The Representation of Vamp Women in Kezban Arca Batıbeki’s Works as a Speech-Act:  “Women Who Let Others Pull Their Own Strings “

Alaskar Özperçin; Devrim Günay

Makale detayları

The Representation of Vamp Women in Kezban Arca Batıbeki’s Works as a Speech-Act: “Women Who Let Others Pull Their Own Strings “

Yazarlar:

Alaskar Özperçin | Devrim Günay

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Söylem ve Bağlamsal Dilbilim

Dergi:

Söylem Filoloji Dergisi Vol.10 Issue 1, pp.763-785

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001346440

pISSN:

2548-0502

Anahtar kelimeler:

Özet:

 Abstract Based on Kress and Van Leeuwens 2006 Visual Grammar theory, this study aims to analyse the deeper meaning underlying the representations of vamp women in Kezban Arca Batıbekis work. The analysis reveals how visual elements such as participants, spatial contexts and textual functions used in the construction of visual discourse are coded in constructing identity in the context of womens gender roles. The images with female participants selected for visual discourse analysis were analysed in terms of participants interactive, represented and contextual, narrative representational processes actional processes, reactive processes, speech and mind processes and transformation processes and conceptual representational processes categorisation, analytical and symbolic processes, and a descriptive portrait of the semantic landscape of constructed female identity was reached. As a result, the socio-semantic analysis of the aforementioned visual meaning components demonstrates that a Batıbeki creates visual meaning components to emphasise womens social status and aesthetic representation; b she examines indicators of individual resistance against the passive, objectified, and monolithic portrayal of women in her visual discourse. Ultimately, the study concludes that Batıbekis exploration critiques the social norms and ideological structures shaping contemporary art practice.

 Abstract Based on Kress and Van Leeuwens 2006 Visual Grammar theory, this study aims to analyse the deeper meaning underlying the representations of vamp women in Kezban Arca Batıbekis work. The analysis reveals how visual elements such as participants, spatial contexts and textual functions used in the construction of visual discourse are coded in constructing identity in the context of womens gender roles. The images with female participants selected for visual discourse analysis were analysed in terms of participants interactive, represented and contextual, narrative representational processes actional processes, reactive processes, speech and mind processes and transformation processes and conceptual representational processes categorisation, analytical and symbolic processes, and a descriptive portrait of the semantic landscape of constructed female identity was reached. As a result, the socio-semantic analysis of the aforementioned visual meaning components demonstrates that a Batıbeki creates visual meaning components to emphasise womens social status and aesthetic representation; b she examines indicators of individual resistance against the passive, objectified, and monolithic portrayal of women in her visual discourse. Ultimately, the study concludes that Batıbekis exploration critiques the social norms and ideological structures shaping contemporary art practice.

 Abstract Based on Kress and Van Leeuwens 2006 Visual Grammar theory, this study aims to analyse the deeper meaning underlying the representations of vamp women in Kezban Arca Batıbekis work. The analysis reveals how visual elements such as participants, spatial contexts and textual functions used in the construction of visual discourse are coded in constructing identity in the context of womens gender roles. The images with female participants selected for visual discourse analysis were analysed in terms of participants interactive, represented and contextual, narrative representational processes actional processes, reactive processes, speech and mind processes and transformation processes and conceptual representational processes categorisation, analytical and symbolic processes, and a descriptive portrait of the semantic landscape of constructed female identity was reached. As a result, the socio-semantic analysis of the aforementioned visual meaning components demonstrates that a Batıbeki creates visual meaning components to emphasise womens social status and aesthetic representation; b she examines indicators of individual resistance against the passive, objectified, and monolithic portrayal of women in her visual discourse. Ultimately, the study concludes that Batıbekis exploration critiques the social norms and ideological structures shaping contemporary art practice.

 Bu çalışma, Kress ve Van Leeuwen 2006in Görsel Dilbilgisi kuramını temel alarak, Kezban Arca Batıbekinin eserinde yer alan vamp kadın temsillerinin altında yatan derin anlamı çözümlemeyi amaçlamaktadır. Analiz, görsel söylemin yapılandırılmasında kullanılan katılımcılar, konumsal bağlamlar ve metinsel işlevler gibi görsel öğelerin kadının toplumsal cinsiyet rolleri bağlamında kimlik inşasında nasıl kodlandığını ortaya koymaktadır. Görsel söylem incelemesi için seçilen kadın katılımcı içeren görseller, katılımcılar etkileşimli, temsil edilen ve bağlamsal, anlatısal temsil süreçleri eylemsel süreçler, tepkisel süreçler, konuşma ve zihin süreçleri ve dönüşüm süreçleri ile kavramsal temsil süreçleri sınıflandırma, analitik ve sembolik süreçler bakımından analiz edilmiş ve inşa edilen kadın kimliğine ait anlamsal manzaranın betimsel bir portresine ulaşılmıştır. Bahsedilen görsel anlam bileşenlerinin analizi sonucunda Batıbekinin görsel söyleminde edilgenleştirilmiş, nesneleştirilmiş ve monolitik kadın temsiline karşı, bireyselliğin ve mücadelenin izlerini yansıtma çabası, çalışmanın temel odak noktası olarak ele alınmış, böylece çağdaş sanat pratiğinde toplumsal normların ve ideolojik yapıların sorgulanmasına katkı sağlanmıştır.

Makale detayları

The Representation of Vamp Women in Kezban Arca Batıbeki’s Works as a Speech-Act: “Women Who Let Others Pull Their Own Strings “

Yazarlar:

Alaskar Özperçin | Devrim Günay

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Söylem ve Bağlamsal Dilbilim

Dergi:

Söylem Filoloji Dergisi Vol.10 Issue 1, pp.763-785

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001346440

pISSN:

2548-0502

social semiotics

visual grammar

visual discourse

gender roles

female identity: sosyal göstergebilim

görsel dilbilgisi

görsel söylem

toplumsal cinsiyet rolleri

kadın kimliği

Sayı

Makale detayları

Yazarlar: Alaskar Özperçin | Devrim Günay

Yayıncı: Yusuf ÇETİN

Ana Başlıklar: Söylem ve Bağlamsal Dilbilim

Dergi: Söylem Filoloji Dergisi Vol.10 Issue 1, pp.763-785

Belge Tipi: Makale

Yayın Tarihi: 4/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001346440

pISSN: 2548-0502

Sayı

Yazarlar:

Alaskar Özperçin | Devrim Günay

Yayıncı:

Yusuf ÇETİN

Ana Başlıklar:

Söylem ve Bağlamsal Dilbilim

Dergi:

Söylem Filoloji Dergisi Vol.10 Issue 1, pp.763-785

Belge Tipi:

Makale

Yayın Tarihi:

4/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001346440

pISSN:

2548-0502