“Shock Impact” and Achieving Comprehension in the Interior Spaces of Alejandro Jodorowsky Movies

Ayşe Gülçin Ural; Ferda Yüksel

Makale detayları

“Shock Impact” and Achieving Comprehension in the Interior Spaces of Alejandro Jodorowsky Movies

Yazarlar:

Ayşe Gülçin Ural | Ferda Yüksel

Yayıncı:

Ataturk University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Sanat ve Yorum Issue 42, pp.24-33

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299613

pISSN:

2822-2865

Anahtar kelimeler:

Özet:

 Space is an integral part of cinema. The art of cinema reaches the perception of the audience through the symbols and programmatic sections in the space and aims to give a certain direction. Based on the effects of architecture and cinema arts on each other and the fact that interdisciplinary studies are intensified, this study examines the link between conceptual space and cinematic art. Sergei Eisensteins approach is based on the shock impact, which is the cornerstone of the film narrative process, looking for ways to create this shock impact with space. In this context, the films of Alejandro Jodorowsky, a psychotherapist and director, were examined as examples. Jodorowsky was chosen as an example because of his fine selection of visual images in his films and his approach to the conceptual perception of cinema through the images of surprise in creating space. The research was carried out using the general screening model, which is a qualitative research method. By exemplifying the shock impact in cinema venues, it was intended to support the strong effects of the two branches of art on each other. And, it is aimed to determine the role of conceptual space in the process of reaching comprehension, which is the final point of Eisenteins approach to cinema, through sampling.

 Space is an integral part of cinema. The art of cinema reaches the perception of the audience through the symbols and programmatic sections in the space and aims to give a certain direction. Based on the effects of architecture and cinema arts on each other and the fact that interdisciplinary studies are intensified, this study examines the link between conceptual space and cinematic art. Sergei Eisensteins approach is based on the shock impact, which is the cornerstone of the film narrative process, looking for ways to create this shock impact with space. In this context, the films of Alejandro Jodorowsky, a psychotherapist and director, were examined as examples. Jodorowsky was chosen as an example because of his fine selection of visual images in his films and his approach to the conceptual perception of cinema through the images of surprise in creating space. The research was carried out using the general screening model, which is a qualitative research method. By exemplifying the shock impact in cinema venues, it was intended to support the strong effects of the two branches of art on each other. And, it is aimed to determine the role of conceptual space in the process of reaching comprehension, which is the final point of Eisenteins approach to cinema, through sampling.

 Space is an integral part of cinema. The art of cinema reaches the perception of the audience through the symbols and programmatic sections in the space and aims to give a certain direction. Based on the effects of architecture and cinema arts on each other and the fact that interdisciplinary studies are intensified, this study examines the link between conceptual space and cinematic art. Sergei Eisensteins approach is based on the shock impact, which is the cornerstone of the film narrative process, looking for ways to create this shock impact with space. In this context, the films of Alejandro Jodorowsky, a psychotherapist and director, were examined as examples. Jodorowsky was chosen as an example because of his fine selection of visual images in his films and his approach to the conceptual perception of cinema through the images of surprise in creating space. The research was carried out using the general screening model, which is a qualitative research method. By exemplifying the shock impact in cinema venues, it was intended to support the strong effects of the two branches of art on each other. And, it is aimed to determine the role of conceptual space in the process of reaching comprehension, which is the final point of Eisenteins approach to cinema, through sampling.

 Mekân, sinemanın ayrılmaz bir parçasıdır. Sinema sanatı mekânda bulunan semboller ve programatik bölümler aracılığıyla izleyicinin algısına ulaşır ve belli bir yön vermeyi amaçlar. Mimarlık ve sinema sanatlarının birbiri üzerindeki etkileri ve disiplinlerarası çalışmaların yoğunlaştığı gerçeğinden yola çıkarak bu çalışmada kavramsal mekân ve sinema sanatı arasındaki bağ irdelenmiştir. Sergei Eisensteinın yaklaşımında, filmsel anlatı sürecinin mihenk taşı olan ani etki esas alınarak, mekân ile bu ani etkiyi yaratmanın yolları aranmaktadır. Bu bağlamda örneklem olarak psikoterapist ve yönetmen olan Alejandro Jodorowskynin filmleri incelenmiştir. Jodorowskynin filmlerinde görsel imgeleri incelikle seçerek kullanması ve mekân yaratmada şaşırtma imgeleri üzerinden sinemanın kavramsal algısına yaklaşımı nedeniyle örneklem olarak seçilmiştir. Araştırma, nitel araştırma yöntemi olan genel tarama modeli kullanılarak yürütülmüştür. Sinema mekânlarında ani etkiyi örneklendirerek, iki sanat dalının birbirleri üzerindeki kuvvetli etkileri desteklenmek istenmiştir. Bununla birlikte kavramsal mekânın, Eisenteinın sinema yaklaşımının son noktası olan kavrama ulaşma sürecindeki rolünü örneklem üzerinden tespit etmek amaçlanmıştır.

Makale detayları

“Shock Impact” and Achieving Comprehension in the Interior Spaces of Alejandro Jodorowsky Movies

Yazarlar:

Ayşe Gülçin Ural | Ferda Yüksel

Yayıncı:

Ataturk University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Sanat ve Yorum Issue 42, pp.24-33

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299613

pISSN:

2822-2865

Alejandro Jodorowsky

image

philosophy of space

Sergei Eisenstein

cinema GirişAlejandro Jodorowsky

imge

mekân felsefesi

Sergei Eisenstein

sinema

Sayı

Makale detayları

Yazarlar: Ayşe Gülçin Ural | Ferda Yüksel

Yayıncı: Ataturk University

Ana Başlıklar: Görsel Sanatlar (Diğer)

Dergi: Sanat ve Yorum Issue 42, pp.24-33

Belge Tipi: Makale

Yayın Tarihi: 9/2023

Belge Dili: Türkçe

Document ID (Org No.): 2001299613

pISSN: 2822-2865

Sayı

Yazarlar:

Ayşe Gülçin Ural | Ferda Yüksel

Yayıncı:

Ataturk University

Ana Başlıklar:

Görsel Sanatlar (Diğer)

Dergi:

Sanat ve Yorum Issue 42, pp.24-33

Belge Tipi:

Makale

Yayın Tarihi:

9/2023

Belge Dili:

Türkçe

Document ID (Org No.):

2001299613

pISSN:

2822-2865