The Evaluation of Wedding Orchestra Repertoories in Terms of Modernization, Social Status and  Hierarchies of Like

Osman Şahin

Makale detayları

The Evaluation of Wedding Orchestra Repertoories in Terms of Modernization, Social Status and Hierarchies of Like

Yazarlar:

Osman Şahin

Yayıncı:

Ege University

Ana Başlıklar:

Dans ve Koreografi

Dergi:

Eurasian Journal of Music and Dance Issue 26, pp.94-114

Belge Tipi:

Makale

Yayın Tarihi:

6/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001353827

pISSN:

2651-4818

Anahtar kelimeler:

Özet:

 The aim of this article is to examine the processes of change within the framework of modernization-urbanization and to outline the factors that trigger the change in music preferences of different social dynamics by considering the reflection of these processes on the wedding music repertoire of orchestras, from the perspective of wedding owners, musicians and managers in Ankaras Çankaya district. In this context, foremost the emergence of the concept of modernism in the historical process and how it has undergone a structural transformation is examined, then the socio-cultural reflections of the modernization phenomenon is tried to be revealed. In the next stage, the questions of how modernity was shaped in the repertoire of wedding orchestras, which were held in Ankara and reflects the common demands of very different segments in terms of socio-cultural texture, in the context of the effects of modernism, how the traditional wedding repertoire underwent a change, and how this changetransformation became the common denominator of different cultural structures is tried to be answered. In this context, the repertoire changes in weddings is evaluated on the axis of modernization, and it is tried to reveal the extent of the effect of modernity in the transformation of the orchestras repertoires. As a result, a big picture of the change in the structure of the repertoires in Ankara weddings is presented within the framework of the concepts of modernization, social status, hierarchies of taste, elite-common people and the possible changes is tried to be traced. In the study, which was limited to Çankaya district of Ankara, the phenomenology pattern is used, and field data is obtained by conversational interviews and participant observation method.

 The aim of this article is to examine the processes of change within the framework of modernization-urbanization and to outline the factors that trigger the change in music preferences of different social dynamics by considering the reflection of these processes on the wedding music repertoire of orchestras, from the perspective of wedding owners, musicians and managers in Ankaras Çankaya district. In this context, foremost the emergence of the concept of modernism in the historical process and how it has undergone a structural transformation is examined, then the socio-cultural reflections of the modernization phenomenon is tried to be revealed. In the next stage, the questions of how modernity was shaped in the repertoire of wedding orchestras, which were held in Ankara and reflects the common demands of very different segments in terms of socio-cultural texture, in the context of the effects of modernism, how the traditional wedding repertoire underwent a change, and how this changetransformation became the common denominator of different cultural structures is tried to be answered. In this context, the repertoire changes in weddings is evaluated on the axis of modernization, and it is tried to reveal the extent of the effect of modernity in the transformation of the orchestras repertoires. As a result, a big picture of the change in the structure of the repertoires in Ankara weddings is presented within the framework of the concepts of modernization, social status, hierarchies of taste, elite-common people and the possible changes is tried to be traced. In the study, which was limited to Çankaya district of Ankara, the phenomenology pattern is used, and field data is obtained by conversational interviews and participant observation method.

 The aim of this article is to examine the processes of change within the framework of modernization-urbanization and to outline the factors that trigger the change in music preferences of different social dynamics by considering the reflection of these processes on the wedding music repertoire of orchestras, from the perspective of wedding owners, musicians and managers in Ankaras Çankaya district. In this context, foremost the emergence of the concept of modernism in the historical process and how it has undergone a structural transformation is examined, then the socio-cultural reflections of the modernization phenomenon is tried to be revealed. In the next stage, the questions of how modernity was shaped in the repertoire of wedding orchestras, which were held in Ankara and reflects the common demands of very different segments in terms of socio-cultural texture, in the context of the effects of modernism, how the traditional wedding repertoire underwent a change, and how this changetransformation became the common denominator of different cultural structures is tried to be answered. In this context, the repertoire changes in weddings is evaluated on the axis of modernization, and it is tried to reveal the extent of the effect of modernity in the transformation of the orchestras repertoires. As a result, a big picture of the change in the structure of the repertoires in Ankara weddings is presented within the framework of the concepts of modernization, social status, hierarchies of taste, elite-common people and the possible changes is tried to be traced. In the study, which was limited to Çankaya district of Ankara, the phenomenology pattern is used, and field data is obtained by conversational interviews and participant observation method.

