How many ways does a clothe appear?: Ghazels with the rhyme kepenek in classical Turkish poetry

Kamile Çetin

Makale detayları

How many ways does a clothe appear?: Ghazels with the rhyme kepenek in classical Turkish poetry

Yazarlar:

Kamile Çetin

Yayıncı:

Nevsehir Haci Bektas Veli University

Ana Başlıklar:

Dil Çalışmaları (Diğer)

Dergi:

Nevşehir Hacı Bektaş Veli Üniversitesi SBE Dergisi Vol.14 Issue 3, pp.1302-1321

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327899

pISSN:

2149-3871

Anahtar kelimeler:

Özet:

 Along with many other aspects of social life, traditional Turkish poetry mentions clothing on different occasions. Kepenek shepherds felt cloak is one of the garments that poets mention. The felt is raw material of kepenek, primarily used as a shepherds cloak. Yet, it has been considered as a symbol of simplicity and modesty. Hence, it is associated with Sufism. Classical Turkish literature poets discussed kepenek in their poems as a symbol of a Sufi lifestyle, as it is an unpretentious outfit made of felt. As considered with different interests in couplets, kepenek has also become a rhyme in certain ghazels. The literature review about the divans from different centuries of classical Turkish literature identified ten ghazels with kepenek rhymes over a period beginning from the 15th century and extending to the 17th century. Karamanlı Aynî and Sayyid Nesîmî, 15th century poets, wrote two ghazels each, with the rhyme kepenek. One of Nesîmîs ghazels is in Persian language. While Tâcî-zâde Cafer Çelebi, a 15th century poet, has one ghazel, each of Edirneli Nazmî, Yetîmî Ali Çelebi, Sehâbî, and Vahdetî, 16th century poets, had one ghazel, and Vîrânî Baba, a 17th century poet, also had one ghazel, too. The similarities in form and content suggest that the ghazels were written in the context of the nazire tradition. This study discussed the reflections in which the kepenek found a place in the mentioned ghazels.

 Along with many other aspects of social life, traditional Turkish poetry mentions clothing on different occasions. Kepenek shepherds felt cloak is one of the garments that poets mention. The felt is raw material of kepenek, primarily used as a shepherds cloak. Yet, it has been considered as a symbol of simplicity and modesty. Hence, it is associated with Sufism. Classical Turkish literature poets discussed kepenek in their poems as a symbol of a Sufi lifestyle, as it is an unpretentious outfit made of felt. As considered with different interests in couplets, kepenek has also become a rhyme in certain ghazels. The literature review about the divans from different centuries of classical Turkish literature identified ten ghazels with kepenek rhymes over a period beginning from the 15th century and extending to the 17th century. Karamanlı Aynî and Sayyid Nesîmî, 15th century poets, wrote two ghazels each, with the rhyme kepenek. One of Nesîmîs ghazels is in Persian language. While Tâcî-zâde Cafer Çelebi, a 15th century poet, has one ghazel, each of Edirneli Nazmî, Yetîmî Ali Çelebi, Sehâbî, and Vahdetî, 16th century poets, had one ghazel, and Vîrânî Baba, a 17th century poet, also had one ghazel, too. The similarities in form and content suggest that the ghazels were written in the context of the nazire tradition. This study discussed the reflections in which the kepenek found a place in the mentioned ghazels.

 Along with many other aspects of social life, traditional Turkish poetry mentions clothing on different occasions. Kepenek shepherds felt cloak is one of the garments that poets mention. The felt is raw material of kepenek, primarily used as a shepherds cloak. Yet, it has been considered as a symbol of simplicity and modesty. Hence, it is associated with Sufism. Classical Turkish literature poets discussed kepenek in their poems as a symbol of a Sufi lifestyle, as it is an unpretentious outfit made of felt. As considered with different interests in couplets, kepenek has also become a rhyme in certain ghazels. The literature review about the divans from different centuries of classical Turkish literature identified ten ghazels with kepenek rhymes over a period beginning from the 15th century and extending to the 17th century. Karamanlı Aynî and Sayyid Nesîmî, 15th century poets, wrote two ghazels each, with the rhyme kepenek. One of Nesîmîs ghazels is in Persian language. While Tâcî-zâde Cafer Çelebi, a 15th century poet, has one ghazel, each of Edirneli Nazmî, Yetîmî Ali Çelebi, Sehâbî, and Vahdetî, 16th century poets, had one ghazel, and Vîrânî Baba, a 17th century poet, also had one ghazel, too. The similarities in form and content suggest that the ghazels were written in the context of the nazire tradition. This study discussed the reflections in which the kepenek found a place in the mentioned ghazels.

