatıldığı kitaplardan yararlanılmıştır. Yumuşak ton geçişleri ve zengin ve kadifemsi siyahlar içeren baskıresimlerin oluşturulmasına olanak tanıyan mezzotint tekniği hakkında özellikle Türkçe kaynak sıkıntısı bulunması, barok dönemine tarihlenen tekniğin imkanlarının ve sanatçının eserlerinin tanınması, gelecekteki araştırmalara kaynak ve örneklem olması, teknik hakkındaki bilincin arttırılması ve genç baskıresim sanatçılarının yeni eğilimler kazanması ve bir disiplin olarak baskıresim literatürünün genişlemesi açısından önem arz etmiştir. Mezzotint Peyzajlar ile Barok Dönemi: Samuel William Reynolds isimli araştırmada; barok dönemini kapsayan bir anlayış ile ışık-gölge kavramı, Samuel William Reynoldsun mezzotint tekniğiyle üretilen peyzaj konulu baskıresimlerinin teknik yetkinliği ve seçilen konuları nasıl ele aldığına yönelik tespitlerde bulunulmuştur. Sanatçının peyzajlarındaki kompozisyon tutumu ve mezzotint tekniğinin olanaklarıyla eserlerini görselleştirme duyarlılığı gözlemlenmiş, tekniğin eser üretimi üzerindeki etkisinin önemi vurgulanmıştır.

Makale detayları

BAROQUE PERIOD WITH MEZZOTINT LANDSCAPE: SAMUEL WILLIAM REYNOLDS

Yazarlar:

Deniz Mert Erol | Selvihan Kılıç Ateş

Yayıncı:

Inonu University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.191-199

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309467

pISSN:

2458-7915

Baroque

Chiaroscuro

Mezzotint

Landscape

ıntaglio.Barok

Işık-gölge

Mezzotint

Peyzaj

Gravür.

Sayı

Makale detayları

Yazarlar: Deniz Mert Erol | Selvihan Kılıç Ateş

Yayıncı: Inonu University

Ana Başlıklar: Plastik Sanatlar (Diğer)

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.191-199

Belge Tipi: Makale

Yayın Tarihi: 5/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001309467

pISSN: 2458-7915

Sayı

Yazarlar:

Deniz Mert Erol | Selvihan Kılıç Ateş

Yayıncı:

Inonu University

Ana Başlıklar:

Plastik Sanatlar (Diğer)

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.191-199

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309467

pISSN:

2458-7915