 Bu makalenin amacı, modernleşme-kentleşme çerçevesindeki değişim süreçlerini irdelemek ve bu süreçlerin orkestraların düğün müziği repertuarına yansımasını, Ankaranın Çankaya ilçesi özelinde düğün sahiplerinin, müzisyenlerin ve işletmecilerin perspektifinden ele alarak, farklı toplumsal dinamiklerin müzik tercihlerindeki değişimi tetikleyen unsurları ana hatlarıyla ortaya koyabilmektir. Bu bağlamda, öncelikle modernizm kavramının tarihsel süreç içerisinde ortaya çıkışı ve nasıl bir yapısal dönüşüm geçirdiğine göz atılacak, daha sonra modernleşme olgusunun sosyo-kültürel yansımaları ortaya konulmaya çalışılacaktır. Bir sonraki aşamada, modernizmin etkileri bağlamında Ankarada yapılan ve sosyo-kültürel doku olarak çok farklı kesimlerin ortak taleplerini yansıtan düğün orkestralarının repertuarında modernitenin nasıl şekillendiği, geleneksel düğün repertuarının nasıl bir değişim geçirdiği ve bu değişimindönüşümün farklı kültürel yapıların ortak paydası haline nasıl geldiği sorularına yanıt bulunmaya çalışılacaktır. Bu bağlamda, düğünlerdeki repertuar değişimleri modernleşme ekseninde değerlendirilecek, orkestra repertuarlarındaki dönüşümde modernite etkisinin ne ölçüde olduğu ortaya konulmaya çalışılacaktır. Bu çalışmayla, günümüzün en tartışmalı kavramlarından birisi olan modernizm paradigması sorgulanmaya, bu anlamda Çankayadaki orkestraların düğün repertuarları özelinde nasıl bir değişimidönüşümü tetiklediği gözlemler ve ilgili paydaşlarla yapılan görüşmelerle ortaya konulmaya çalışılacaktır. Sonuç olarak, Ankara düğünlerindeki repertuarların yapısında görülen değişimin büyük bir fotoğrafı modernleşme, toplumsal statü, beğeni hiyerarşileri, elit-avam kavramları çerçevesinde ortaya konulmaya ve olması muhtemel değişimlerin izleri sürülmeye çalışılacaktır.

Makale detayları

The Evaluation of Wedding Orchestra Repertoories in Terms of Modernization, Social Status and Hierarchies of Like

Yazarlar:

Osman Şahin

Yayıncı:

Ege University

Ana Başlıklar:

Dans ve Koreografi

Dergi:

Eurasian Journal of Music and Dance Issue 26, pp.94-114

Belge Tipi:

Makale

Yayın Tarihi:

6/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001353827

pISSN:

2651-4818

Wedding Music Repertoire

Modernism

Hierarchy of Likes

Elite

PlebDüğün Müziği Repertuvarı

Modernizm

Beğeni Hiyerarşisi

Elit

Avam

Sayı

Makale detayları

Yazarlar: Osman Şahin

Yayıncı: Ege University

Ana Başlıklar: Dans ve Koreografi

Dergi: Eurasian Journal of Music and Dance Issue 26, pp.94-114

Belge Tipi: Makale

Yayın Tarihi: 6/2025

Belge Dili: Türkçe

Document ID (Org No.): 2001353827

pISSN: 2651-4818

Sayı

Yazarlar:

Osman Şahin

Yayıncı:

Ege University

Ana Başlıklar:

Dans ve Koreografi

Dergi:

Eurasian Journal of Music and Dance Issue 26, pp.94-114

Belge Tipi:

Makale

Yayın Tarihi:

6/2025

Belge Dili:

Türkçe

Document ID (Org No.):

2001353827

pISSN:

2651-4818