Examples of Bowed String Folk Instruments Performed in the Turkish World

Özgür Çelik

Makale detayları

Examples of Bowed String Folk Instruments Performed in the Turkish World

Yazarlar:

Özgür Çelik

Yayıncı:

Ege University

Ana Başlıklar:

Performans Sanatları (Diğer)

Dergi:

Türk Dünyası İncelemeleri Dergisi Vol.24 Issue 2, pp.363-388

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001333189

pISSN:

1301-2045

Anahtar kelimeler:

Özet:

 Turkish bowed string folk instruments have survived to the present day by developing and changing in every cultural circle in which they are performed. These instruments, which were shaped in line with the need to make music and the needs of daily life, as well as the physical conditions of the region where they were performed, have gained new meanings in every region they moved to. Although they were created in different geographies, bowed string folk instruments have similar characteristics in terms of shape, structure and performance features, and show that there is a common cultural history and relationship between the Turkish tribes living in Central Asia and the Turkish tribes living in other regions in terms of instrument culture. In this context, in this article, bowed string folk instruments of the Turkish World, which are our common cultural heritage; İgil Tuva Autonomous Republic, Bızaançı Tuva Autonomous Republic, Kılkobız Kazakhstan, Gidjak Turkmenistan, Setâr Sato Uzbekistan, Kamancha Azerbaijan - Iran  South Azerbaijan, in addition to the shape and structure features of their instruments, their performances information will be given at the centre. In the light of this information, common features of the stringed folk instruments performed in the Turkish world in terms of their shape, structure and performance characteristics will be determined by comparison method, and a conclusion will be tried to be reached about the types of stringed folk instruments of the Turkish world.

 Turkish bowed string folk instruments have survived to the present day by developing and changing in every cultural circle in which they are performed. These instruments, which were shaped in line with the need to make music and the needs of daily life, as well as the physical conditions of the region where they were performed, have gained new meanings in every region they moved to. Although they were created in different geographies, bowed string folk instruments have similar characteristics in terms of shape, structure and performance features, and show that there is a common cultural history and relationship between the Turkish tribes living in Central Asia and the Turkish tribes living in other regions in terms of instrument culture. In this context, in this article, bowed string folk instruments of the Turkish World, which are our common cultural heritage; İgil Tuva Autonomous Republic, Bızaançı Tuva Autonomous Republic, Kılkobız Kazakhstan, Gidjak Turkmenistan, Setâr Sato Uzbekistan, Kamancha Azerbaijan - Iran  South Azerbaijan, in addition to the shape and structure features of their instruments, their performances information will be given at the centre. In the light of this information, common features of the stringed folk instruments performed in the Turkish world in terms of their shape, structure and performance characteristics will be determined by comparison method, and a conclusion will be tried to be reached about the types of stringed folk instruments of the Turkish world.

 Turkish bowed string folk instruments have survived to the present day by developing and changing in every cultural circle in which they are performed. These instruments, which were shaped in line with the need to make music and the needs of daily life, as well as the physical conditions of the region where they were performed, have gained new meanings in every region they moved to. Although they were created in different geographies, bowed string folk instruments have similar characteristics in terms of shape, structure and performance features, and show that there is a common cultural history and relationship between the Turkish tribes living in Central Asia and the Turkish tribes living in other regions in terms of instrument culture. In this context, in this article, bowed string folk instruments of the Turkish World, which are our common cultural heritage; İgil Tuva Autonomous Republic, Bızaançı Tuva Autonomous Republic, Kılkobız Kazakhstan, Gidjak Turkmenistan, Setâr Sato Uzbekistan, Kamancha Azerbaijan - Iran  South Azerbaijan, in addition to the shape and structure features of their instruments, their performances information will be given at the centre. In the light of this information, common features of the stringed folk instruments performed in the Turkish world in terms of their shape, structure and performance characteristics will be determined by comparison method, and a conclusion will be tried to be reached about the types of stringed folk instruments of the Turkish world.

 Türk yaylı halk çalgıları, icra edildikleri her kültür dairesi içinde gelişerek ve değişerek günümüze ulaşmıştır. Müzik yapma ihtiyacının ve günlük yaşamın ihtiyaçları doğrultusunda ve de icra edildikleri topluluğun yaşamış olduğu bölgenin fiziksel koşullarına göre de şekillenen bu çalgılar, taşındıkları her bölgede yeni anlamlar kazanmıştır. Farklı coğrafyalarda yaratılmalarına rağmen şekil, yapı ve icra özellikleri açısından benzer özellikler taşıyan yaylı halk çalgıları, Orta Asyada yaşayan Türk boyları ile diğer bölgelerde yaşayan Türk boyları arasında, çalgı kültürü açısından da ortak bir kültürel geçmişin ve ilişkinin var olduğunu göstermektedir. Bu bağlamda bu makalede, ortak kültürel mirasımız olan Türk Dünyası yaylı halk çalgılarından; İgil Tuva özerk Cumhuriyeti, Bızaançı Tuva Özerk Cumhuriyeti, Kılkobız Kazakistan, Gidjak Türkmenistan  Özbekistan, Setâr Sato Özbekistan ve Kamança Azerbaycan  İran  Güney Azerbaycan çalgılarının şekil ve yapı özellikleri yanında, icralarını da merkeze alarak bilgiler verilecektir. Bu bilgiler ışığında karşılaştırma yöntemiyle Türk dünyasında icra edilen yaylı halk çalgıları arasındaki şekil, yapı ve de icra özellikleri bakımından ortak özellikleri tespit edilecek ve de Türk dünyası yaylı halk çalgı tipleri hakkında bir sonuca ulaşılmaya çalışılacaktır.

Makale detayları

Examples of Bowed String Folk Instruments Performed in the Turkish World

Yazarlar:

Özgür Çelik

Yayıncı:

Ege University

Ana Başlıklar:

Performans Sanatları (Diğer)

Dergi:

Türk Dünyası İncelemeleri Dergisi Vol.24 Issue 2, pp.363-388

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001333189

pISSN:

1301-2045

Turkish world

bowed string folk instruments

igil

kamancha

setâr

kılkobız

bızaancı

gidjakTürk Dünyası

yaylı halk çalgıları

igil

setâr

kamança

kılkobız

gidjak

bızaançı

Sayı

Makale detayları

Yazarlar: Özgür Çelik

Yayıncı: Ege University

Ana Başlıklar: Performans Sanatları (Diğer)

Dergi: Türk Dünyası İncelemeleri Dergisi Vol.24 Issue 2, pp.363-388

Belge Tipi: Makale

Yayın Tarihi: 12/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001333189

pISSN: 1301-2045

Sayı

Yazarlar:

Özgür Çelik

Yayıncı:

Ege University

Ana Başlıklar:

Performans Sanatları (Diğer)

Dergi:

Türk Dünyası İncelemeleri Dergisi Vol.24 Issue 2, pp.363-388

Belge Tipi:

Makale

Yayın Tarihi:

12/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001333189

pISSN:

1301-2045