Abū al-Suʿūd (Ebüssuʿūd) Efendi’s Tafsīr with its Style and Content from Ḥāshiya to Tafsīr: In the Context of the First Verse of Sūrah al-Baqara

Muhammed İsa Yüksek

Makale detayları

Abū al-Suʿūd (Ebüssuʿūd) Efendi’s Tafsīr with its Style and Content from Ḥāshiya to Tafsīr: In the Context of the First Verse of Sūrah al-Baqara

Yazarlar:

Muhammed İsa Yüksek

Yayıncı:

Istanbul University

Ana Başlıklar:

Tefsir

Dergi:

İslam Tetkikleri Dergisi Vol.14 Issue 2, pp.333-357

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330659

pISSN:

2717-6967

Anahtar kelimeler:

Özet:

 Zamakhsharīs d. 5381144 masterpiece al-Kashshāf, written by adapting the theory of versification naẓm of ʿAbd al-Ḳāhir al-Jurjānī d. 4761078-79, has been the source of literature that emphasizes literary-poetic analysis in exegesis. Systematic sharḥ writing in exegesis began with the sharḥs on al Kashshāf. One of the most magnificent works of this literature, which relates the ijāz of the Qurān to its versification naẓm features, is al-Bayḍāwīs Tafsīr. Abu l-Suʿūds d. 9821574 Irshād al-ʿaḳl al-ṣalīm is a carefully constructed synthesis of al-Kashshāf and Anwār al-tanzīl. Nevertheless, it can be said that Irshād occupies an exceptional place in the literary-grammatical exegetical tradition that Zamakhsharī shaped. For, when carefully examined, it is seen that Irshād was written by taking into account the determinations, analyses, and discussions made in the commentaries-ḥāshiyas written on al-Kashshāf and Anwār al-tanzīl. As a matter of fact, a careful examination of Irshād reveals that it hides in its background a tradition that shaped the emergence of this text. The problematic aspect of this research is determined considering modern criticisms of the commentary-ḥāshiya literature and the claim that Irshād is not original. This study is limited to the first verse of Sūrah al-Baqarah, which consists of al- ḥurūf al- muḳaṭṭaʿa. Indeed, in its formal aspects, this verse constitutes a specific example through which the authors original determinations and interactions can be traced. In this study, the exegesis of the first verse of Sūrah al-Baqarah by Zamakhsharī and Bayzāwī is analyzed using the discourse analysis method. Then, the determinations in the sharḥs of al-Kashshāf and Anwār al-tanzīl are analyzed with discourse and process analysis methods. Finally, Abūssuūds exegesis of this verse is analyzed using the content analysis method. The study concludes that Irshād has a unique style and approach that extends from commentary to commentary.

 Zamakhsharīs d. 5381144 masterpiece al-Kashshāf, written by adapting the theory of versification naẓm of ʿAbd al-Ḳāhir al-Jurjānī d. 4761078-79, has been the source of literature that emphasizes literary-poetic analysis in exegesis. Systematic sharḥ writing in exegesis began with the sharḥs on al Kashshāf. One of the most magnificent works of this literature, which relates the ijāz of the Qurān to its versification naẓm features, is al-Bayḍāwīs Tafsīr. Abu l-Suʿūds d. 9821574 Irshād al-ʿaḳl al-ṣalīm is a carefully constructed synthesis of al-Kashshāf and Anwār al-tanzīl. Nevertheless, it can be said that Irshād occupies an exceptional place in the literary-grammatical exegetical tradition that Zamakhsharī shaped. For, when carefully examined, it is seen that Irshād was written by taking into account the determinations, analyses, and discussions made in the commentaries-ḥāshiyas written on al-Kashshāf and Anwār al-tanzīl. As a matter of fact, a careful examination of Irshād reveals that it hides in its background a tradition that shaped the emergence of this text. The problematic aspect of this research is determined considering modern criticisms of the commentary-ḥāshiya literature and the claim that Irshād is not original. This study is limited to the first verse of Sūrah al-Baqarah, which consists of al- ḥurūf al- muḳaṭṭaʿa. Indeed, in its formal aspects, this verse constitutes a specific example through which the authors original determinations and interactions can be traced. In this study, the exegesis of the first verse of Sūrah al-Baqarah by Zamakhsharī and Bayzāwī is analyzed using the discourse analysis method. Then, the determinations in the sharḥs of al-Kashshāf and Anwār al-tanzīl are analyzed with discourse and process analysis methods. Finally, Abūssuūds exegesis of this verse is analyzed using the content analysis method. The study concludes that Irshād has a unique style and approach that extends from commentary to commentary.

