A New Language in Technological Transformation: Post Digital Printmaking

İbrahim Korkmaz

Makale detayları

A New Language in Technological Transformation: Post Digital Printmaking

Yazarlar:

İbrahim Korkmaz

Yayıncı:

Karabuk University

Ana Başlıklar:

Baskı Resim

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.2 Issue 1, pp.86-100

Belge Tipi:

Makale

Yayın Tarihi:

2/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001312161

pISSN:

2980-0722

Anahtar kelimeler:

Özet:

 The purpose of the research is to uncover the positive and negative aspects of post-digital technologies as a production method, address artists approach to post-digital printmaking, and examine the interaction between the works obtained through this artistic practice and the field of printmaking. The research explores intervention methods in post-digital printmaking production from early stages and examines the effects of these technologies on the final work through examples. The study aims to reveal the boundaries, scope, and impressions in the context of post-digital printmaking as an art practice, encompassing three-dimensional printers, CNC devices, and prototyping machines. The research includes an examination of current and archival exhibition catalogues and personal websites of the featured artists. Source review methods have been employed for the theoretical background of the research. In the research, it is observed that, similar to traditional printmaking methods, a physical mold is used in the production process of post-digital printmaking. Artists have been able to intervene in the software stage of the production process for their final works, using post-digital technologies not only in mold production but also in shaping other printing elements. The study notes the observation of obtaining photorealistic printmaking from wooden molds in measurement intervals that would be impossible manually, through the mold processing capabilities of these technologies.

 The purpose of the research is to uncover the positive and negative aspects of post-digital technologies as a production method, address artists approach to post-digital printmaking, and examine the interaction between the works obtained through this artistic practice and the field of printmaking. The research explores intervention methods in post-digital printmaking production from early stages and examines the effects of these technologies on the final work through examples. The study aims to reveal the boundaries, scope, and impressions in the context of post-digital printmaking as an art practice, encompassing three-dimensional printers, CNC devices, and prototyping machines. The research includes an examination of current and archival exhibition catalogues and personal websites of the featured artists. Source review methods have been employed for the theoretical background of the research. In the research, it is observed that, similar to traditional printmaking methods, a physical mold is used in the production process of post-digital printmaking. Artists have been able to intervene in the software stage of the production process for their final works, using post-digital technologies not only in mold production but also in shaping other printing elements. The study notes the observation of obtaining photorealistic printmaking from wooden molds in measurement intervals that would be impossible manually, through the mold processing capabilities of these technologies.

 The purpose of the research is to uncover the positive and negative aspects of post-digital technologies as a production method, address artists approach to post-digital printmaking, and examine the interaction between the works obtained through this artistic practice and the field of printmaking. The research explores intervention methods in post-digital printmaking production from early stages and examines the effects of these technologies on the final work through examples. The study aims to reveal the boundaries, scope, and impressions in the context of post-digital printmaking as an art practice, encompassing three-dimensional printers, CNC devices, and prototyping machines. The research includes an examination of current and archival exhibition catalogues and personal websites of the featured artists. Source review methods have been employed for the theoretical background of the research. In the research, it is observed that, similar to traditional printmaking methods, a physical mold is used in the production process of post-digital printmaking. Artists have been able to intervene in the software stage of the production process for their final works, using post-digital technologies not only in mold production but also in shaping other printing elements. The study notes the observation of obtaining photorealistic printmaking from wooden molds in measurement intervals that would be impossible manually, through the mold processing capabilities of these technologies.

 Bu araştırmanın amacı, bir üretim yöntemi olarak post dijital teknolojilerin olumlu ve olumsuz yönlerinin ortaya çıkarılması, sanatçıların post dijital baskıresme olan yaklaşımının ele alınması ve bu sanat pratiği ile elde edilen çalışmaların, baskıresim alanı ile etkileşiminin incelenmesidir. Araştırmada post dijital baskıresim üretimine erken aşamalardan itibaren yapılan müdahale biçimleri ve bu teknolojilerin nihai çalışmadaki etkileri örnekler üzerinden incelenmiştir. Üç boyutlu yazıcılar, CNC cihazlar ve prototipleme makinelerini kapsayan post dijital baskıresmin bir sanat pratiği bağlamında incelenmesi ile sınırlarının, etki alanının ve elde edilen çalışmalardaki izlenimlerin açığa çıkarılması hedeflenmiştir. Araştırma kapsamında yer verilen sanatçıların güncel ve arşiv sergi katalogları ve kişisel web sayfaları incelenmiştir. Araştırmanın kuramsal altyapısı için kaynak tarama yöntemleri kullanılmıştır. Araştırmada post dijital baskıresmin üretim sürecinde geleneksel baskıresim yöntemlerinde olduğu gibi fiziksel kalıbın kullanıldığı görülmüştür. Sanatçılar nihai çalışmalarına, üretim sürecinin yazılım aşamasında müdahale edebilmişler, post dijital teknolojileri, kalıp üretiminin yanı sıra diğer baskı elemanlarını biçimlendirmede kullanmışlardır. Bu teknolojilerin el ile mümkün olmayan ölçü aralıklarında kalıp işlemesi ile ağaç kalıplardan fotografik görünümlü baskıresimlerin elde edildiği gözlemlenmiştir.

Makale detayları

A New Language in Technological Transformation: Post Digital Printmaking

Yazarlar:

İbrahim Korkmaz

Yayıncı:

Karabuk University

Ana Başlıklar:

Baskı Resim

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.2 Issue 1, pp.86-100

Belge Tipi:

Makale

Yayın Tarihi:

2/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001312161

pISSN:

2980-0722

Printmaking

Post Digital Printmaking

Digital Art

Technology and ArtBaskıresim

Post Dijital Baskıresim

Dijital Sanat

Teknoloji ve Sanat

Sayı

Makale detayları

Yazarlar: İbrahim Korkmaz

Yayıncı: Karabuk University

Ana Başlıklar: Baskı Resim

Dergi: LOKUM Sanat ve Tasarım Dergisi Vol.2 Issue 1, pp.86-100

Belge Tipi: Makale

Yayın Tarihi: 2/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001312161

pISSN: 2980-0722

Sayı

Yazarlar:

İbrahim Korkmaz

Yayıncı:

Karabuk University

Ana Başlıklar:

Baskı Resim

Dergi:

LOKUM Sanat ve Tasarım Dergisi Vol.2 Issue 1, pp.86-100

Belge Tipi:

Makale

Yayın Tarihi:

2/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001312161

pISSN:

2980-0722