Migration, Culture and Music in the Documentary Love, Deutschmarks and Death (2022)

Muhammed Said Tuğcu

Makale detayları

Migration, Culture and Music in the Documentary Love, Deutschmarks and Death (2022)

Yazarlar:

Muhammed Said Tuğcu

Yayıncı:

Kütahya Dumlupinar University

Ana Başlıklar:

Sinema Sosyolojisi | Görsel Sanatlar (Diğer)

Dergi:

Dumlupınar Üniversitesi Sosyal Bilimler Dergisi Issue 82, pp.63-77

Belge Tipi:

Makale

Yayın Tarihi:

10/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330177

pISSN:

1302-1842

Anahtar kelimeler:

Özet:

 Documentary cinema is a type of film in which facts are conveyed through the language of film and the directors original approach. The 2022 documentary Love, Deutschmarks and Death tells the story of the immigrants from Turkey to Germany since 1961 and the generations that followed them through their music culture. Migration from Turkey to Germany and its effects have been analyzed in many studies. There are also studies examining how migration is conveyed in fiction films and documentary cinema. However, there is no study that examines how migration is conveyed in documentary cinema with German in particular and music culture. This situation shows the importance of this study. The music culture described reflects realities in an artistic style, just like documentary cinema does. When the music depicting the problems of immigrants is combined with the documentarys depiction of immigrants through this music, a layered and effective narrative emerges. This study examines how the documentary Love, Deutschmarks and Death conveys immigrants and music culture through the elements of documentary cinema. How the music, interviews and archives in the content of the documentary are used, how they are connected or edited with each other, and how the music used reflects social realities are analyzed through content analysis. It has been observed that the documentary Love, Deutschmarks and Death narrates the social effects of migration by blending it with music culture and uses interviews and archives, which are the prominent elements of documentary films, with a subtle editing style.

 Documentary cinema is a type of film in which facts are conveyed through the language of film and the directors original approach. The 2022 documentary Love, Deutschmarks and Death tells the story of the immigrants from Turkey to Germany since 1961 and the generations that followed them through their music culture. Migration from Turkey to Germany and its effects have been analyzed in many studies. There are also studies examining how migration is conveyed in fiction films and documentary cinema. However, there is no study that examines how migration is conveyed in documentary cinema with German in particular and music culture. This situation shows the importance of this study. The music culture described reflects realities in an artistic style, just like documentary cinema does. When the music depicting the problems of immigrants is combined with the documentarys depiction of immigrants through this music, a layered and effective narrative emerges. This study examines how the documentary Love, Deutschmarks and Death conveys immigrants and music culture through the elements of documentary cinema. How the music, interviews and archives in the content of the documentary are used, how they are connected or edited with each other, and how the music used reflects social realities are analyzed through content analysis. It has been observed that the documentary Love, Deutschmarks and Death narrates the social effects of migration by blending it with music culture and uses interviews and archives, which are the prominent elements of documentary films, with a subtle editing style.

 Documentary cinema is a type of film in which facts are conveyed through the language of film and the directors original approach. The 2022 documentary Love, Deutschmarks and Death tells the story of the immigrants from Turkey to Germany since 1961 and the generations that followed them through their music culture. Migration from Turkey to Germany and its effects have been analyzed in many studies. There are also studies examining how migration is conveyed in fiction films and documentary cinema. However, there is no study that examines how migration is conveyed in documentary cinema with German in particular and music culture. This situation shows the importance of this study. The music culture described reflects realities in an artistic style, just like documentary cinema does. When the music depicting the problems of immigrants is combined with the documentarys depiction of immigrants through this music, a layered and effective narrative emerges. This study examines how the documentary Love, Deutschmarks and Death conveys immigrants and music culture through the elements of documentary cinema. How the music, interviews and archives in the content of the documentary are used, how they are connected or edited with each other, and how the music used reflects social realities are analyzed through content analysis. It has been observed that the documentary Love, Deutschmarks and Death narrates the social effects of migration by blending it with music culture and uses interviews and archives, which are the prominent elements of documentary films, with a subtle editing style.

 Belgesel sinema gerçeklerin film diliyle aktarıldığı ve yönetmenin özgün yaklaşımının yer aldığı bir film türüdür. 2022 yapımı Aşk, Mark ve Ölüm belgeseli 1961 yılından itibaren Türkiyeden Almanyaya göçenlerin ve onlardan devam eden nesillerin hikâyesini müzik kültürleri üzerinden anlatmaktadır. Türkiyeden Almanyaya göç ve etkileri pek çok çalışmada incelenmiştir. Kurmaca filmlerde ve belgesel sinemada göçün nasıl aktarıldığını inceleyen çalışmalar da vardır. Fakat Almanya özelinde ve müzik kültürüyle birlikte belgesel sinemada göçün nasıl aktarıldığını inceleyen bir çalışmaya rastlanmamıştır. Bu durum çalışmanın önemini göstermektedir. Anlatılan müzik kültürü de aslında belgesel sinemanın yaptığı gibi gerçeklikleri sanatsal bir üslupla yansıtmaktadır. Göçmenlerin sorunlarını anlatan müzikler, belgeselin de göçmenleri bu müziklerle anlatmasıyla birleştiğinde katmanlı ve etkin bir anlatı ortaya çıkmaktadır. Bu çalışma Aşk, Mark ve Ölüm belgeselinin göçmenleri ve müzik kültürünü belgesel sinemanın unsurlarıyla nasıl aktardığını incelemektedir. Belgeselin muhtevasında yer alan müziklerin, röportajların ve arşivlerin nasıl kullanıldığı, birbirleriyle nasıl bir etkileşimle bağlandığı veya montajlandığı, kullanılan müziklerin toplumsal gerçeklikleri nasıl yansıttığı içerik analiziyle çözümlenmiştir. Aşk, Mark ve Ölüm belgeselinin, göçün toplumsal etkilerini müzik kültürüyle harmanlayarak anlattığı ve belgesel filmlerin öne çıkan unsurları olan röportajları ve arşivleri incelikli bir montaj üslubuyla kullanabildiği gözlenmiştir.

Makale detayları

Migration, Culture and Music in the Documentary Love, Deutschmarks and Death (2022)

Yazarlar:

Muhammed Said Tuğcu

Yayıncı:

Kütahya Dumlupinar University

Ana Başlıklar:

Sinema Sosyolojisi | Görsel Sanatlar (Diğer)

Dergi:

Dumlupınar Üniversitesi Sosyal Bilimler Dergisi Issue 82, pp.63-77

Belge Tipi:

Makale

Yayın Tarihi:

10/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330177

pISSN:

1302-1842

Documentary cinema

Migration

Culture

MusicBelgesel sinema

Göç

Kültür

Müzik

Sayı

Makale detayları

Yazarlar: Muhammed Said Tuğcu

Yayıncı: Kütahya Dumlupinar University

Ana Başlıklar: Sinema Sosyolojisi | Görsel Sanatlar (Diğer)

Dergi: Dumlupınar Üniversitesi Sosyal Bilimler Dergisi Issue 82, pp.63-77

Belge Tipi: Makale

Yayın Tarihi: 10/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001330177

pISSN: 1302-1842

Sayı

Yazarlar:

Muhammed Said Tuğcu

Yayıncı:

Kütahya Dumlupinar University

Ana Başlıklar:

Sinema Sosyolojisi | Görsel Sanatlar (Diğer)

Dergi:

Dumlupınar Üniversitesi Sosyal Bilimler Dergisi Issue 82, pp.63-77

Belge Tipi:

Makale

Yayın Tarihi:

10/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001330177

pISSN:

1302-1842