 Klasik Türk şiirinde sosyal hayata dair birçok unsurla birlikte kıyafetler de farklı vesilelerle söz konusu edilmiştir. Şairler tarafından zikredilen giysilerden biri kepenektir. Kepeneğin hammaddesi yün olup daha ziyade çoban giysisi olarak yararlanılmıştır. Diğer taraftan sadelik ve tevazu sembolü kabul edilmiştir. Dolayısıyla tasavvufla ilişkilendirilmiştir. Klasik Türk edebiyatı şairleri kepeneği, yünden keçeden yapılması, gösterişsiz bir kıyafet olması yönüyle tasavvufî bir hayat tarzının simgesi olarak şiirlerinde ele almışlardır. Beyitlerde farklı ilgilerle değerlendirilen kepenek, bir kısım gazellere de redif olmuştur. Klasik Türk edebiyatının farklı yüzyıllarına ait divanlardan yapılan taramalar sonucu, 15. asırdan başlayarak 17. yüzyıla kadar uzayan bir zaman diliminde kepenek redifli on gazel tespit edilmiştir. 15. asır şairlerinden Karamanlı Aynî ile Seyyid Nesîmî, redifi kepenek olan ikişer gazel kaleme almıştır. Nesîmînin gazellerinden biri Farsçadır. Yine bu yüzyıldan Tâcî-zâde Cafer Çelebinin bir; 16. yüzyıldan Edirneli Nazmî, Yetîmî Ali Çelebi, Sehâbî ve Vahdetînin birer, 17. asırdan Vîrânî Babanın da bir gazeli olduğu görülmüştür. Şekil ve muhteva hususundaki ortaklıklar, gazellerin nazire geleneği bağlamında yazıldığını akla getirmektedir. Çalışmada, bahsi geçen gazellerde kepeneğin bulduğu akisler ele alınmıştır.

Makale detayları

How many ways does a clothe appear?: Ghazels with the rhyme kepenek in classical Turkish poetry

Yazarlar:

Kamile Çetin

Yayıncı:

Nevsehir Haci Bektas Veli University

Ana Başlıklar:

Dil Çalışmaları (Diğer)

Dergi:

Nevşehir Hacı Bektaş Veli Üniversitesi SBE Dergisi Vol.14 Issue 3, pp.1302-1321

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327899

pISSN:

2149-3871

Divan

Ghazel

Sufism

Symbol

KepenekDivan

Gazel

Tasavvuf

Remiz

Kepenek

Sayı

Makale detayları

Yazarlar: Kamile Çetin

Yayıncı: Nevsehir Haci Bektas Veli University

Ana Başlıklar: Dil Çalışmaları (Diğer)

Dergi: Nevşehir Hacı Bektaş Veli Üniversitesi SBE Dergisi Vol.14 Issue 3, pp.1302-1321

Belge Tipi: Makale

Yayın Tarihi: 9/2024

Belge Dili: Türkçe

Document ID (Org No.): 2001327899

pISSN: 2149-3871

Sayı

Yazarlar:

Kamile Çetin

Yayıncı:

Nevsehir Haci Bektas Veli University

Ana Başlıklar:

Dil Çalışmaları (Diğer)

Dergi:

Nevşehir Hacı Bektaş Veli Üniversitesi SBE Dergisi Vol.14 Issue 3, pp.1302-1321

Belge Tipi:

Makale

Yayın Tarihi:

9/2024

Belge Dili:

Türkçe

Document ID (Org No.):

2001327899

pISSN:

2149-3871