Reminding a Ghost in the Shadow of Nothingness and Death:  The Missing House/ La Maison Manquante

Mert Barlas

Makale detayları

Reminding a Ghost in the Shadow of Nothingness and Death: The Missing House/ La Maison Manquante

Yazarlar:

Mert Barlas

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Disiplinlerarası Sanat

Dergi:

Art-e Sanat Dergisi Vol.17 Issue 33, pp.190-207

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318402

pISSN:

1308-2698

Anahtar kelimeler:

Özet:

 This research presents an analysis of French artist Christian Boltanskis 1992 work The Missing House La Maison Manquante in the context of the relationship between existence and disappearance in the perspective of death nothingness, space void relations. Questioning the interaction between material absence and meaning in the installation through the phenomena of death and nothingness, the research aims to illuminate Boltanskis artistic practice based on lossremembrance on the plane of spatial existence by focusing on the lasting impact of historical trauma on individual and collective consciousness. Characterized by his quest for storytelling, the artists works, which are usually created with unclaimed objects, clothes and photographs, are based on themes such as death, extinction, oblivion, memory, identity, remembering and commemoration, and becoming aware of the pain of the other. In this sense, in order to help understand Boltanskis artistic language, Personnes and Les Archives du Cœurs, which are also considered as examples of memento mori, and the Site Specific work The Missing House, which is the subject of the research, are evaluated in the light of the existential relationship of the phenomenon of space with the concepts of emptiness, death and nothingness.

 This research presents an analysis of French artist Christian Boltanskis 1992 work The Missing House La Maison Manquante in the context of the relationship between existence and disappearance in the perspective of death nothingness, space void relations. Questioning the interaction between material absence and meaning in the installation through the phenomena of death and nothingness, the research aims to illuminate Boltanskis artistic practice based on lossremembrance on the plane of spatial existence by focusing on the lasting impact of historical trauma on individual and collective consciousness. Characterized by his quest for storytelling, the artists works, which are usually created with unclaimed objects, clothes and photographs, are based on themes such as death, extinction, oblivion, memory, identity, remembering and commemoration, and becoming aware of the pain of the other. In this sense, in order to help understand Boltanskis artistic language, Personnes and Les Archives du Cœurs, which are also considered as examples of memento mori, and the Site Specific work The Missing House, which is the subject of the research, are evaluated in the light of the existential relationship of the phenomenon of space with the concepts of emptiness, death and nothingness.

 This research presents an analysis of French artist Christian Boltanskis 1992 work The Missing House La Maison Manquante in the context of the relationship between existence and disappearance in the perspective of death nothingness, space void relations. Questioning the interaction between material absence and meaning in the installation through the phenomena of death and nothingness, the research aims to illuminate Boltanskis artistic practice based on lossremembrance on the plane of spatial existence by focusing on the lasting impact of historical trauma on individual and collective consciousness. Characterized by his quest for storytelling, the artists works, which are usually created with unclaimed objects, clothes and photographs, are based on themes such as death, extinction, oblivion, memory, identity, remembering and commemoration, and becoming aware of the pain of the other. In this sense, in order to help understand Boltanskis artistic language, Personnes and Les Archives du Cœurs, which are also considered as examples of memento mori, and the Site Specific work The Missing House, which is the subject of the research, are evaluated in the light of the existential relationship of the phenomenon of space with the concepts of emptiness, death and nothingness.

 Bu araştırma, Fransız Sanatçı Christian Boltanskinin 1992 yılında ortaya koyduğu Kayıp Ev La Maison Manquante The Missing House eserine dair; ölüm hiçlik, mekân boşluk ilişkileri perspektifinde var oluş yok oluş ilişkisi bağlamında bir inceleme sunmaktadır. Enstalasyondaki maddi yokluk ve anlam arasındaki etkileşimi ölüm ve hiçlik olguları üzerinden sorgulayan araştırma, tarihsel travmanın bireysel ve kolektif bilinç üzerindeki kalıcı etkisine odaklanarak Boltanskinin mekânsal varoluş düzleminde kayıp hatırlama üzerine kurulu sanatsal pratiğine ışık tutmayı amaçlamaktadır. Hikâye anlatıcılığı arayışıyla karakterize edilen sanatçının, genellikle sahipsiz nesneler, kıyafetler ve fotoğraflarla oluşturduğu eserleri; ölüm, yok oluş, unutulma, hafıza, kimlik, hatırlama ve anma üzerine ötekinin acısının farkına varma gibi temalar üzerine kuruludur. Bu anlamda araştırmada Boltanskinin sanat dilini anlamaya yardımcı olmak amacıyla, memento mori örnekleri olarak da ele alınan, Personnes ve Les Archives du Cœurs eserleri ve araştırmaya konu olan Site Specific eseri Kayıp Ev; mekân olgusunun boşluk, ölüm ve hiçlik kavramlarıyla olan varoluşsal ilişkisi ışığında değerlendirilmiştir.

Makale detayları

Reminding a Ghost in the Shadow of Nothingness and Death: The Missing House/ La Maison Manquante

Yazarlar:

Mert Barlas

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Disiplinlerarası Sanat

Dergi:

Art-e Sanat Dergisi Vol.17 Issue 33, pp.190-207

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318402

pISSN:

1308-2698

Mortality

Nothingness

Space/house

Christian Boltanski

The missing houseFanilik

Hiçlik

Mekân/ev

Christian Boltanski

Kayıp ev.

Sayı

Makale detayları

Yazarlar: Mert Barlas

Yayıncı: Süleyman Demirel University

Ana Başlıklar: Disiplinlerarası Sanat

Dergi: Art-e Sanat Dergisi Vol.17 Issue 33, pp.190-207

Belge Tipi: Makale

Yayın Tarihi: 4/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001318402

pISSN: 1308-2698

Sayı

Yazarlar:

Mert Barlas

Yayıncı:

Süleyman Demirel University

Ana Başlıklar:

Disiplinlerarası Sanat

Dergi:

Art-e Sanat Dergisi Vol.17 Issue 33, pp.190-207

Belge Tipi:

Makale

Yayın Tarihi:

4/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001318402

pISSN:

1308-2698