Dylan Thomas' Animalized Self: A Zoopoetical Reading of Dylan Thomas' Poetry

Dilek Sarıkaya

Makale detayları

Dylan Thomas' Animalized Self: A Zoopoetical Reading of Dylan Thomas' Poetry

Yazarlar:

Dilek Sarıkaya

Yayıncı:

Trakya University

Dergi:

Trakya Üniversitesi Edebiyat Fakültesi Dergisi Vol.13 Issue 25, pp.125-144

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

İngilizce

Document ID (Org No.):

2001283340

pISSN:

1309-7660

Anahtar kelimeler:

Özet:

 Zoopoetics emerges as a reaction to the conventional poetic tradition that represents animals as silenced objects and symbolic elements of literature. Aligning animals with agency, subjectivity, and self-consciousness, zoopoetics treats animals as the essential and dynamic actors of the literary activity and refuses to perceive them as simple background materials. Hence, rising awareness towards animals and reconfiguring a more intimate and interdependent relationship between humans and nonhuman animals are the substantial issues, put forward by zoopoetics. Animals, undeniably, occupy a predominant place in the poetry of Dylan Thomas who incessantly emphasizes material and spiritual affinity between human and nonhuman animals. In this respect, zoopoetical scrutiny of Dylan Thomas poetry will be the prevailing concern of this study to unravel the poets unconventional identification with animals as his spiritual partners and companions. Reading Dylan Thomas poetry from the perspective of zoopoetical criticism will provide a wider insight to Thomas notion of animality, immersed in the human self as well as the agentic capacity of animals in the making of his poetry.

 Zoopoetics emerges as a reaction to the conventional poetic tradition that represents animals as silenced objects and symbolic elements of literature. Aligning animals with agency, subjectivity, and self-consciousness, zoopoetics treats animals as the essential and dynamic actors of the literary activity and refuses to perceive them as simple background materials. Hence, rising awareness towards animals and reconfiguring a more intimate and interdependent relationship between humans and nonhuman animals are the substantial issues, put forward by zoopoetics. Animals, undeniably, occupy a predominant place in the poetry of Dylan Thomas who incessantly emphasizes material and spiritual affinity between human and nonhuman animals. In this respect, zoopoetical scrutiny of Dylan Thomas poetry will be the prevailing concern of this study to unravel the poets unconventional identification with animals as his spiritual partners and companions. Reading Dylan Thomas poetry from the perspective of zoopoetical criticism will provide a wider insight to Thomas notion of animality, immersed in the human self as well as the agentic capacity of animals in the making of his poetry.

 Zoopoetics emerges as a reaction to the conventional poetic tradition that represents animals as silenced objects and symbolic elements of literature. Aligning animals with agency, subjectivity, and self-consciousness, zoopoetics treats animals as the essential and dynamic actors of the literary activity and refuses to perceive them as simple background materials. Hence, rising awareness towards animals and reconfiguring a more intimate and interdependent relationship between humans and nonhuman animals are the substantial issues, put forward by zoopoetics. Animals, undeniably, occupy a predominant place in the poetry of Dylan Thomas who incessantly emphasizes material and spiritual affinity between human and nonhuman animals. In this respect, zoopoetical scrutiny of Dylan Thomas poetry will be the prevailing concern of this study to unravel the poets unconventional identification with animals as his spiritual partners and companions. Reading Dylan Thomas poetry from the perspective of zoopoetical criticism will provide a wider insight to Thomas notion of animality, immersed in the human self as well as the agentic capacity of animals in the making of his poetry.

 Zoopoetics emerges as a reaction to the conventional poetic tradition that represents animals as silenced objects and symbolic elements of literature. Aligning animals with agency, subjectivity, and self-consciousness, zoopoetics treats animals as the essential and dynamic actors of the literary activity and refuses to perceive them as simple background materials. Hence, rising awareness towards animals and reconfiguring a more intimate and interdependent relationship between humans and nonhuman animals are the substantial issues, put forward by zoopoetics. Animals, undeniably, occupy a predominant place in the poetry of Dylan Thomas who incessantly emphasizes material and spiritual affinity between human and nonhuman animals. In this respect, zoopoetical scrutiny of Dylan Thomas poetry will be the prevailing concern of this study to unravel the poets unconventional identification with animals as his spiritual partners and companions. Reading Dylan Thomas poetry from the perspective of zoopoetical criticism will provide a wider insight to Thomas notion of animality, immersed in the human self as well as the agentic capacity of animals in the making of his poetry.

Makale detayları

Dylan Thomas' Animalized Self: A Zoopoetical Reading of Dylan Thomas' Poetry

Yazarlar:

Dilek Sarıkaya

Yayıncı:

Trakya University

Dergi:

Trakya Üniversitesi Edebiyat Fakültesi Dergisi Vol.13 Issue 25, pp.125-144

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

İngilizce

Document ID (Org No.):

2001283340

pISSN:

1309-7660

Poetry

Dylan Thomas

Zoopoetics

Animal Studies

Dylan Thomas

Ekoeleştiri

Zoopoetika

Şiir

Sayı

Makale detayları

Yazarlar: Dilek Sarıkaya

Yayıncı: Trakya University

Dergi: Trakya Üniversitesi Edebiyat Fakültesi Dergisi Vol.13 Issue 25, pp.125-144

Belge Tipi: Makale

Yayın Tarihi: 1/2023

Belge Dili: İngilizce

Document ID (Org No.): 2001283340

pISSN: 1309-7660

Sayı

Yazarlar:

Dilek Sarıkaya

Yayıncı:

Trakya University

Dergi:

Trakya Üniversitesi Edebiyat Fakültesi Dergisi Vol.13 Issue 25, pp.125-144

Belge Tipi:

Makale

Yayın Tarihi:

1/2023

Belge Dili:

İngilizce

Document ID (Org No.):

2001283340

pISSN:

1309-7660