THE SOCIAL DIMENSION OF CRITICISM IN THE POEMS OF AHMET YURT DEDE

Gülda Çetindağ Süme; Muhammet Faruk Ekici

Makale detayları

THE SOCIAL DIMENSION OF CRITICISM IN THE POEMS OF AHMET YURT DEDE

Yazarlar:

Gülda Çetindağ Süme | Muhammet Faruk Ekici

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Türk Halk Edebiyatı | Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 111, pp.109-124

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326615

pISSN:

1306-8253

Anahtar kelimeler:

Özet:

 The art of poetry, in which emotions and thoughts are expressed by giving different meanings to words, has been practiced almost from the birth of humanity to the present day. It is possible to see all the features of the language and culture of the societies practicing this art in the poems of the societies in question. In the history of Turkish culture, there have been personalities with different sacred characteristics who practiced this art, and these personalities were called bards. The bards performed their poems by playing the kopuzu, the most primitive form of todays instrument. Their poems spread within the oral tradition, and the social and cultural characteristics of the period they lived in were passed on to the following periods in this way. Among the minstrels known as performers of folk poetry, those who belong to the Alevi- Bektashi faith have mostly prioritized love and affection, the trinity of Hak-Muhammad-Ali and human love. These minstrels, who can be considered within Alevi-Bektashi literature, also criticised the rude puritan, bigot, ignorance and people who prefer to be deprived of the blessings of education, mostly in a humorous language in their satirical poems emphasising the faulty aspects of society and individuals. Folk minstrel Ahmet Yurt Grandfather, who lived in the Hozat district of Tunceli and was one of the religious leaders of the Alevi-Bektashi faith, also wrote satirical poems. In these poems, he criticised the deterioration of Islamic and moral values, lack of education, ignorance, insatiable people, hypocrites, injustice and other faulty aspects of society. In this study, after giving brief information about the life, grandfatherhood and literary direction of Ahmet Yurt Grandfather, who was a descendant of Sarı Saltık and wrote about five hundred poems, his poems on satire will be evaluated by subjecting them to a certain classification.

 The art of poetry, in which emotions and thoughts are expressed by giving different meanings to words, has been practiced almost from the birth of humanity to the present day. It is possible to see all the features of the language and culture of the societies practicing this art in the poems of the societies in question. In the history of Turkish culture, there have been personalities with different sacred characteristics who practiced this art, and these personalities were called bards. The bards performed their poems by playing the kopuzu, the most primitive form of todays instrument. Their poems spread within the oral tradition, and the social and cultural characteristics of the period they lived in were passed on to the following periods in this way. Among the minstrels known as performers of folk poetry, those who belong to the Alevi- Bektashi faith have mostly prioritized love and affection, the trinity of Hak-Muhammad-Ali and human love. These minstrels, who can be considered within Alevi-Bektashi literature, also criticised the rude puritan, bigot, ignorance and people who prefer to be deprived of the blessings of education, mostly in a humorous language in their satirical poems emphasising the faulty aspects of society and individuals. Folk minstrel Ahmet Yurt Grandfather, who lived in the Hozat district of Tunceli and was one of the religious leaders of the Alevi-Bektashi faith, also wrote satirical poems. In these poems, he criticised the deterioration of Islamic and moral values, lack of education, ignorance, insatiable people, hypocrites, injustice and other faulty aspects of society. In this study, after giving brief information about the life, grandfatherhood and literary direction of Ahmet Yurt Grandfather, who was a descendant of Sarı Saltık and wrote about five hundred poems, his poems on satire will be evaluated by subjecting them to a certain classification.

 The art of poetry, in which emotions and thoughts are expressed by giving different meanings to words, has been practiced almost from the birth of humanity to the present day. It is possible to see all the features of the language and culture of the societies practicing this art in the poems of the societies in question. In the history of Turkish culture, there have been personalities with different sacred characteristics who practiced this art, and these personalities were called bards. The bards performed their poems by playing the kopuzu, the most primitive form of todays instrument. Their poems spread within the oral tradition, and the social and cultural characteristics of the period they lived in were passed on to the following periods in this way. Among the minstrels known as performers of folk poetry, those who belong to the Alevi- Bektashi faith have mostly prioritized love and affection, the trinity of Hak-Muhammad-Ali and human love. These minstrels, who can be considered within Alevi-Bektashi literature, also criticised the rude puritan, bigot, ignorance and people who prefer to be deprived of the blessings of education, mostly in a humorous language in their satirical poems emphasising the faulty aspects of society and individuals. Folk minstrel Ahmet Yurt Grandfather, who lived in the Hozat district of Tunceli and was one of the religious leaders of the Alevi-Bektashi faith, also wrote satirical poems. In these poems, he criticised the deterioration of Islamic and moral values, lack of education, ignorance, insatiable people, hypocrites, injustice and other faulty aspects of society. In this study, after giving brief information about the life, grandfatherhood and literary direction of Ahmet Yurt Grandfather, who was a descendant of Sarı Saltık and wrote about five hundred poems, his poems on satire will be evaluated by subjecting them to a certain classification.

