A COMPARISON OF CEMAL REŞIT REY’S “AYIN ONDÖRDÜ” IN TERMS OF ORCHESTRAL AND PIANO ACCOMPANIMENT

Ayça Yılmaz

Makale detayları

A COMPARISON OF CEMAL REŞIT REY’S “AYIN ONDÖRDÜ” IN TERMS OF ORCHESTRAL AND PIANO ACCOMPANIMENT

Yazarlar:

Ayça Yılmaz

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Performansı

Dergi:

Sanat Yazıları Issue 51, pp.410-428

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332126

pISSN:

2458-8903

Anahtar kelimeler:

Özet:

 Cemal Reşit Rey, one of the composers of Republic eriod and a member of the Turkish Five group, lived between 1904 and 1985. In addition to his works such as concertos, chamber music, symphonic poems, piano works, operettas, and musicals, he modernized many songs with piano and orchestra accompaniment in the Western style. Considering the years the composer lived, Turkey was undergoing change and revolution. Radical restructuring has been made in the fields of art. Therefore, this also means a revolution in the music community. The subject of the article is the examination of Reys work titled Ayın Ondördü, composed for voice and piano. The work was arranged by the composer for both piano and orchestra parts. In the orchestral version, all the instrumental parts correspond to the piano text. When these two arrangements are compared, the way they sound to the listener creates a feeling of equality in both scores. In this research, two separate arrangements will be examined and a musical comparison will be made. At the same time, the similarities and differences between the two scores will be compared and the possible musical effects of this will be examined.

 Cemal Reşit Rey, one of the composers of Republic eriod and a member of the Turkish Five group, lived between 1904 and 1985. In addition to his works such as concertos, chamber music, symphonic poems, piano works, operettas, and musicals, he modernized many songs with piano and orchestra accompaniment in the Western style. Considering the years the composer lived, Turkey was undergoing change and revolution. Radical restructuring has been made in the fields of art. Therefore, this also means a revolution in the music community. The subject of the article is the examination of Reys work titled Ayın Ondördü, composed for voice and piano. The work was arranged by the composer for both piano and orchestra parts. In the orchestral version, all the instrumental parts correspond to the piano text. When these two arrangements are compared, the way they sound to the listener creates a feeling of equality in both scores. In this research, two separate arrangements will be examined and a musical comparison will be made. At the same time, the similarities and differences between the two scores will be compared and the possible musical effects of this will be examined.

 Cemal Reşit Rey, one of the composers of Republic eriod and a member of the Turkish Five group, lived between 1904 and 1985. In addition to his works such as concertos, chamber music, symphonic poems, piano works, operettas, and musicals, he modernized many songs with piano and orchestra accompaniment in the Western style. Considering the years the composer lived, Turkey was undergoing change and revolution. Radical restructuring has been made in the fields of art. Therefore, this also means a revolution in the music community. The subject of the article is the examination of Reys work titled Ayın Ondördü, composed for voice and piano. The work was arranged by the composer for both piano and orchestra parts. In the orchestral version, all the instrumental parts correspond to the piano text. When these two arrangements are compared, the way they sound to the listener creates a feeling of equality in both scores. In this research, two separate arrangements will be examined and a musical comparison will be made. At the same time, the similarities and differences between the two scores will be compared and the possible musical effects of this will be examined.

 Cumhuriyet Dönemi bestecilerinden olan ve Türk Beşleri grubunun içinde yer alan Cemal Reşit Rey, 1904-1985 yılları arasında yaşamıştır. Konçertoları, oda müziği eserleri, senfonik şiirleri, piyano yapıtları, operet ve müzikal gibi eserlerinin yanı sıra piyano ve orkestra eşlikli birçok türküyü batı üslubunda modernize etmiştir. Bestecinin yaşadığı yıllar göz önünde bulundurulduğunda, Türkiyede bir değişim ve devrim söz konusudur. Sanat alanlarında köklü yapılanmalara gidilmiştir. Dolayısıyla bu, müzik camiasında da bir devrim demektir. Makalenin konusunda Reyin şan ve piyano için bestelemiş olduğu Ayın Ondördü isimli eseri incelenecektir. Eser, besteci tarafından hem piyano, hem orkestra partisi için düzenlenmiştir. Orkestra için yazılmış versiyonunda yer alan bütün enstrüman partileri, piyano yazısına denk gelecek şekilde yer almaktadır. Bu iki düzenleme kıyaslandığında, dinleyici açısından duyuluşları, iki partisyonda da eşitlik hissi yaratmaktadır. Bu araştırmada iki ayrı düzenleme de incelenecek, müzikal açıdan bir karşılaştırmaları yapılacaktır. Aynı zamanda iki partisyon arasındaki benzerlikler ve farklılıklar kıyaslanarak bunun müzikal etkilerinin neler olabileceği incelenecektir.

Makale detayları

A COMPARISON OF CEMAL REŞIT REY’S “AYIN ONDÖRDÜ” IN TERMS OF ORCHESTRAL AND PIANO ACCOMPANIMENT

Yazarlar:

Ayça Yılmaz

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Performansı

Dergi:

Sanat Yazıları Issue 51, pp.410-428

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332126

pISSN:

2458-8903

Ayın Ondördü

Rey

Turkish Five

Correpetition

Song

OrchestrationAyın Ondördü

Rey

Türk Beşleri

Korrepetisyon

Şarkı

Orkestrasyon

Sayı

Makale detayları

Yazarlar: Ayça Yılmaz

Yayıncı: Hacettepe University

Ana Başlıklar: Müzik Performansı

Dergi: Sanat Yazıları Issue 51, pp.410-428

Belge Tipi: Makale

Yayın Tarihi: 11/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001332126

pISSN: 2458-8903

Sayı

Yazarlar:

Ayça Yılmaz

Yayıncı:

Hacettepe University

Ana Başlıklar:

Müzik Performansı

Dergi:

Sanat Yazıları Issue 51, pp.410-428

Belge Tipi:

Makale

Yayın Tarihi:

11/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001332126

pISSN:

2458-8903