Criticism of The Tatar Bourgeoisie in Kerim Tinchurin's Work Titled American

Gözde Güngör

Makale detayları

Criticism of The Tatar Bourgeoisie in Kerim Tinchurin's Work Titled American

Yazarlar:

Gözde Güngör

Yayıncı:

Yakup YILMAZ

Ana Başlıklar:

Çağdaş Türk Lehçeleri ve Edebiyatları (Diğer)

Dergi:

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 40, pp.1015-1030

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320267

pISSN:

2148-7782

Anahtar kelimeler:

Özet:

 Tatar theater, which has a rich repertoire and a deep-rooted tradition, started to give its first modern examples at the end of the 19th century. The first known work in history of the Tatar theater is The Poor Girl, written by A. Ilyasi. Tatar theater made significant progress until 1905 under the influence of the orientation called megrifetçĕlĕk enlightenment realism, through literary figures such as F. Halidi, M. El-Kazani, A. Ishaki. With the liberal environment brought by the 1905 constitutional monarchy, Tatar theater made a significant progress in terms of both repertoire and staging opportunities. In this period until the October revolution of 1917, Tatar theater was nourished by rich folk culture, Eastern, Russian and Western classics, the traditional contemplation culture of the Turkish world and the political developments of the period, under the influence of enlightenment realism and the critical realism movements shaped by it. The prominent names in playwriting of this period, also called the Tatar renaissance, are Galiasgar Kamal and Ayaz İshaki. After the 1917 revolution, a repertoire began to form in line with the ideology of the new regime. Agitprop plays written during the civil war period were replaced by works highlighting social class struggle in the 1920s. The most prominent name in the dramaturgy of the 1920s is Kerim Tinchurin. Although Tinchurin actually stepped into the theater world in the 1910s, he showed his real effectiveness in the 1920s. The dramaturg, who made a name for himself with the plays he wrote consecutively in these years and his theoretical studies on theater, is today considered the founder of Tatar theater together with G. Kamal. This study focuses on the authors comedy titled American, published in 1923. In the Introduction part of the study, the development of Tatar theater from the beginning to the 1917 revolution is summarized, then the impact of the October revolution on the theater repertoire and Tinchurins effectiveness in the first years of the revolution are discussed. In the last chapter, the representation and criticism of the bourgeois in the play titled American, which was determined as the main subject of the study, was examined.

 Tatar theater, which has a rich repertoire and a deep-rooted tradition, started to give its first modern examples at the end of the 19th century. The first known work in history of the Tatar theater is The Poor Girl, written by A. Ilyasi. Tatar theater made significant progress until 1905 under the influence of the orientation called megrifetçĕlĕk enlightenment realism, through literary figures such as F. Halidi, M. El-Kazani, A. Ishaki. With the liberal environment brought by the 1905 constitutional monarchy, Tatar theater made a significant progress in terms of both repertoire and staging opportunities. In this period until the October revolution of 1917, Tatar theater was nourished by rich folk culture, Eastern, Russian and Western classics, the traditional contemplation culture of the Turkish world and the political developments of the period, under the influence of enlightenment realism and the critical realism movements shaped by it. The prominent names in playwriting of this period, also called the Tatar renaissance, are Galiasgar Kamal and Ayaz İshaki. After the 1917 revolution, a repertoire began to form in line with the ideology of the new regime. Agitprop plays written during the civil war period were replaced by works highlighting social class struggle in the 1920s. The most prominent name in the dramaturgy of the 1920s is Kerim Tinchurin. Although Tinchurin actually stepped into the theater world in the 1910s, he showed his real effectiveness in the 1920s. The dramaturg, who made a name for himself with the plays he wrote consecutively in these years and his theoretical studies on theater, is today considered the founder of Tatar theater together with G. Kamal. This study focuses on the authors comedy titled American, published in 1923. In the Introduction part of the study, the development of Tatar theater from the beginning to the 1917 revolution is summarized, then the impact of the October revolution on the theater repertoire and Tinchurins effectiveness in the first years of the revolution are discussed. In the last chapter, the representation and criticism of the bourgeois in the play titled American, which was determined as the main subject of the study, was examined.

 Tatar theater, which has a rich repertoire and a deep-rooted tradition, started to give its first modern examples at the end of the 19th century. The first known work in history of the Tatar theater is The Poor Girl, written by A. Ilyasi. Tatar theater made significant progress until 1905 under the influence of the orientation called megrifetçĕlĕk enlightenment realism, through literary figures such as F. Halidi, M. El-Kazani, A. Ishaki. With the liberal environment brought by the 1905 constitutional monarchy, Tatar theater made a significant progress in terms of both repertoire and staging opportunities. In this period until the October revolution of 1917, Tatar theater was nourished by rich folk culture, Eastern, Russian and Western classics, the traditional contemplation culture of the Turkish world and the political developments of the period, under the influence of enlightenment realism and the critical realism movements shaped by it. The prominent names in playwriting of this period, also called the Tatar renaissance, are Galiasgar Kamal and Ayaz İshaki. After the 1917 revolution, a repertoire began to form in line with the ideology of the new regime. Agitprop plays written during the civil war period were replaced by works highlighting social class struggle in the 1920s. The most prominent name in the dramaturgy of the 1920s is Kerim Tinchurin. Although Tinchurin actually stepped into the theater world in the 1910s, he showed his real effectiveness in the 1920s. The dramaturg, who made a name for himself with the plays he wrote consecutively in these years and his theoretical studies on theater, is today considered the founder of Tatar theater together with G. Kamal. This study focuses on the authors comedy titled American, published in 1923. In the Introduction part of the study, the development of Tatar theater from the beginning to the 1917 revolution is summarized, then the impact of the October revolution on the theater repertoire and Tinchurins effectiveness in the first years of the revolution are discussed. In the last chapter, the representation and criticism of the bourgeois in the play titled American, which was determined as the main subject of the study, was examined.

