CONCEPTUAL ART PRACTICE; ON “THING” AND THOUGHT

Elif Tarlakazan; Burak Erhan Tarlakazan

Makale detayları

CONCEPTUAL ART PRACTICE; ON “THING” AND THOUGHT

Yazarlar:

Elif Tarlakazan | Burak Erhan Tarlakazan

Yayıncı:

Inonu University

Ana Başlıklar:

Görsel Tasarım | Grafik Tasarımı

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.80-89

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309458

pISSN:

2458-7915

Anahtar kelimeler:

Özet:

 Conceptual Art as a movement that reached its peak between 1960 and 1970 in historical reading; It came to life by assimilating twentieth century art movements such as Dadaism, Surrealism, Suprematism, Abstract Expressionism and Fluxus and the passion for art to be free. According to this art movement, whose main purpose is not to produce something beautiful or aesthetically pleasing, art; If it doesnt make us think, it is unnecessary. At the same time, the general vision and common denominator is that the means of artistic expression are endless and the subjects open to questioning and discussion are unlimited. Conceptualism in art; It is a process of perceiving what the artist is trying to say beyond the physical form of the work. In the production of conceptual art, artists began to question the boundaries of art, and the progress, effects and outcomes of these inquiries led to the emergence of conceptual art. In the study, document analysis, which is one of the qualitative research methods - covering the analysis of written materials containing information about the phenomenon or phenomena aimed to be investigated - was used, and the importance of creativity and conceptual art in thought-thing was emphasized. As a result, for conceptual art calendared to the 60-70s; It has been seen that it affects todays art in terms of criticism, recognition, asking questions, expressing the unsaid and contributes to individuals who produce art in this way.

 Conceptual Art as a movement that reached its peak between 1960 and 1970 in historical reading; It came to life by assimilating twentieth century art movements such as Dadaism, Surrealism, Suprematism, Abstract Expressionism and Fluxus and the passion for art to be free. According to this art movement, whose main purpose is not to produce something beautiful or aesthetically pleasing, art; If it doesnt make us think, it is unnecessary. At the same time, the general vision and common denominator is that the means of artistic expression are endless and the subjects open to questioning and discussion are unlimited. Conceptualism in art; It is a process of perceiving what the artist is trying to say beyond the physical form of the work. In the production of conceptual art, artists began to question the boundaries of art, and the progress, effects and outcomes of these inquiries led to the emergence of conceptual art. In the study, document analysis, which is one of the qualitative research methods - covering the analysis of written materials containing information about the phenomenon or phenomena aimed to be investigated - was used, and the importance of creativity and conceptual art in thought-thing was emphasized. As a result, for conceptual art calendared to the 60-70s; It has been seen that it affects todays art in terms of criticism, recognition, asking questions, expressing the unsaid and contributes to individuals who produce art in this way.

 Conceptual Art as a movement that reached its peak between 1960 and 1970 in historical reading; It came to life by assimilating twentieth century art movements such as Dadaism, Surrealism, Suprematism, Abstract Expressionism and Fluxus and the passion for art to be free. According to this art movement, whose main purpose is not to produce something beautiful or aesthetically pleasing, art; If it doesnt make us think, it is unnecessary. At the same time, the general vision and common denominator is that the means of artistic expression are endless and the subjects open to questioning and discussion are unlimited. Conceptualism in art; It is a process of perceiving what the artist is trying to say beyond the physical form of the work. In the production of conceptual art, artists began to question the boundaries of art, and the progress, effects and outcomes of these inquiries led to the emergence of conceptual art. In the study, document analysis, which is one of the qualitative research methods - covering the analysis of written materials containing information about the phenomenon or phenomena aimed to be investigated - was used, and the importance of creativity and conceptual art in thought-thing was emphasized. As a result, for conceptual art calendared to the 60-70s; It has been seen that it affects todays art in terms of criticism, recognition, asking questions, expressing the unsaid and contributes to individuals who produce art in this way.

 Tarihsel okumada 1960-1970 yılları arasında zirveye ulaşan bir hareket olarak Kavramsal Sanatın; Dadaizm, Sürrealizm, Süprematizm, Soyut Dışavurumculuk ve Fluxus gibi yirminci yüzyıl sanat hareketlerinin ve sanatın özgür olma tutkusunun özümsenmesiyle hayat bulmuştur. Temel amacı güzel veya estetik açıdan hoş bir şey üretmek olmayan bu sanat hareketine göre sanat; bizi düşündürmüyorsa gereksizdir. Aynı zamanda sanatsal ifade araçlarının sonsuz olduğu, sorgulamaya ve tartışmaya açık konuların sınırsız olduğu söylemi genel vizyon ve ortak paydadır. Sanatta kavramsallık; eserin fiziksel formunun ötesinde sanatçının ne anlatmaya çalıştığının algılanmasına yönelik bir süreçtir. Kavramsal sanat üretiminde sanatçılar sanatın sınırlarını sorgulamaya başlamışlar, bu sorgulamaların ilerleyişi, etkileri ve çıktıları kavramsal sanatın ortaya çıkmasına yol açmıştır. Çalışmada, nitel araştırma yöntemlerinden - araştırılması hedeflenen olgu veya olgular hakkında bilgi içeren yazılı materyallerin analizini kapsayan- doküman incelemesi kullanılmış, düşünce-şeyde yaratıcılık ve kavramsal sanatın önemi üzerinde durulmuştur. Sonuç itibariyle, 60-70li yıllara takvimlenen kavramsal sanat için; eleştiri yapabilme, tanıma, soru sorma, söylenmeyeni dile getirme konusunda günümüz sanatını etkilediği ve bu yolda sanat üreten bireylere katkı sağladığı görülmüştür.

Makale detayları

CONCEPTUAL ART PRACTICE; ON “THING” AND THOUGHT

Yazarlar:

Elif Tarlakazan | Burak Erhan Tarlakazan

Yayıncı:

Inonu University

Ana Başlıklar:

Görsel Tasarım | Grafik Tasarımı

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.80-89

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309458

pISSN:

2458-7915

Art

Conceptual Art

Thought

ThingSanat

Kavramsal Sanat

Düşünce

Şey

Sayı

Makale detayları

Yazarlar: Elif Tarlakazan | Burak Erhan Tarlakazan

Yayıncı: Inonu University

Ana Başlıklar: Görsel Tasarım | Grafik Tasarımı

Dergi: İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.80-89

Belge Tipi: Makale

Yayın Tarihi: 5/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001309458

pISSN: 2458-7915

Sayı

Yazarlar:

Elif Tarlakazan | Burak Erhan Tarlakazan

Yayıncı:

Inonu University

Ana Başlıklar:

Görsel Tasarım | Grafik Tasarımı

Dergi:

İnönü Üniversitesi Kültür ve Sanat Dergisi Vol.9 Issue 2, pp.80-89

Belge Tipi:

Makale

Yayın Tarihi:

5/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001309458

pISSN:

2458-7915