 Zamakhsharīs d. 5381144 masterpiece al-Kashshāf, written by adapting the theory of versification naẓm of ʿAbd al-Ḳāhir al-Jurjānī d. 4761078-79, has been the source of literature that emphasizes literary-poetic analysis in exegesis. Systematic sharḥ writing in exegesis began with the sharḥs on al Kashshāf. One of the most magnificent works of this literature, which relates the ijāz of the Qurān to its versification naẓm features, is al-Bayḍāwīs Tafsīr. Abu l-Suʿūds d. 9821574 Irshād al-ʿaḳl al-ṣalīm is a carefully constructed synthesis of al-Kashshāf and Anwār al-tanzīl. Nevertheless, it can be said that Irshād occupies an exceptional place in the literary-grammatical exegetical tradition that Zamakhsharī shaped. For, when carefully examined, it is seen that Irshād was written by taking into account the determinations, analyses, and discussions made in the commentaries-ḥāshiyas written on al-Kashshāf and Anwār al-tanzīl. As a matter of fact, a careful examination of Irshād reveals that it hides in its background a tradition that shaped the emergence of this text. The problematic aspect of this research is determined considering modern criticisms of the commentary-ḥāshiya literature and the claim that Irshād is not original. This study is limited to the first verse of Sūrah al-Baqarah, which consists of al- ḥurūf al- muḳaṭṭaʿa. Indeed, in its formal aspects, this verse constitutes a specific example through which the authors original determinations and interactions can be traced. In this study, the exegesis of the first verse of Sūrah al-Baqarah by Zamakhsharī and Bayzāwī is analyzed using the discourse analysis method. Then, the determinations in the sharḥs of al-Kashshāf and Anwār al-tanzīl are analyzed with discourse and process analysis methods. Finally, Abūssuūds exegesis of this verse is analyzed using the content analysis method. The study concludes that Irshād has a unique style and approach that extends from commentary to commentary.

 Zemahşerînin ö. 5381144 Abdülkâhir el-Cürcânînin ö. 4761078 79 nazım teorisini uyarlayarak kaleme aldığı başyapıtı el-Keşşâf, edebî belâgî analizlerle öne çıkan tefsir literatürüne kaynaklık etmiştir. Kurânın icâzını nazım-dizgi özellikleriyle ilişkilendiren bu literatürün en görkemli eserlerinden birisi de Beyzâvînin Envârüt-tenzîlidir. Tefsir ilminde sistematik şerh yazımı el-Keşşâf üzerine telif edilen şerhlerle başlamış, Envârüt tenzîle yazılan şerh ve hâşiyelerle geleneğe dönüşmüştür. Ebüssuûdun ö. 9821574 İrşâdül-ʿaklis-selîm isimli eseri ise el-Keşşâfın ve Envârüt tenzîlin özenle kurgulanmış sentezinden ibarettir. Bununla birlikte İrşâdın Zemahşerînin yön verdiği edebî-belâgî tefsir geleneğinde müstesna bir yere sahip olduğu söylenebilir. Zira dikkatle incelendiğinde İrşâdın, el-Keşşâf ve Envârüt-tenzîl tefsirleri üzerine yazılmış olan şerhlerde-haşiyelerde yapılan tespitler, analizler ve tartışmalar dikkate alınarak telif edildiği görülür. Bu araştırmanın sorunsalı modern dönemde şerh-hâşiye literatürüyle alakalı yapılan eleştiriler ve İrşâdın orijinal olmadığı iddiası muvacehesinde belirlenmiştir. Araştırma hurûf-ı mukattaadan oluşan Bakara sûresinin birinci âyeti ile sınırlandırılmıştır. Zira bu âyet formel-teorik yönleriyle, müelliflerin özgün tespitlerinin ve etkileşimlerinin izlenebileceği spesifik bir örnek teşkil etmektedir. Öncelikle Zemahşerî ve Beyzâvînin Bakara sûresi birinci âyeti tefsirlerinin söylem analizi yöntemiyle, ardından el-Keşşâf ve Envârüt tenzîl şerhlerindeki-hâşiyelerindeki tespitlerin söylem ve süreç analizi yöntemleriyle incelendiği, son olarak da Ebüssuûdun bu âyete yaptığı tefsirin içerik analiziyle ele alındığı araştırmada İrşâdın hâşiyeden telife uzanan özgün bir üslûp ve kurguya sahip olduğu sonucuna varılmıştır.

Makale detayları

Abū al-Suʿūd (Ebüssuʿūd) Efendi’s Tafsīr with its Style and Content from Ḥāshiya to Tafsīr: In the Context of the First Verse of Sūrah al-Baqara

Yazarlar:

Muhammed İsa Yüksek

Yayıncı:

Istanbul University

Ana Başlıklar:

Tefsir

Dergi:

İslam Tetkikleri Dergisi Vol.14 Issue 2, pp.333-357

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330659

pISSN:

2717-6967

Tafsīr

Ḥāshiya

Zamakhsharī

Bayḍāwī

Abūssuūd

Irshād al-ʿaḳl al-ṣalīmTefsir

Hâşiye

Zemahşerî

Beyzâvî

Ebüssuûd

İrşâdü’l ʿakli’s-selîm

Sayı

Makale detayları

Yazarlar: Muhammed İsa Yüksek

Yayıncı: Istanbul University

Ana Başlıklar: Tefsir

Dergi: İslam Tetkikleri Dergisi Vol.14 Issue 2, pp.333-357

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001330659

pISSN: 2717-6967

Sayı

Yazarlar:

Muhammed İsa Yüksek

Yayıncı:

Istanbul University

Ana Başlıklar:

Tefsir

Dergi:

İslam Tetkikleri Dergisi Vol.14 Issue 2, pp.333-357

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330659

pISSN:

2717-6967