 Zengin repertuara ve köklü bir geleneğe sahip Tatar tiyatrosu modern anlamda ilk örneklerini XIX. yüzyılın sonlarında vermeye başlamıştır. Tatar tiyatro tarihinin bilinen ilk eseri A. İlyasinin kaleme aldığı Biçare Kızdır. F. Halidi, M. El-Kazani, A. İshaki gibi edipler vasıtasıyla Tatar tiyatrosu megrifetçĕlĕk aydınlanma realizmi adı verilen yönelimin etkisinde 1905e dek önemli bir ilerleme kaydeder. 1905 meşrutiyetinin getirdiği özgürlükçü ortamla beraber Tatar tiyatrosu da repertuar açısından zenginleşmeye başlar. 1917 Ekim devrimine kadarki süreçte Tatar tiyatrosu, aydınlanma realizmi ve onun biçimlendirdiği tenkitçi realizmin etkisinde zengin halk kültüründen, Doğu, Rus ve Batı klasiklerinden, Türk dünyasının geleneksel temaşa kültüründen ve devrin siyasi gelişmelerinden beslenir. Tatar rönesansı olarak da adlandırılan bu devrin oyun yazarlığında öne çıkan isimleri Galiasgar Kamal ve Ayaz İshakidir. 1917 devrimi sonrasında ise yeni rejimin ideolojisi doğrultusunda bir repertuar oluşmaya başlar. İç savaş devrinde kaleme alınan agitprop oyunlar 1920li yıllarda yerini sosyal sınıf mücadelesini öne çıkaran eserlere bırakır. Sovyet Tatar dramaturjisinin bu ilk döneminin en kudretli kalemlerinden biri Kerim Tinçurindir. Tinçurin esasında tiyatro dünyasına 1910lu yıllarda adım atmış olmakla birlikte asıl etkinliğini 1920li yıllarda göstermiştir. Bu yıllarda art arda kaleme aldığı piyesleri ve tiyatroya yönelik kuramsal çalışmalarıyla adından söz ettiren dramaturg bugün G. Kamal ile birlikte Tatar tiyatrosunun kurucusu olarak addedilmektedir. Bu çalışmada yazarın 1923te yayımladığı Amerikan adlı komedisine odaklanılmıştır. Giriş bölümünde başlangıçtan 1917 devrimine dek Tatar tiyatrosunun gelişimi özetlenmiş ardından Ekim devriminin tiyatro repertuarı üzerinde etkisi ve Tinçurinin devrimin ilk yıllarındaki faaliyetleri ele alınmıştır. Son bölümde ise çalışmanın ana konusu olarak belirlenen Amerikan adlı piyeste burjuva sınıfının temsili ve milli burjuvazisinin eleştirisi değerlendirilmiştir.

Makale detayları

Criticism of The Tatar Bourgeoisie in Kerim Tinchurin's Work Titled American

Yazarlar:

Gözde Güngör

Yayıncı:

Yakup YILMAZ

Ana Başlıklar:

Çağdaş Türk Lehçeleri ve Edebiyatları (Diğer)

Dergi:

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 40, pp.1015-1030

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320267

pISSN:

2148-7782

Kerim Tinchurin

American

Soviet Tatar theatre

bourgeois

Kazan-Tatar literatureKerim Tinçurin

Amerikan

Sovyet devri Tatar tiyatrosu

burjuvazi

Kazan-Tatar edebiyatı.

Sayı

Makale detayları

Yazarlar: Gözde Güngör

Yayıncı: Yakup YILMAZ

Ana Başlıklar: Çağdaş Türk Lehçeleri ve Edebiyatları (Diğer)

Dergi: RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 40, pp.1015-1030

Belge Tipi: Makale

Yayın Tarihi: 6/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001320267

pISSN: 2148-7782

Sayı

Yazarlar:

Gözde Güngör

Yayıncı:

Yakup YILMAZ

Ana Başlıklar:

Çağdaş Türk Lehçeleri ve Edebiyatları (Diğer)

Dergi:

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi Issue 40, pp.1015-1030

Belge Tipi:

Makale

Yayın Tarihi:

6/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001320267

pISSN:

2148-7782