 Duygu ve düşüncelerin kelimelere farklı anlamlar kazandırılarak ifade edildiği şiir sanatı, neredeyse insanlığın doğduğu zamanlardan günümüze kadar icra edilmiştir. Bu sanatı icra eden toplumların diline ve kültürüne dair bütün özellikleri o toplumların şiirlerinde görmek mümkündür. Türk kültür tarihinde de bu sanatı icra eden farklı nitelikte kutsal özelliklere sahip şahsiyetler var olmuş, bu şahsiyetlere ozan adı verilmiştir. Ozanlar, şiirlerini bugünkü sazın en ilkel hâli olan kopuzu çalarak icra etmişlerdir. Onların şiirleri sözlü gelenek içinde yayılmış, yaşadıkları dönemin toplumsal ve kültürel özellikleri de bu vesileyle sonraki dönemlere aktarılmıştır. Halk şiirinin icracıları olarak bilinen ozanlar arasında Alevi-Bektaşi inancına mensup kişiler çoğunlukla aşkı ve muhabbeti, Hak-Muhammed-Ali üçlüsünü ve insan sevgisini ön planda tutmuştur. Alevi-Bektaşi edebiyatı içerisinde değerlendirilebilecek bu ozanlar ayrıca bireylerin ve toplumun aksayan yönlerini vurgulayan taşlama türündeki şiirlerinde kaba sofuyu, yobazı, cehaleti tercih eden kişileri çoğunlukla mizahi bir dille eleştirmişlerdir. Tuncelinin Hozat ilçesinde yaşamış ve Alevi-Bektaşi inancının dinî önderlerinden halk ozanı Ahmet Yurt Dede de taşlama türünde şiirler yazmış halk ozanıdır. O, taşlama konulu şiirlerinde İslami ve ahlaki değerlerin bozulmasını, eğitimsizliği, cehaleti, doyumsuzluğu, ikiyüzlülüğü, adaletsizliği ve toplumun diğer aksak yönlerini eleştirmiştir. Çalışmada, Sarı Saltık soyuna mensup beş yüz kadar şiir yazmış Ahmet Yurt Dedenin hayatı, dedeliği ve edebî yönü ile taşlama konulu şiirleri bir sınıflandırmaya tabi tutularak değerlendirilecektir.

Makale detayları

THE SOCIAL DIMENSION OF CRITICISM IN THE POEMS OF AHMET YURT DEDE

Yazarlar:

Gülda Çetindağ Süme | Muhammet Faruk Ekici

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Türk Halk Edebiyatı | Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 111, pp.109-124

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326615

pISSN:

1306-8253

Folk Poetry

Poet

Alevism

Criticism

Ahmet Yurt GrandfatherHalk Şiiri

Ozan

Alevilik

Taşlama

Ahmet Yurt Dede

Sayı

Makale detayları

Yazarlar: Gülda Çetindağ Süme | Muhammet Faruk Ekici

Yayıncı: Ankara Hacı Bayram Veli University

Ana Başlıklar: Türk Halk Edebiyatı | Alevilik Bektaşilik Araştırmaları

Dergi: Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 111, pp.109-124

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001326615

pISSN: 1306-8253

Sayı

Yazarlar:

Gülda Çetindağ Süme | Muhammet Faruk Ekici

Yayıncı:

Ankara Hacı Bayram Veli University

Ana Başlıklar:

Türk Halk Edebiyatı | Alevilik Bektaşilik Araştırmaları

Dergi:

Türk Kültürü ve Hacı Bektaş Veli Araştırma Dergisi Issue 111, pp.109-124

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001326615

pISSN:

1306-8253